Respiro

Emanuele Crialese's Respiro is alive, sensual, and transcendent. Set in Lampedusa, an island southwest of Sicily, it is a film about mothers and sons, accepting differences, and the power of love to bring renewal and reconciliation. Gorgeously filmed by cinematographer Fabio Zamarion, Respiro captivates us with its bright Mediterranean sunlight and the expressive faces of the people, tanned and strikingly beautiful. Winner of the 2002 Cannes Critics Week award, the film is based on a local legend about a mother whose behavior was found to be offensive by the community and whose subsequent disappearance was the catalyst that brought the people together. Crialese's film has the feeling of myth and legend but also the overtones of the great Italian realist dramas of the 50s and 60s.

As gangs of unsupervised pre-teens carry out intermittent warfare among the desolate beaches and rocky landscapes, everyday life centers on fishing. While the husbands do the fishing, wives work in the fish processing plant and the boys help out their fathers and catch fish to use as trade for a chance to win an electric train set. Grazia (Valeria Golino) is the wife of macho but loving fisherman, Pietro (Vincenzo Amato) and mother of three: 13-year old Pasquale (Francesco Casisa), younger brother Filippo (Filippo Pucillo), and older sister Marinella (Veronica D'Agostino). Golina is radiant as the headstrong young mother and Casisa's performance as Pasquale completely captures the budding sexual awareness of a pre-teen. The film reflects the warmth of the Italian family and the closeness that Italian sons feel for their mothers but also depicts the old-fashioned attitudes of the tight-knit community, especially the subjugation of women.

In a revealing scene, Pasquale's brother, the adorable but mouthy Filippo and his friends follow his older sister Marinella to a private meeting place where she is seeking privacy with a shy young policeman, Pier Luigi (Elio Germano). Affronted by their seeming public display of affection, Filippo, less than half their size, confronts the two lovers and threatens to beat them up unless his sister goes home immediately. Unfortunately, everything is not right on the island. Grazia's behavior is increasingly defined by erratic mood swings. She flings dishes across the room, swims naked with her sons, and releases a herd of dogs from captivity, but it is not clear if she is ill or just rebellious and the film walks a tightrope between suggesting madness or the eccentricities of a free spirit.

It is soon apparent that the community has their own thoughts about her actions and she is seen as a threat to the social order. When Grazia's antics threaten to reach the breaking point, Pietro's family decides to send her to Milan to receive psychiatric treatment. Pasquale, however, always understanding and protective of his mother, hides her in one of the many caves along the rocky shore, bringing her food and reporting news of the search for her whereabouts. The ending can be interpreted in many different ways but I was touched by its haunting beauty. Is it to be taken literally, a dream of Pasquale's perhaps, or a fairy tale constructed from legend? I'm not sure but in any case, Respiro's combination of magic realism, natural beauty, and humanistic message will have you pricing the tickets for a trip to Lampedusa.

RESPIRO is a lovely and intriguing film set on the lonely Mediterranean island of Lampedusa, between Sicily and Tunisia. The main character is Grazia, played by the marvelously beautiful Valeria Golino. She is a mother with a few problems connecting with reality, a wayward independent spirit who attracts the ire of the islanders, especially the women who view her almost as a witch and her husband Pietro (Vincenzo Amato) who is at his wit's end. It is a theme it shares in common with Tornatore's MALENA, made in 2000.

Grazia has three children: a lovely daughter who is attracted to and attracted by a policeman from the mainland, and two adoring sons, whose affection is overtly and uncomfortably oedipal at times. They spend much of their energies comforting their mom, defending her against verbal attacks, supplying her with food when she goes off into hiding from those who want to send her to Milan for treatment, which, in truth, she probably could use. The rest of the time they are chasing birds, hanging out on the main drag with the girls and other friends. Pantsing each other on the beach seems to have become one of the island's most common sporting activities among the young.

What I like most about the movie, besides the appealing scenery, was the interrelations of the characters, the humor, petty gossips, the impromptu emotional outbursts, the displays of maternal and filial affection. The two boys are tremendous: the older Pasquale (Francesco Casisa) is the more mature of the two. The younger Filippo (Filippo Pucillo) has an unregulated diarrhea mouth filled with hilarious and inspired ravings, often without sense. His rant against the busybody women is a treasure, as is his little-brother-as-big-brother protectiveness of his sister from the policeman-friend. The boy embodies an epic Italianate inflammability far beyond his years.

The mysterious end evocative ending, in which Grazia, believed drowned, emerges from the water's depths on Saint Bartolo's Day, is quite beautifully conceived. Fine too are the musical score by John Surman, and the precise and suggestive direction by Emanuele Crialese. I enjoyed this film so much I went to see it several times.

The movie gives us a vivid and ruthless description of the odyssey of a rebel housewife, described with passionate and emotional involvement without giving vent to any sort of conceptualism. This touching story has been inspired by the legend of a mysterious woman who disappeared a long time ago in Lampedusa (an island in the sea of Sicily, the southern point of Europe.). Grazia, the catalyst character of the story, a restless married woman of unusual habits, is considered a nut, an irresponsible person who can't participate fully in the life of society, being forced into total imagination. If it hadn't been for an out-of-date husband, maybe she would have turned her beauty to better account.

Unable to stifle her feelings and to bear the heavy burden of age-old customs, she blows a fuse, ready to abandon home, land and property to flee into the unknown. As the intolerant member of an archaic fishermen community whose behavior leaves much to be desired, not tuned to her same emotional wavelength, not contaminated by the standardization of the modern society, she's quite resolved to preserve every traditional values and social structures, without leaving space for human relationships not predetermined by time-honored customs faithfully handed on from father to son. In this forgotten land where the younger brothers strive to safeguard the reputation of their mothers, the alienated Grazia, (played by a touching and wonderful Valeria Golino), generally considered to be either a very wretched woman or, even worse, a lunatic one, is eager to undertake a journey towards the complete fulfillment of her hopes, yearning for the sight of her deep blue sea, complying with her inner desire for emancipation. In her unremitting efforts to achieve ultimate freedom, the same freedom bestowed by her upon the dogs waiting to be slaughtered, she strives to get over her existential dimension of illness, feeling like a fish out of water, with fear in her eyes, eager to feel the warm embrace of the sea, restored to a sort of primitive amniotic fluid and changing her uneasy feelings into unlimited pleasure.

The movie shows us the epos of a picturesque island where even the children's games reflect the savage nature of the surrounding environment. To be considered at the same time the celebration of a land and of rough people stubbornly bound together by a close friendship without any will to open up new horizons, conforming to precise religious rules (Our Lady's statue brought down the sounding-depth), careful not to mistake the will of sound emancipation for the abolition of every moral scruples. Decided not to be corrupted by vices of more developed social strata.

In a small Italian fishing village, the community is very close knit and gossip starts easily about anyone who upsets the status quo. So it is that the free-spirited ways of Grazia make her stand out from the other women in the village who are married to the fishermen and keep their children. As she continues to set tongues wagging and frustrating her husband as a result, Pietro starts to think that perhaps the time is right for her to see a specialist to treat her and, if necessary, section her. Getting wind of her fate, Grazia heads off and is taken to a hiding place by her son Pasquale in the rocks above the beach.

Those looking for a plot that is as strong as I have suggested would do well to just watch the final 30 minutes of this film because it is only then that this storyline is brought out. When it does eventually come, it is interesting and it builds on the things that have been done in the first hour in regards subtexts and relationship dynamics but I have to mention the fact that, for many viewers, the first hour does have the potential to drag and seem irrelevant. To some extent I did fall into this camp, because I thought that the subtexts had been well enough developed before the hour mark and that this aspect could have been worked into a story better. However it still manages to set up the downside of small village life – a world where women are seen as lesser (even little brothers boss around older sisters), men are the all and even minor things can spark off gossip and rumours; it is a place that flies in stark contrast to the beautiful scenery and idyllic setting that the director shows us. This presentation does establish the final third well and, although it does need some patience, it does work very well.

It may be used as a contrast with the people but the direction is very impressive in terms of use of scenery and the framing of shots; it is very beautiful at times and it does help to highlight the disparity between the setting and the society. Golino is pretty good in the lead role – pretty and free enough to convince as a character but perhaps a bit too young looking to have had so many kids of such ages; she does look a bit like a movie producer's idea of what an Italian mother of three looks like. Casisa is good but he seems to have brought out a strange semi-sexual chemistry with Golino; if this was deliberate then it I'm not sure why, maybe I was just seeing something that wasn't there. Amato is effective as the husband – he seems to be frustrated not by his wife but by what others see in his wife; in this regard he fits the bill perfectly.

Overall this is an enjoyable film but it is not perfect and viewers should be prepared for the fact that the "plot" comes out almost reluctantly in the final third of the movie. Up till this time we have a thematic exploration of village life that is interesting but does require a bit of forgiving patience because it could easily have been done in less time or interwoven with a tighter story.

If you are religious, if you believe in miracles, if you believe that religion has nothing to do with miracles, if you HATE religion, if you are Catholic, if you are Roman Catholic, if you grew up in such a home, if you despise the hypocrisy of it all, you should see this movie. If you are Italian, if you speak Italian, if you are planning to travel to Italy, if you like Italian food, if you are learning Italian, if you even know anyone who is Italian you need to see this movie. If you've been affected by a psychological disorder, if you have a psychological disorder, if you are a psychologist, if you have a psychologist. If you have a mother. If you've seen Big Top Pee-Wee and thought "Gina" was hot. See Respiro.

I saw this movie in a small theatre and could tell who the aforementioned italomaniacs were in the crowd by the eruptions of laughter that would occur before the (occasionally poorly translated) subtitles appeared. The friend I went to see this with was wont to turn to me at choice moments during the film and inquire as to "WHAT IS IT WITH YOU PEOPLE?!" Charming, warm. Absolutely beautiful location. Vibrant characters. Simplistic filming. Multi-faceted story, bringing together a family and a community and managing to tell several stories at once, I can't find anything bad to say about this movie.