The Year That Trembled

Helen Gardner (Marin Hinkle) teaches at a high school near Kent State University. She is an activist against the war in Vietnam, as are some of her students. On May 4, 1970, they hear news of the shootings at Kent State. As a result of her activities, Helen is fired from her job. She marries a young aspiring lawyer (Jonathan M. Woodward) who throws his energy into a legal suit on behalf of those students who were shot.

Four of Helen's senior students (Jonathan Brandis, Charlie Finn, Sean Nelson, and Lucas Ford) graduate and rent a farmhouse next door to their former teacher and her husband. We follow these people, as well as others they become involved with, for the next year as they stave off the law, protest the war, and try to make some beginning in life while facing the likelihood of being drafted and sent to Vietnam.

The title comes from a poem from Walt Whitman's "Leaves of Grass".

"YEAR that trembled and reel'd beneath me!/ Your summer wind was warm enough-yet the air I breathed froze me;/ A thick gloom fell through the sunshine and darken'd me;/ Must I change my triumphant songs? said I to myself;/ Must I indeed learn to chant the cold dirges of the baffled?/ And sullen hymns of defeat?"

Jay Craven captures in drama the times and the concerns that "Hair" captured as a musical, as he focuses on one of the pivotal events of that time--the shooting of students at Kent State--and how that event and the war that spawned it, affected others in the surrounding communities.

He skillfully interweaves stock footage of film and tv broadcasts from that period, with the fictional lives of some young people (and some old) who were closely connected with those events and were trying to figure out how to relate to a society that seemed to have lost its way.

But the film is not abstractly political, keeping its attention on the personal concerns of the characters in all their ambivalence. Jonathan Brandis, in particular, brings a strong screen presence to his role as the point-of-view character in an ensemble cast, and Charlie Finn provides engaging comic relief as the goofy, but believable, Jim "Hairball" Morton. Henry Gibson, Fred Willard, and Martin Mull show the sympathetic–if not altogether trustworthy–other side of the generation gap that had split along some fault-line in time.

The film is somewhat structurally unfocused in its early part. It took a while to get a sense of each character–longer than can be afforded in a feature film, I'd say. Hairball, for example, at first seemed simply awkward as an actor, rather than goofy as a character. Jay R. Ferguson was excellent in his crucial role, but could have gotten the same effect with less screen time. Others could have been given shorter shrift or perhaps no shrift at all.

But once the film zeroes in on the main characters and plot events, it grabs your attention and hangs on.

This is one of those things you marvel at: why did Martin Mull, Henry Gibson and Fred Willard do this? They couldn't have done it for the money. This film is so cheap that they have Fred carrying a kid to Canada on his moped (top speed 20 mph) from the Cleveland area. You know this because there's a sign by the side of the road that says" Border Crossing." He gives his daughter a present wrapped in crudely chopped up construction paper (they couldn't have sent someone to the local CVS for 50 cents worth of wrapping paper?) The make up seems to have been done by the local undertaker - Henry Gibson's face looks downright cooked.

And these are minor concerns. The continuity, the dialogue, the plot! Oy! For those of you who have no idea of what happened at Kent State 30 some years ago - this ain't gonna help!

"The Year That Trembled" is a low budget indie drama full of has-beens and never-wases with poor execution and nothing going for it save the hot button issues derived from the deep gash in the American civilian population caused by the Vietnam conflict (circa 1970). Considering the whole matter of Vietnam has been examined countless times from all angles in much better formats and forums than this film from documentaries to dramas to all manner of hybrids, it's difficult to find a reason to recommend a film with such severe limitations and deficits as this one. Pass. (C-)

"The Year That Trembled" creates a memory of a time of another generation... the May 4, 1970 shootings at Kent State University when four students were killed by Ohio National Guard, and the Vietnam war draft lottery that followed. Starring Martin Mull, Fred Willard and Henry Gibson in supporting dramatic roles, the story follows students who actively oppose the war, then are faced with the decisions of how to respond to their personal destiny with the war. A wonderful film that recalls a different time that we should never forget. Bravo to Jay Craven, Scott Lax and the filmmakers of "The Year That Trembled."

Within the last year or two I've seen a lot of bad movies (The Mexican) but this tops the list as being the worst yet. Creativity is at a complete loss and the casting of actors was even worse. I'd rather see an independent film with unknown actors rather than having to watch Jonathan Brandis prance around the set as if he had a bad case of hemorrhoids. The guy looks disgruntled and constipated throughout the whole film, even when he's engaging in sexual activities with beautiful but untalented actresses. Too much of the film deals with teens smoking pot and discussing (and repeating) the consequences of being drafted into the Vietnam War. Apparently in 1970 that's all that people did, at least that's all that the overly pretentious title represents. With any luck at all The Year that Trembled could be released as a TV movie due to its semi-familiar faces.