The Mark of Cain

Alix Lambert's approach couldn't be more direct, as there is no narration, and no explanatory text, and subjects' responses are not paired with questions or statements from the filmmaker. Interspersed at times with archived footage from many years past, 'The mark of Cain' consists simply of remarks from interviewees - mostly inmates, but also prison staff or other professionals - footage of tattoos and institutions, and overlaid text introducing the subjects. There are unlikely rays of sunshine to appear in the form of a few cats that are seemingly kept as de facto pets, but otherwise the movie is more than a little dour as it showcases correctional facilities and those within. For all that, as simple and straightforward as this documentary is, it's unquestionably fascinating as an unembellished peek into Russian prisons.

Ostensibly a feature detailing the specific, specialized tattoos that adorn Russian prisoners' skin, and their meaning, the scope of Lambert's project is actually wider than that. While tattoos are a soft focus, in the same breath that these are exhibited and discussed, we also hear how the subculture has changed over time. Moreover, large swaths of the picture examine the institutions generally, and the horrid conditions therein, giving a dire impression of "life on the inside." One can immediately draw comparisons to prison systems elsewhere in the world, including the United States - the particulars may differ in some measure, but the overall effect is much the same. It's definitely interesting to glimpse this extra-small corner of the world and everything it entails, not least of all the loosely systematized, unsanctioned bodily artwork that effectively constitutes an unofficial policy of identity, order, and hierarchy.

This documentary is enjoyable, and is edited together very well, and worth a look for those with an appetite for sundry topical areas. I think it could stand to be a bit better, though, in at least one notable way. The matter-of-fact approach to the feature, letting the people and imagery speak for themselves, cuts down on excess and gives the essential content more time to shine. That - or, as is true here, more details of the topic can be broached to give a more well-rounded perspective thereof. However, while prison tattoos are more or less the inspiration behind the film, so much attention is given to other aspects of Russian prisons that the core is kind of watered down. At the same time, were 'The mark of Cain' intended all along to give a more expansive view, it doesn't feel like any one idea is explored fully enough to be entirely satisfying. All this to say: were the project more tightly focused on any one element, tattoos especially, it could have gone into greater depth, and would have been improved for it, and it wouldn't have been necessary to completely drop the other proverbial flavors to round out the movie.

That's my opinion, anyway, but maybe I'm nitpicking. In any event, even if subjectively flawed, the material here is certainly engaging. We get sufficient information in 70 minutes on every bit touched upon to pique our interest in an area that one could spend many more hours delving into. I think that alone marks 'The mark of Cain' as a success; if the worst that can be said of a title like this boils down to "it could go deeper," then I'd say Lambert did her job pretty well. Of course anyone who has difficulty abiding documentaries won't have their minds changed, and it's worth accentuating that the space the filmmaker is showing to us isn't exactly rosy. What it all comes down to, though, is that for anyone with interest in the subject matter, documentaries, or as far as that goes simply learning or cinema in all their varieties - or, let's be honest, David Cronenberg's 'Eastern promises' - then this is a quick, deserving watch.

This is a very good documentary. However trying to find this is a bit difficult. If somehow it could be netflix'd, then people could resurrect this enchanting film about Russian prisons, specifically about Russian tattoo's and their meanings. This is interesting cause a lot of tattoos are religious and/or symbolic but in actuality these tattoos are a story of that individual, a passport to the uncharted criminal underground areas, if you will, of Russia. But more so, this is also a film about the conditions of these prisons, I believe unintentionally.

The new film Eastern Promises, due September 21st 2007 was researched by the films star Viggo Mortenson and also recommended this film for those who could find it. Amazon or Ebay is about all I come up with as far as hit. I would be nice if this could be distributed more, for it is a very good documentary by such a newcomer.

Prison life is a dreary subject and Russian prison life even more so, but The Mark of Cain is a film anyone interested in post-communist Russia should view. The documentary features many interviews with Russian prison inmates.

Director Alix Lambert examines the changes Russian prison tattoo art has undergone since the fall of communism and winds up vividly capturing both the changes in Russian prison life since the fall of communism, and the problems Russian society faces as it grapples with its communist past. I just watched it last night online at netlix and found it quite riveting. It is easily available to view online.

Although the primary goal of the documentary is to examine prison tattooing in Russia, it gives the subjects the opportunity to discuss the conditions in the prisons. I thought this was an expertly crafted technique: if Alix Lambert had arrived in Russia and looked to film the deplorable conditions in the prisons, she'd likely have been guided to some "show prison" where prisoners are treated kindly. By examining tattooing, she had the opportunity to see how casually accepted the poor conditions really are.

This is available on DVD from Black Diamond Films - http://www.blackdiamond.co.uk/ or via Amazon (the 2006 DVD from Black Diamond, not the 2007 film starring Matthew McNulty).

From the box-blurb - "The Mark of Cain, a feature-length documentary by Alix Lambert, explores the dying art of Russian prison tattoos to offer audiences an understanding of conflict and transition in contemporary Russia. Through intimate interviews that enable the prisoners to talk about their life experiences, body art and living conditions, a powerful story emerges of tension between prisoners of different generations and different social-economic systems. The Mark of Cain documents for the first time the disappearing artistic practice of Russian prison tattoos; further, the project investigates the nature of change in Russia by examining what is happening in the country's prisons."

I heard about this film in interviews with David Kronenberg about his new movie "Eastern Promises" - apparently Vigor Mortensson found this documentary and showed it to Kronenberg during the filming, and it became a large influence. It's a nice companion to the Russian Tattoo Encyclopedia volumes by Danzig Baldayev, too.