Under Surveillance

"Under Surveillance" is well cast and well acted by virtual unknowns. Director / Writer, Dave Campfield manages to maintain a constant sense of tension throughout the movie, reminiscent of many Hitchcock works.

Considering the film's meager budget of less than $30,000, the technical merit is most impressive. In this case, the fiscal restraints actually worked to the Director's advantage, as the film relies completely on raw talent, character development and story line, rather than being carried by special effects and over production.

What also struck me about this piece was the Mr. Campfield's ability to plausibly tie in such multi-faceted characters by the end of the film.

Special mention should be given to the outstanding score throughout the movie, originally written by Evan Evans and finalized by Joseph Bauer. Sound levels were right on the money and the music itself was more appropriate to the film's theme than most major motion picture scores.

Everyone associated with this film should feel comfortable in considering it a very positive addition to their professional resumes.

Dave Campfield poses a triple threat as Director / Writer / Actor of "Under Surveillance", satisfying all three capacities remarkably well. I look forward to viewing his next project.

The DVD title is "Dark Chamber", and the cover features a barebacked woman with a pentagram carved into her back. Believe me the film is nowhere near as awesome as the cover is.

Felissa Rose (Sleepaway Camp) name on the cover might be a selling point, but unfortunately she nowhere near as dominant in the film as the placement of her name makes it appear. I'm always temped to grab newer horror movies when the have a cult favorites name on the box. I love seeing classic horror stars in new films!

Anyway, the movie is boring. There's no T & A to help offset the boredom. As for the acting, you'll find better acting in a grade school play. I mean these people make Charles Bronson look Oscar worthy.

In Under Surveillance, Dave Campfield, in his first feature film, typifies the triple threat of writer, director, and actor (might we add, co-producer!). On a budget of $30,000, he transforms digital video into a slick, cinematic tour-de-force that rivals, if not surpasses, a 35mm concoction. He utilizes the camera's possibilities as a character in the cast, moving deftly and subliminally into and out of the mindset of mystery and psychological intrigue. He employs a writer's precision in pacing his screenplay with appropriate calibers of suspense and revelation, layering it with rich characterizations and subtext, brought to life by a compelling and well-assembled cast. Director of Photography Andrew Seltz maximizes the technical potential of digital video with lush and ominous color landscapes punctuated by Pixelvision-like black and white points of view of the surveillance cameras, offering us a peephole into the private lives of this repertory of players. Composer Evan Evans lends a haunting and enthralling score, reminiscent of early Bernard Herrmann, and contributes significantly to the overall tone of the piece. Under Surveillance is bound to elicit attention in the independent film arena; and as long as there are fine films to be seen and fine director/writers (such as Dave Campfield) to make them, it should secure a memorable place in that canon and beyond.

I just finished "Dark Chamber" aka "Under Surveillance" and I'm stunned. Stunned, not by the film, but by some of the rave reviews I perused which influenced my watching it. The story was so ravaged by plot-holes and the majority of the acting so flat, categorizing it as a comedy seems appropriate. Seriously, I found myself shaking my head and laughing in bewilderment as I endured this movie.

Justin leaves the confines of living at home with a pain killer-addicted mom to go live with his cop father despite Mom's warnings that Dad is no good. When a young woman is found murdered, Justin becomes suspicious of the tenants who reside in the adjacent apartments. With the help of a couple pals, he installs covert cameras to keep tabs on these folks. As the truth begins to unravel, Justin uncovers an unexpected secret.

One positive point is that Felissa Rose is HOT! I would have generously slapped an extra star or two on here had she peeled down a bit, but no such luck. It would have been the film's potential saving grace. Eric Conley played Justin very adeptly, I thought, and I wouldn't be surprised whatsoever to see more of him in the future.

The general premise of the film, although plagued by clichés, might possibly have worked had it not been for the ridiculously hollow "performances" of key cast members, most notably Alexandra Eitel (Kayla) and David H. Rigg (Justin's father). The horror! (pardon the pun).

I have nothing against low-budget films. Indeed, I believe independent film is our only hope for decent film making in the days to come. I'll cut low-budget films quite a bit of slack when it comes to special effects, lighting, even musical score and the overall picture quality. I don't give allowances, however, for stick figure acting and a swiss cheese lover's script. There are a vast number of competently-made low budget films out there. Sadly, this isn't one of them. I can't help but suspect that at least a few of the reviewers who have praised "Dark Chamber" here are in some way affiliated with its production.

I just saw this film at Terror Film Festival and it ROCKS! It brings suspense thriller to a whole new level and is so reminiscent of the great Hitchcock movies. Director Dave Campfield really shows his mastering of the film-making craft with turns and twists that leave you guessing until the very end. And the film also happens to contain one of the funniest moments in cinematic history. When you watch this film, keep an eye on what happens in the bedroom. It'll leave you in stitches! Also, the writing is superb. The script is just a roller-coaster ride of curve balls and red herrings, and you'll wonder if you heard that right and feel like you're IN the film. There are some really good films out there, but this one is a GREAT film.