AVALIAÇÃO DA IMDb
7,0/10
581
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaCan Schalcken save his love, Rose, from the clutches of a ghastly suitor before it is too late?Can Schalcken save his love, Rose, from the clutches of a ghastly suitor before it is too late?Can Schalcken save his love, Rose, from the clutches of a ghastly suitor before it is too late?
- Direção
- Roteiristas
- Artistas
Charles Gray
- Narrator - Lefanu
- (narração)
Sarah Parry
- Model
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
10Beeryus
Only the BBC has the ability to outdo great writers, and even then, only rarely (Ashenden was one example, Jeeves and Wooster another). Here is one of the best examples: a classic BBC TV play adapted from J. Sheridan LeFanu's chilling short story of the same name.
The atmosphere of this TV film is incredibly disturbing, and the cast and crew all do a brilliant job to recreate one of the most chilling stories of gothic literature. Godfried Schalcken was a real painter who studied under Gerrit Dou in Leiden (Holland). Schalcken painted figures lit by candlelight, and his paintings are quite atmospheric. It is this dark atmosphere which suffuses LeFanu's work and this TV play. After seeing the movie, I took a trip to Europe, and had the chance to see some of the original paintings. They are brilliant in their depiction of light, shadow, and darkly captivating mood.
The TV play is a kind of allegory and a mystery, in which a young maiden (a rare appearance by the lovely and talented Cheryl Kennedy) is married off to a mysterious suitor and disappears. It falls to Schalcken (played brilliantly by Jeremy Clyde), who had used the girl as a model, to investigate. The horror that he uncovers haunts him (and his subsequent artworks) forever.
Unfortunately, like many late-night TV plays that were prevented from making it to VHS by a reactionary '70s era British VHS censorship debacle (the play features a very brief frontal nude scene, performed quite eerily by Cheryl Kennedy), this TV classic is now apparently lost. It has not been seen on TV for over a decade (as far as I'm aware), and like many '70s BBC masterpieces, seems destined to spend decades completely forgotten in some film vault. We can only hope that someone at the BBC will eventually find it and get the powers that be to release it on DVD or VHS. Hopefully soon!
The atmosphere of this TV film is incredibly disturbing, and the cast and crew all do a brilliant job to recreate one of the most chilling stories of gothic literature. Godfried Schalcken was a real painter who studied under Gerrit Dou in Leiden (Holland). Schalcken painted figures lit by candlelight, and his paintings are quite atmospheric. It is this dark atmosphere which suffuses LeFanu's work and this TV play. After seeing the movie, I took a trip to Europe, and had the chance to see some of the original paintings. They are brilliant in their depiction of light, shadow, and darkly captivating mood.
The TV play is a kind of allegory and a mystery, in which a young maiden (a rare appearance by the lovely and talented Cheryl Kennedy) is married off to a mysterious suitor and disappears. It falls to Schalcken (played brilliantly by Jeremy Clyde), who had used the girl as a model, to investigate. The horror that he uncovers haunts him (and his subsequent artworks) forever.
Unfortunately, like many late-night TV plays that were prevented from making it to VHS by a reactionary '70s era British VHS censorship debacle (the play features a very brief frontal nude scene, performed quite eerily by Cheryl Kennedy), this TV classic is now apparently lost. It has not been seen on TV for over a decade (as far as I'm aware), and like many '70s BBC masterpieces, seems destined to spend decades completely forgotten in some film vault. We can only hope that someone at the BBC will eventually find it and get the powers that be to release it on DVD or VHS. Hopefully soon!
The young lover of a student artist in 17th century Holland is spirited away in marriage by her guardian to a grim, wealthy suitor. Years pass, and the student becomes successful, but then he finds her again ...
A strange, cold story, with a fabulously eerie climax. Shot with all eyes on recreating the image of Dutch interiors, still lifes and portraits from the era, and very spare with the dialogue. I did feel the lovers' relationship should have been given more substance, but the performances are excellent, and the psychology of the protagonist is deep and not easy to understand. The outstanding theme is the treatment of women as objects, but the message is complex and rounded out with inevitable terror as life's betrayals and compromises accumulate.
Pace is a little slow and solemn. Music is harpsichord, sometimes contrasting in mood with what's on screen.
Overall, very interesting and the scene in the vault is a good 'un.
A strange, cold story, with a fabulously eerie climax. Shot with all eyes on recreating the image of Dutch interiors, still lifes and portraits from the era, and very spare with the dialogue. I did feel the lovers' relationship should have been given more substance, but the performances are excellent, and the psychology of the protagonist is deep and not easy to understand. The outstanding theme is the treatment of women as objects, but the message is complex and rounded out with inevitable terror as life's betrayals and compromises accumulate.
Pace is a little slow and solemn. Music is harpsichord, sometimes contrasting in mood with what's on screen.
Overall, very interesting and the scene in the vault is a good 'un.
Nicely-handled period ghost story (by the renowned Irish author J. Sheridan LeFanu, of "Carmilla" fame) that is somewhat lengthy at 70 minutes; its backdrop of classical Dutch painting is, however, admirably evoked throughout in the subdued and tasteful quality of the photography that also extends to the occasional nudity on display which, given the subject matter, was inevitable. The two notable names within the cast each play principal roles: Maurice Denham – from NIGHT OF THE DEMON (1957) – as Schalcken's mentor and John Justin – from the definitive 1940 version of THE THIEF OF BAGDAD – as the mysterious and wizened rich visitor who barters with the former for the hand of his niece (who is secretly in love with the titular figure). Incidentally, both painters truly existed and, apparently, the story was concocted as a means of explaining the sudden change in Schalcken's style of painting and especially the 'story' behind one particular canvas in which he depicts himself defending the honor of his beloved and about to strike at something vaguely visible with a sword!
I saw it and taped it when it went out and have never forgotten it. Sadly that was on Betamax in a former life. I agree entirely with everyone's observations on the piece.
And I have seen the original painting. Many years ago I was stood in the doorway of a huge room in an English stately home, listening to the information being given by the guide when I casually glanced to my left.
This was a very warm summer's day but my blood froze. I was resting against a wall covered in paintings and there next to my left elbow was the very painting of the girl shielding the candle, with her ghastly suitor's face in the shadows...
I can't remember which house it was though it might have been Woodstock near Oxford. But I will never forget that shock! The piece, from the Omnibus series, does still exist as a print so there is still hope...
And I have seen the original painting. Many years ago I was stood in the doorway of a huge room in an English stately home, listening to the information being given by the guide when I casually glanced to my left.
This was a very warm summer's day but my blood froze. I was resting against a wall covered in paintings and there next to my left elbow was the very painting of the girl shielding the candle, with her ghastly suitor's face in the shadows...
I can't remember which house it was though it might have been Woodstock near Oxford. But I will never forget that shock! The piece, from the Omnibus series, does still exist as a print so there is still hope...
I agree entirely that Schalken the Painter should be released on video/DVD. I have raved about it for over 20 years to my family, none of whom has had the opportunity to judge for themselves.
And it's such a shame that Cheryl Kennedy has not been seen on screen for much of that time. The narration of Charles Gray is beautifully judged and the interiors are stunningly lit.
And it's such a shame that Cheryl Kennedy has not been seen on screen for much of that time. The narration of Charles Gray is beautifully judged and the interiors are stunningly lit.
Você sabia?
- CuriosidadesVincent Price was a front runner for The Narrator. Peter Cushing was offered the part but rejected the project as distasteful.
- Erros de gravação14 minutes in, as Schalcken abandons his painting and walks towards Rose, Jeremy Clyde's footsteps on the floor are not in synch with the footsteps we hear.
- Citações
Narrator - Lefanu: In short, Schalcken was in love... as much as a Dutchman can be.
- Trilhas sonorasIn Nomine
(uncredited)
Music by John Bull
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Schalcken the Painter
- Locações de filme
- BBC Ealing Studios, Ealing, Londres, Inglaterra, Reino Unido(Gerrit Dou's studio and all exteriors)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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