Pequenos Espiões 2: A Ilha dos Sonhos Perdidos

As the story begins, Juni and Carmen Cortez are agents on the rise in the new Spy Kids division of the OSS. Despite all their impressive skills and accomplishments, they're denied a promotion in the agency as a result of blatant nepotism. Still determined to make their mark, and much more importantly to upstage a pair of rival agents, they intervene in a mission to travel to a mysterious island and retrieve a sophisticated thingamajig that could be a potent threat if it falls into the wrong hands. Engaging sequel is far less cheesy than its predecessor, has a much better story, and lots of imaginative visual effects accompanied by exciting, cliffhanger action scenes. Overlong, and still corny at times, but has just enough of the right ingredients to entertain all audiences. ***

To its credit, "Spy Kids 2" does indeed display a lot of creativity and imagination, and that makes it a lot better than most family movies Hollywood makes. However, while the first "Spy Kids" was a fun romp that kids AND adults would enjoy, this sequel isn't as much fun.

I think the biggest flaw is that this sequel is missing heart. We don't feel the warmth between the family members as we previously did. (Yes, the youthful siblings did fight and disagree a lot in the first movie, but you could still sense a solid bond between them.) There's no sense of the characters feeling danger, excitement, and a sense of adventure as they did the first time around. Instead, there is a coldness, a mechanical feeling this time, like they are very familiar (and almost bored with) with what they are experiencing, even with each other. The presence of two snotty and selfish rival child spies just furthers this somewhat sour tone.

While kids might not mind this too much, I think even they will agree with the second problem I found - the story here is VERY confusing at times. For one thing, the movie seems to start at chapter two, jumping ahead of itself before the audience is set and ready. Then after that, there are a number of moments where we keep thinking "Huh? How did (this character) get there all of a sudden?" and "Huh? What on earth happened off-screen to make (what we are now seeing) happen?" Very annoying. It's all made worse by a pace that is MUCH too fast, even for an adventure of this nature.

Note to Robert Rodriguez: I understand you will soon start "Spy Kids 3". Please not only take notice of what I've said above, but take note of Daryl Sabara ("Juni"). Though not a bad actor, there were a number of instances where he didn't enunciate his dialogue clearly enough, which lead me to rewind back a few seconds and use captions. Please take care of this on set, or at the very least, patch it up during post-production looping.

Another winner in Robert Rodriguez' budding `Spy Kids' franchise, equally as good as the first and showing real potential for the future. Rodriguez is perhaps the only filmmaker of kids' movies that seems to actually listen to what kids want and in the process delivers something every family member can indulge in--it's as delicious as chocolate, with plenty of giggles aimed at the seven to ten crowd and dazzling ideas and humor that parents can appreciate. Rodriguez has an extremely fertile imagination and while his visuals sometimes can't keep up (the digital effects are an occasional letdown) the concepts themselves are so ambitious and delightful that it's easy to look past the brief technological shortcomings. As in the first film, there are plenty of references to family films of the past (most notably `Willy Wonka & The Chocolate Factory' and the stop-action animation of Ray Harryhausen) and the overall design of both films is very similar. (Rodriguez seems to prefer shooting at twilight, giving everything an orange hue.) But it does seem more expansive, perhaps because he's creative enough to incorporate welcome new characters, such as the kids' grandparents (played with relish by Ricardo Montalban and Holland Taylor) and another brother-sister spy team (Emily Osment and Disney Channel favorite Matthew O'Leary) as well as fresh retakes on characters from the first film (Steve Buscemi takes on the Alan Cumming role). Rodriguez' screenplay once again takes on the theme of family but this time it's carried poignantly throughout (it got dropped rather quickly in `Spy Kids') and the result, coupled with his extraordinary vision, is a film that will thoroughly satisfy just about everyone.

The first "Spy Kids" is an incredibly over the top but entertaining film for younger audiences and even though I still recommend this sequel I think that its just a little too over the top. Story is of course about Carmen (Alexa Vega) and Juni (Daryl Sabara) who have become top spies for their agency but now they are in competition for the best jobs by another brother/sister spy team. A gadget called the Transmooger that can shut down any defense system is stolen from the President and Juni is blamed for his carelessness. The Agency sends Gary (Matthew O'Leary) and Gerti (Emily Osment) who are the children of Donnagon (Mike Judge) who is in charge of Operations so Carmen hacks into the computer and has the mission changed so that she and Juni are sent instead. They travel underwater to an island that is invisible and inhabited by strange looking creatures but they have to hurry because Gary and Gerti will be showing up eventually to get the Transmooger that they are trying to find as well. The meet Romero (Steve Buscemi) who is hidden underground because he was the one that created all the creatures and he thinks they want to kill him. Meanwhile, Gregorio (Antonio Banderas) and Ingrid Cortez (Carla Gugino) are in pursuit to find their children along with the help of Grandfather (Ricardo Montalban) and Grandmother (Holland Taylor).

Not only did Robert Rodriguez direct this film but he also wrote, edited, produced, scored and did the production design. I'm sure he did other things as well and this shows that he remembers his days as a poor independent filmmaker with this type of self reliance. Rodriguez has a wild imagination and its not uncommon in his films for him to throw everything at an audience but the kitchen sink. This film is chock full of digital effects and at times it bordered on being more animated than live action. As much as I enjoyed the first film I always told people that I thought it would be even better if the story was more simplified. Have the kids in more realistic situations like James Bond but instead we got a cartoonish film with walking thumbs and gadgets that even Bond himself would laugh at. Here in this sequel it goes even more over the top with such outlandish situations that even Indiana Jones would be clueless. I couldn't decide which was more incredible, the giant monsters on the island or the fact that parents were sending their small children out on dangerous missions to save the world! Another thing I noticed was the sister of Haley Joel Osment who plays one of the other spy kids. It may be too soon to judge her but after watching Emily Osment's performance in this film she should beg her brother for acting lessons. She has an eternity to go. I am recommending this film for its wild imagination and high tech energy and their are some nice tributes to the great Ray Harryhausen but if they continue to make these sequels they might want to think about simplifying the stories.

Carmen and Juni Cortez are official Spy Kids, working for an organization called OSS (which probably stands for something, but I'm not sure what). In the opening scenes we see the President's daughter, Alexandra (Taylor Momsen from "How the Grinch Stole Christmas"), as a special guest at a futuristic amusement park. When Alexandra gets herself in trouble on a ride called the Juggler (which actually juggles the cars containing the passengers!), Carmen and Juni are dispatched to help her. But then a backup Spy Kids team of Gary (Matt O'Leary from "Frailty") and Gerti (Emily Osment, sister of Haley Joel) Giggles are sent in as well. The situation becomes competitive, with the Cortezes rescuing Alexandra while the Giggleses retrieve the dangerous device (the Transmooger) that she had stolen from her father's office.

As in the first film, Carmen and Juni's parents are Gregorio (Antonio Banderas) and Ingrid (Carla Gugino), who are also spies working for OSS. Gregorio is up for a major promotion, but like his children, he is also competing with the Giggles family. The dinner at which the winner of this promotion is announced is the launching pad for the heart of the film.

Other key characters returning from the first film are uncle "Machete" Cortez (Danny Trejo) and Felix Gumm (Cheech Marin). And then there is Doctor Romero (Steve Buscemi), who is a very interesting character.

The "film" was actually shot using high definition video, which looked good enough to never be a distraction. It had been transferred to film for exhibition, so the normal film wear and tear issues applied, especially since I saw it near the tail end of its theatrical run.

Besides using digital video, the director (Robert Rodriguez) also used another trick to save money: he did almost everything himself. He was the writer, cinematographer, editor, production designer, and visual effects supervisor, and also helped produce and score the film. Apparently he did much of this work in his garage in Austin, Texas.

The first film was very fun and unexpected. This one feels a *little* too much like more of the same, and it also adds a touch more gross humor than I think it needed to. It's still fun and definitely worth at least a rental, but it's not *quite* up to the level of the first film.

Seen on 10/9/2002.