A Terra do Sol

SUNSHINE STATE is about Big Ideas. Grief, it even has a Greek chorus to comment on the action- how's that for being self-important! But since these ideas are delivered in such a heavy-handed way, it's oddly like watching a pageant put on by a civics class at Beverly Hills High School.

The story deals with a small town in Florida where real-estate developers are threatening to change the way of life. Other than the beach, the town doesn't have much going for it. Characters talk a lot about how they either got out or wish they had gotten out. There's a local pirate festival that nobody but the stressed-out lady who's ramrodding it seems to care about. But for some reason this mosquito infested area is supposed to inspire developers to want to spend wads and wads of money turning it into a hot tourist spot.

Out of respect for the actors, I didn't name any names. Sigh. If this had been done on Broadway it would have closed opening night and been forgotten. But that's the curse/blessing of film. SUNSHINE STATE will be around to haunt these good people for the rest of their careers. Between cable, tape, dvd's and whatever the future may bring, they'll have to explain to their grandchildren why they bet on a dead horse like this. Now THAT would make an interesting movie.

(2002/John Sayles) ***1/2 out of ****

"In the beginning.....there was nothing."

Small towns are often used as the backdrop for many films, but seldom is the concept often explored. "Sunshine State", like many other films that tackle the concept, offers a slice of life into the world of the people who inhabit a small town, which is, in this case, a beach front town in Northern Florida.

Plantation Island is a picturesque small town. It's residents include many people ranging from different races, including whites, blacks, and Native Americans. But it goes a little deeper. Some of the characters are native to the area, some are just visiting. Edie Falco plays a down-to-earth motel owner, Timothy Hutton plays a land developer, Angela Bassett plays a woman who has just returned to the island after having left when she was 15, and Bill Cobbs plays a retired doctor who doesn't like where the future of the town is going. Throw in a couple of philosophical golf players, and there you have the island of Plantation.

This film has Robert Altman stamped all over it. And that's basically what it is: a toned down mosaic of Floridians, that looks like it was done by Robert Altman himself. This is a very good movie, with deep characters and a story with multiple layers. But the story and scenery can't make up for the periodic lulls here and there. All in all, an above average film that is worth a look.

-30-

One of those movies which goes nowhere with elegance. It touches on all the basic concerns of humanity: love, race, age, parents, and real estate. More than that, it handles all of them with honesty and kindness.

This movie should be watched late at night when the mind no longer knows where it wants to go. You can let it drift over you like a soft summer breeze. Hopefully in that state you will accept the fact that there is really no graceful resolutions or summations in life, just a review of how we dealt with all the little things which seemed so large at the time. The selection of actors for the movie also reflects the tone. Many very good artists who are drawn from television rather than the box office are able to use this vehicle to show us what they are really capable of.

Interesting, multi-faceted story of the lives of folks on Florida's Plantation Island. Many compelling characters populate this film: some sad, some funny, all very real. Great cast includes Edie Falco (The Sopranos), Angela Bassett, Timothy Hutton, James McDaniel, Alan King and Mary Steenburgen. Writer/director John Sayles seems (in my view) incapable of making a bad film. As with all filmmakers, some are better than others. This one falls somewhere in the middle. Sayles has made such excellent films in the past: Eight Men Out, Matewan, Lone Star, and Limbo (to name a few), that when he simply makes a good film it can somehow seem a bit disappointing. Certainly not for all tastes, Sunshine State impressed me, and I give it a 4 (out of 5).

This view of community and change in a small Florida beach community is another incisive look at American standards by a broadminded, experienced filmmaker. It's as solid an ensemble piece as one could want, with enough humor, insight and local color to be another enlightening look at American values by an expert chronicler of such things. The many reviewers who seem to find it tedious should probably re-analyze it as an allegory of the average American experience. Another exemplary work by John Sayles.