Avaliações do Metacritic

Longer on action than comedy. But with Chan's affable charm and stunning leaps, kicks and jumps, it's a good-natured and amusing spectacle.

Chan's signature mix of screwball comedy and gymnastic derring-do landed him his own cartoon series a few years back, and The Medallion -- with its bumbling spies and bounding star -- is about as cartoonish as live action gets.

Since the stunts are sub-par and feature considerable computer help, the movie gives the impression that it's trying too hard to be campy and silly.

Though haphazardly put together, The Medallion stays fairly entertaining until it kills Chan off and resurrects him as an immortal being.

Not that Chan isn't lovable; he is. But he's making it harder to feel warm and fuzzy about him with films like The Medallion. It's OK to age, but Chan needs to broaden his horizons. He is a trained singer. Where's that musical he's always dreamed of making?

There are five writers credited with the script for The Medallion, and between them they don't come up with a single original or amusing or clever idea.

The formulaic movie would be forgettable but inoffensive if it were anyone else posing for blue screen CGI effects.

Given the complete lack of chemistry between Chan and Forlani, their rather awkward lip-lock isn't worth $10 to see. Sadly, neither is anything else here.

Moves from cheekiness to ineptitude, often in a single take.

One of the Peking Opera-trained superstar's most mediocre films, rivaling last year’s God-awful "The Tuxedo" for sheer messy filmmaking and brazen acts of tedium... Abysmal.