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This movie is about two American deserters in WWII. Apparently they were court-marshaled for an accident involving a flame-thrower, but not too much is revealed about that, with the exception of the same flash-back annoyingly popping up every 10mins. As they travel the European countryside, not very much interesting happens to them. The two actors are your typical unknown amateur actors who sound like they are reading their lines rather than speaking them. And when the reach a strange orphanage, the story gets weirder before it gets any good.

I thought the direction really wasn't that good, with the exception of the action sequences, which were up to the standard of any other good action director. But the rest left something to be desired. Some movies with small budgets can sometimes pull of really great things, and you are surprised to find out that it was a small budget. This one doesn't and reeks of a B-movie all over it.

If you really love war movies and are desperate for another one, check this one out, I am sure you won't be too disappointed. But the rest of you can pass on this one, you won't be missing much.

Andrei Dumitrescu is exceptional. Vote Basescu!!!

It's good to see there are still some filmmakers out there who push their craft beyond some tired formula. Despite a low budget (which shows at times) this film is obviously a labor of love for the director and the cast. The scenes involving the children are superbly handled and director Jeff Burr deserves enormous credit for their effectiveness. I love war films and this one works on that level, but it can't be pigeon holed as just another war movie. There's a lot going on and sometimes the filmmakers' reach exceeds their grasp, but more often the movie is very, very effective. This movie will have you talking

Outside "The Offspring" and "Night of the Scarecrow" Jeff Burr might be recognised as a journeyman for commercial horror sequels (for the likes of "The Stepfather", "Pumpkinhead", "The Texas Chainsaw Massacre" and "Puppet Master"); while competently fun still they were mechanically pitched. However Burr's "Straight into Darkness" feels more personal (being dedicated to his dead father), and I would say it's his most accomplished and creative production where its independent tailoring help provide his own vision. Burr's streamlined direction really did surprise me here, where it was more artistic, strange and atmospheric like something out of Michael Mann's 1983 "The Keep" (although there's nothing supernatural going on)… actually it's has the same surreal, dream-like feel where I would see it as a mixture of "The Keep" and definitely "Castle Keep" and throw in "Freaks (1932)". Burr interweaves a fairy-tale air amongst the horrifying spiral into the macabre madness of war. Again it's rather atypical, more so an uncompromising journey story of redemption and affiliation than just an all-out assault on the senses. Sure there's explosions and gunfire, but its trimmed and meaningfully unsettling in its execution. Especially the hanging trees' scene and the eerie final sequences involving an armed band of deformed orphan children taking on a German battalion with a tank, where its depiction of innocence shows it's never spared in war. The reason given to why the Germans are attacking them comes as a surprise, and only makes it even more gut wrenching. I wouldn't call it perfect, as the tight script is predictably penned and the moody narrative can be confounded by rapidly jerky flashback sequences that really don't share any light upon the characters, but just add more emotional baggage from the vague imagery.

Two deserting American soldiers in the final days of WW2 managed to escape from custody by surviving a bombing attack on their vehicle. They head off in to the snowy European woods where they try to survive and this would go on to show how these two men really tick -- as one is psychotic while the other is naïve. While holding up in an abandoned house, they encounter a ragtag of orphan children who bare the scars of the war.

I wasn't expecting much, but Burr projects a desolate, forlorn war-torn landscape amongst the picturesque Romanian backdrop. Stylishly striking set-pieces are formed, as the earthy action is beautifully poised, but at the same time hard-hitting and suspenseful. How the action and music went hand to hand had me thinking of Alex Cox's "Walker"… haunting scoring cues with slow-motion, emotionally over-wrought illustrations. It can be reflective -- pouring in blood and sweat, demons and pain with dark underlining.

The performances of Scott MacDonald and James Legros as the deserting American GIs are commendably good. The script could have done a better job in delving into these two characters than it did, because there were complexities dug up. But motives are quickly squeezed out. A gruff looking David Warner appears and Daniel Roebuck also. The kids are convincing in their roles.

Nothing spectacular, but quite an aspiring and gripping low-budget indie war effort.

Into the Darkness is about two deserters during world war two who escape their MPs and stumble upon a group of French resistance fighters consisting of two teachers and a hand full of special children. The kids all live in an old defunct factory with a hidden treasure. At first the GIs are not welcome, for reasons that are obvious if you see the film. They fight off a common enemy, some Nazis that come to the factory to get the treasure at the end of the war. The children and the GIs have no idea that the war is actually over. Lots of fighting and some flashbacks help explain some of the characters past. The story is entertaining and tragic all at the same time. Not as graphic as it could have been, the characters were all believable through strong acting and good direction. Not for the squeamish.

This movie is such a mesmerizing and impressive experience that you won't regret to do. Beautifully shot on Romania with strong acting by a cast that includes Ryan Francis, Scott McDonald (JACK FROST!), Linda Thorson and David Warner. Probably, STRAIGHT INTO DARKNESS is Jeff Burr's masterpiece. It have flaws, like some obvious dubbing for the German characters, played by romanian actors. But none of them diminishes the valour of this great movie, that also benefits from a original and powerful script, not to mention the haunting, beautiful musical score.

STRAIGHT INTO DARKNESS have a sincere, thought provoking anti-war message and manages to be more than just a movie. Knowing that the kids casted on it were real life orphans only made the experience more human and emotional. War and general movie fans, be sure to don't miss!