AVALIAÇÃO DA IMDb
5,7/10
574
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA moment by moment account of the sinking and rescue of the crew of the submarine USS Squalus which was the first rescue of living crew on a submarine.A moment by moment account of the sinking and rescue of the crew of the submarine USS Squalus which was the first rescue of living crew on a submarine.A moment by moment account of the sinking and rescue of the crew of the submarine USS Squalus which was the first rescue of living crew on a submarine.
- Direção
- Roteiristas
- Artistas
Fotos
James Sikking
- Rear Admiral Cyrus Cole
- (as James B. Sikking)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I read the book and happened to be channel surfing when the Submerged movie came on.... Found it very enjoyable and had to find another showing to get the first 15 minutes. Sam Neil does a wonderful Mumson. Overall very close to book and Special Effects are also well done...
Momsen never went on the first dive of the McCann Rescue chamber. He hadn't on any of the four trips. He was actually cited as scrutinizing the higher number of the rescued in the chamber, yet, told them to keep it up. The names of the operators cited in the movie were inaccurate as well. The following is a quote from a true account taken from the 1939 Newspapers:
Sibitsky made contact with the Squalus, and the 33 survivors cheered when they heard his lead boots clang outside. He did his job in the pitch dark without a hitch and safely returned to the surface. Some of the survivors' previous Morse Code messages requested food, so at 11:30 AM, while Torpedoman's Mate John Mihalowski and Gunner's Mate Walter Harman entered the dive bell, they brought a surprise. Inside the 10-foot high by 7-foot wide, 21,600-pound chamber, the pair brought hot pea soup, sandwiches, milk, and extra blankets and flashlights.
As they leveled the dive bell's buoyancy, they slowly slid down the line to the escape hatch, bolted down the chamber, and sealed it to the Squalus. When Mihalowski opened the hatch, he was greeted with the faces of the crew and quickly exchanged supplies. One of the survivors slurped his hot soup and jokingly remarked, "Where in the hell are the napkins?"
I do not know if Momsen actually knew the Captain of the S-51 as claimed in the movie. I do know that Walter E Harman was a S-51 crew member (listed in the original casualty list) later assigned to the USS Falcon. Some may say that it's a movie and that poetic license is often taken. The problem I have here is that it down plays the historic significance and bravery of those who risked their lives during the operation - almost like erasing them from history.
Sibitsky made contact with the Squalus, and the 33 survivors cheered when they heard his lead boots clang outside. He did his job in the pitch dark without a hitch and safely returned to the surface. Some of the survivors' previous Morse Code messages requested food, so at 11:30 AM, while Torpedoman's Mate John Mihalowski and Gunner's Mate Walter Harman entered the dive bell, they brought a surprise. Inside the 10-foot high by 7-foot wide, 21,600-pound chamber, the pair brought hot pea soup, sandwiches, milk, and extra blankets and flashlights.
As they leveled the dive bell's buoyancy, they slowly slid down the line to the escape hatch, bolted down the chamber, and sealed it to the Squalus. When Mihalowski opened the hatch, he was greeted with the faces of the crew and quickly exchanged supplies. One of the survivors slurped his hot soup and jokingly remarked, "Where in the hell are the napkins?"
I do not know if Momsen actually knew the Captain of the S-51 as claimed in the movie. I do know that Walter E Harman was a S-51 crew member (listed in the original casualty list) later assigned to the USS Falcon. Some may say that it's a movie and that poetic license is often taken. The problem I have here is that it down plays the historic significance and bravery of those who risked their lives during the operation - almost like erasing them from history.
Submarine down ... men trapped .. dramatic rescue ... very promising elements .. but fails to deliver. The best ingredients are a waste on a poor chef, and that is what happened here. A pretty marketable story, by a good author, but too many corners cut in this made for TV snoozer. The story line was poorly paced to build any tension, the young lovers subplot was underdeveloped and all of the acting was generally weak. If you need to kill some time - fine; if you are a real naval fanatic - fine; but if there are other choices, they will probably be better.
I'm a military buff and an ex-Navy man, so I'm drawn to this type of movie whether its good or a stinker. Dramatically, I thought this movie worked quite well. There's action, but the viewer isn't hit over the head with it (pun intended). There are elements of the movie that appeal to men (fishing for a submarine with a grapling hook) and elements that appeal to women (the admiral's poor daughter lost her fiance).
I'm not intimately familiar with the real story of the Squalus rescue that this movie is based on, so I may be wrong about this, but I suspect liberties were taken with certain facts in the name of dramatic license. For example, the diving bell almost didn't make it back to the surface on the last of four trips. Swede Momsen, our protagonist, jumps into the water to tie a line on the contraption then proceeds to exhort the crew to "heave!" the bell to the surface by pulling on the rope. I have a hard time believing that really happened.
The filmmakers did pretty well with the military courtesy, but I wonder if Momsen really got away with calling the admiral by his first name with enlisted men within earshot. There's also a scene where someone salutes the admiral indoors. (The Navy only salutes outdoors.)
And lastly, the multiculturalists evidently had something to say about the casting of this movie because there is a black crewman on the submarine and one or two black crewmen in the crowd on the surface. I guess I can't blame the movie makers for doing this because the alternative is to be criticized by black activists, but that's not the way the Navy was in 1939.
All in all, though, a good movie. I gave it a seven.
I'm not intimately familiar with the real story of the Squalus rescue that this movie is based on, so I may be wrong about this, but I suspect liberties were taken with certain facts in the name of dramatic license. For example, the diving bell almost didn't make it back to the surface on the last of four trips. Swede Momsen, our protagonist, jumps into the water to tie a line on the contraption then proceeds to exhort the crew to "heave!" the bell to the surface by pulling on the rope. I have a hard time believing that really happened.
The filmmakers did pretty well with the military courtesy, but I wonder if Momsen really got away with calling the admiral by his first name with enlisted men within earshot. There's also a scene where someone salutes the admiral indoors. (The Navy only salutes outdoors.)
And lastly, the multiculturalists evidently had something to say about the casting of this movie because there is a black crewman on the submarine and one or two black crewmen in the crowd on the surface. I guess I can't blame the movie makers for doing this because the alternative is to be criticized by black activists, but that's not the way the Navy was in 1939.
All in all, though, a good movie. I gave it a seven.
This is a relatively faithful recounting of the dramatic rescue of most of the crew of USS Squalus, which went down while conducting diving drills near the Portsmouth, NH Navy Yard in October 1939.
Of course, some liberties had to be taken for dramatic purposes, but key events, such as the divers suffering from the effects of such a deep dive (over 230 feet), and the fact that the rescue bell got stuck coming up with the last of the survivors, requiring yet another harrowing dive to free them, are handled well. Considering the press attention this event got at the time, the total absence of reporters from the movie is surprising, but sort of refreshing in a way.
That said, I never really was engrossed in this movie, with many of the dramatic moments falling flat. Maybe that's because I knew how it would turn out, but still, one would think the film could be a bit better paced. All in all, a 7.
Of course, some liberties had to be taken for dramatic purposes, but key events, such as the divers suffering from the effects of such a deep dive (over 230 feet), and the fact that the rescue bell got stuck coming up with the last of the survivors, requiring yet another harrowing dive to free them, are handled well. Considering the press attention this event got at the time, the total absence of reporters from the movie is surprising, but sort of refreshing in a way.
That said, I never really was engrossed in this movie, with many of the dramatic moments falling flat. Maybe that's because I knew how it would turn out, but still, one would think the film could be a bit better paced. All in all, a 7.
Você sabia?
- CuriosidadesWhile many movies of this type add complications to the rescue, this one simplifies it. In real life several more ships were involved, and when the diving bell jammed on the fourth trip, several dives were made before it could be freed. The bell was also sent on a fifth trip to confirm that no other compartments contained survivors.
- Erros de gravaçãoJeeps are used as Navy transport vehicles throughout the movie, yet they did not go into production until mid to late 1941, nearly 2 years after the events in this movie are depicted.
- ConexõesReferenced in Voyages of Discovery: Hanging by a Thread (2006)
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