Demolidor: O Homem sem Medo

I have to admit when I saw Daredevil in its theatrical release, I found myself underwhelmed by it. I loved the visuals, but I found the love story soppy and couldn't always make sense of the story. However, hearing so much about the Director's Cut being superior I got the DVD off my brother, and actually I really liked it. Daredevil is not what I call a perfect movie, I still did find the love story soppy and becoming dangerously close to flagging down the film and the soundtrack is rather dated and heavy for my liking. On the other hand, I loved the stylish visuals, the fresh, funny dialogue, that I could make much more sense of the story and could be more entertained by it and the characterisation of the titular character with him being vulnerable and flawed I found him very interesting. The other characters are not as well developed, but are enthusiastically performed. Colin Farrell especially is lots of fun, Jennifer Garner is decent and Michael Clarke Duncan is great as is Joe Pantoliano. The editing is good if occasionally rushed, and the action sequences are clear if not always very subtle. Overall, a good movie that fared much better on re-watch. 7.5/10 Bethany Cox

This surprisingly dark and moody superhero yarn is a great and unexpected surprise – probably the most genuinely entertaining comic-book film to come out of Hollywood in the early surge of such movies. It certainly walks all over the likes of HULK and SPIDER-MAN. The fun aspect of the movie comes from a pleasingly witty script, which serves up crisp dialogue throughout; some surprising plot developments (coming from somebody who never reads any comics); memorable acting performances and a freshness which is more than worthwhile. The backstory of the main character is run through pleasingly fast, in about fifteen minutes (compared to HULK's forty-five). I don't want to spoil any of the plot, other than to say that this film takes a more adult, mature approach to the material – both in the depth of emotion of the characters, in the handling of death, and in the rather violent action sequences.

Said action – invariably incorporating martial arts, which is of course currently in vogue in Hollywood – is highly entertaining and the film as a whole is packed with special effects, which add to the impact rather than being really noticeable. The entire cast put in good performances, from Ben Affleck's subdued turn as the lead to the solid support of Jon Favreau, Joe Pantoliano and Leland Orser. Yet the most noticeable characters are Jennifer Garner as the truly electrifying Elektra, Michael Clarke Duncan as the impossibly imposing Kingpin, and best of all, Colin Farrell as mad henchman Bullseye. Farrell bags the best role in the film and really makes a meal of it, bringing humour to his psycho-schtick and enlivening the proceedings no end. The combination of the above factors serve to highlight DAREDEVIL as one of the triumphs of the Hollywood year!

First off, this was a more complete version of the DVD which came out earlier. In this edition, about a half-hour of new material was added to the disc (and what was shown at the theaters.) All reviews I read said it elevated this film from "fair at best" to "good." I agree. It made the movie much, much better.

Yeah, it's more far-fetched than the other superhero movies because here, the hero is a blind guy who, because of his blindness, has extraordinary hearing powers along with the rest of the usual Batman/Spiderman-type athletic skills.

As in most of the Batman films, this is a dark film. I think it would have been better had it lightened up a bit with a few jokes and a more wholesome female lead. Jennifer Garner is another one of these latter-day skinny chicks who is made to be tough-looking, tough-talking and tough-fighting. In other words: ridiculous. However, I will say she comes across a little more likable on the extended version. One more negative: the fight scenes go on a tad too long and are outlandish.

On the positive side, this may be the best-sounding DVD I own, at least up to ones I had heard up until this came out in January of 2005. Since the hero (Ben Affleck) has super hearing, this is emphasized in this movie and so you, if you have a 5.1 surround system, hear sounds from all speakers at almost times. It's awesome!

Affleck, meanwhile, is likable as the superhero and I liked the message he gives at the end about shunning revenge. Wow, you don't hear that much in movies. Kudos, too, to villains' Colin Farrell and Michael Clarke Duncan. They are fun to watch, especially Farrell.

So, if this superhero film interests you, make sure you get the "Director's Cut" edition. It's far better than the original, and, I believe, the same price.

Blinded by bio-hazardous waste as a child, Matt Murdock finds that his other senses have developed to the point where they afford him almost supernatural physical abilities. Years later, Murdock (Ben Affleck), now a pro-bono lawyer, takes on the guise of night-time vigilante Daredevil, using his powers to ensure that justice is always served. In doing so, he finds himself pitted against crime boss Kingpin (Michael Clarke Duncan), his hired hit-man Bullseye (Colin Farrell, who hams it up wonderfully in every scene), and kick-ass babe Elektra (Jennifer Garner), who mistakenly holds Daredevil responsible for the death of her father.

The recent casting of Ben Affleck as Batman has been the cause of much controversy amongst comic book fans, but judging by Daredevil, the star's previous foray into comicdom, I'm not all that concerned, this fun movie proving the actor to be more than capable in the role of superhero. Affleck acquits himself surprisingly well as both the laudable lawyer and his leather-clad alter-ego, providing the character with the necessary depth and the required physicality.

If this longer version still proves less than perfect, it is not down to Affleck, but once again due to the script and the directorial style (I guess some things just can't be fixed). With an extra thirty minutes, The Director's Cut fleshes out the characters and makes more sense of the narrative, but at the expense of the pacing; in addition, the poorly lit visuals makes some of the action hard to follow (I understand that the look and feel is intended to emulate the style of Frank Miller's comic book artwork, which makes great use of heavy shadow, but director Mark Steven Johnson takes things a step too far).

Over the last decade, Marvel have gradually honed their product to meet maximum audience approval, boosting their budgets and throwing the best special effects available onto the screen, but as one of the earliest postmillenial attempts to bring their characters to the big screen (yes… Daredevil is already well over a decade old) this is still a serviceable effort, with only the occasional iffy CGI shot belying its age.

A disturbingly dark and heavy superhero flick that becomes one of the better (if not the very best) films of one of the cinema's newer sub-genres by its finale. "Daredevil" is one of the best surprises of recent memory (I was expecting something similar to "The Shadow" or "The Phantom"). A young boy (Scott Terra) thinks his ex-boxer father (David Keith) is the greatest person on Earth. Terra is shocked though when he discovers that his father is little more than a thug, an enforcer in a rough neighborhood that preys on those who owe money to underworld syndicates. A freak accident soon follows that leaves the youth blind. Keith is grief-stricken and promises his son that he will change his colors. A bond that is stronger than ever then comes together, but evil forces lurk when Keith makes a comeback in the boxing ring and refuses to take a dive for those same criminals he once worked for. Tragedy does strike once again for the youth and he is forced to grow up quicker than most other children. The blindness leads to a strange type of radar sense which causes the character to know all that is going on around him. He then becomes versed in acrobatic martial arts and vows to take revenge on all those wrong-doers in New York City as he grows up to become a lawyer (in the form of Ben Affleck). Only Catholic priest Derrick O'Connor knows the real truth about Affleck and proves to be the father figure that the character desperately needs. Affleck learns that there is a new crime boss in town (a much heavier Michael Clarke Duncan of "The Green Mile" fame) as he falls in love with the ridiculously athletic Jennifer Garner. Garner's shady father though (Erick Avari) becomes Duncan's newest target. Thus more drama begins to take place as Duncan calls in super-villain Bull's Eye (a scene-stealing performance by Colin Farrell) in Ireland to cause more havoc in the city and kill the titled character for good. The thing that separates "Daredevil" from most every other film of its type is the fact that the film is as serious as a heart attack throughout. The "Batman" series became ridiculous because of its over-the-top comedy and most other superhero films lack believability and substance. "Daredevil" is amazingly realistic and its tone makes it a strikingly dramatic experience that has very few equals. All the performances are outstanding and the film's direction lifts an admittedly flawed screenplay (the screenplay does not work as well as it should due to the possibility of more installments). A smashing soundtrack and gloomy cinematography complete the impressive production. A daring film that ends up being an overwhelming success. 4 stars out of 5.