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Pisutoru opera

  • 2001
  • Not Rated
  • 1 h 52 min
AVALIAÇÃO DA IMDb
6,3/10
1,6 mil
SUA AVALIAÇÃO
Pisutoru opera (2001)
AçãoCrimeDrama

Adicionar um enredo no seu idiomaThe No. 3 assassin of Japan is given the chance to usurp No. 1 and take their place.The No. 3 assassin of Japan is given the chance to usurp No. 1 and take their place.The No. 3 assassin of Japan is given the chance to usurp No. 1 and take their place.

  • Direção
    • Seijun Suzuki
  • Roteiristas
    • Kazunori Itô
    • Takeo Kimura
  • Artistas
    • Makiko Esumi
    • Sayoko Yamaguchi
    • Hanae Kan
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    1,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Seijun Suzuki
    • Roteiristas
      • Kazunori Itô
      • Takeo Kimura
    • Artistas
      • Makiko Esumi
      • Sayoko Yamaguchi
      • Hanae Kan
    • 21Avaliações de usuários
    • 27Avaliações da crítica
    • 75Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Fotos4

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal15

    Editar
    Makiko Esumi
    Makiko Esumi
    • Miyuki Minazuki
    Sayoko Yamaguchi
    • Sayoko Uekyo
    Hanae Kan
    • Sayoko Uekyo
    Masatoshi Nagase
    Masatoshi Nagase
    • Man dressed in black
    Mikijirô Hira
    Mikijirô Hira
    • Goro Hanada
    Kirin Kiki
    Kirin Kiki
    • Rin
    Kenji Sawada
    Kenji Sawada
    • Man at Tokyo Station
    Haruko Katô
    Haruko Katô
    • Shizuka Orikuchi
    Tomio Aoki
    Tomio Aoki
    Yôji Tanaka
    • Koroshi-ya No. 7
    • (as Yoji Tanaka)
    Nômaru Abe
    Etsuji Harada
    • Director Tobi Role
    Yoshiyuki Morishita
    Yoshiyuki Morishita
    • Killer no.9
    Kensaku Watanabe
      Jan Woudstra
      • Painless Surgeon
      • Direção
        • Seijun Suzuki
      • Roteiristas
        • Kazunori Itô
        • Takeo Kimura
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários21

      6,31.5K
      1
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      10

      Avaliações em destaque

      6nedwalton

      ...this is a journey

      I first saw the preview for Pistol Opera on several Japanese DVDs I had the pleasure of viewing. It was the vivid imagery that captured my attention not to mention a very attractive leading lady. Now what followed was an amazing journey through the world of Stray Cat, a hired gun with a love for her pistol, engaged (reluctantly at first)in a competition to be #1 among the top gunslingers. Simple enough, right? WRONG!!!! What follows is a film that keeps your fingers on the rewind button, your mouth wide open and your eyes ready to bug out of your skull. A simple skeleton of a plot is covered with layers of sexuality (subtle, and in your face), violence, and just a whole bunch of WTF (WT is for "What The" you can figure the rest out) moments. I enjoyed it in the same way that we all have our guilty pleasures, but I will admit that some of the scenes and displays may go beyond past limits you may have set for yourself. Viewer Discretion is ADVISED!!
      pharmaci911

      Pure cinema, nothing more, nothing less.

      Suzuki Seijun is a master of craft, and one of the greatest visual stylists ever. This film is a loose reworking of Branded to Kill, the jakuza clasic that marked the end of his career at Nikkatsu studios, whom Suzuki was a contract director. That film took many risks in narrative and presentation, and it was post modern before post modern became chic.

      Before you complain about why you don't understand this film, just look at it less in terms of narrative and more in terms of the abstract. It's a spectacle of sight and sound, and one of the most beautifully shot movies in recent times. The photography alone is reason enough to see it.

      This is a film that does not bother to explain it's convoluted story because it's very design DOES NOT warrant that path. It's cinematic style brings to mind elements of Kabuki and opera theater. The performances are mannered and exagerated, something that is understandibly strange if you are not japanese.

      All in all, it's a film devoid of anything rational and a spectacle of sight and sound. A 10.
      whatdoes1know

      Great narrative. Notice I'm not saying great mainstream action flick.

      A series of pleasurable moments full of colors and cartoonish acting with awesome costumes and offbeat characters. Did you get the hint? The story's full of symbolism and artsyfartsy poop that won't sit well on a mainstream menu.

      Not that Tetsuo the Iron-man and Pistol Opera director Seijun have the same class, but the titles Bullet Ballet and Pistol Opera just show that there must be a link between the minds of these two discontinuous narrators.

      I like the lead actress, so I am biased, and I like kimonos so I am biased, and I like colorful movies, so I am biased, and I like symbolic films so I am biased, and I like discontinuous narratives, so I am biased, and I am Japanese, so I am biased: I liked the movie.
      danfeit

      Beautiful but Incomprehensible

      I was eager to see "Pistol Opera" for a variety of reasons. I had recently seen "Branded to Kill" and the idea of a follow-up/sequel/remake by the same director intrigued me. Furthermore, I am a fan of the lead actress, Makiko Esumi, from her work on Japanese TV.

      Sadly, this film goes nowhere...slowly. The plot seemed simple enough but within minutes I was lost. These "professional killers" spend nearly the entire film killing each other which begs the question who is employing these people and what purpose they serve. Lots of these scenes look wonderful and have some fun ideas, but nothing makes any sense. Characters deliver long, meandering soliloquies into the camera, flip-flopping from Japanese to English and back again. Neither language adds any clarity to the circumstances. The whole thing feels like some kind of experimental stage play, especially the final showdown where characters enter and exit bizarre scenery accompanied by strange, nearly naked dancers.

      What the hell?
      samklink77

      Great, but disappointing.

      A lot of sloppiness seems to be passed off by many as "abstract" in this movie. However, even so, the amazing color work and over-all beauty of the movie makes me want to give it a 9. Unfortunately, 1 scene of the movie is making me drop the score to 7. During Hyaku-Me's monologue about her dream and flags, the boom mic bobs in and out of the scene multiple scenes. Barring this error, the movie has a 2 thumbs up soundtrack, rather good acting, and great scenery.

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      Interesses relacionados

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      Ação
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      Crime
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      Drama

      Enredo

      Editar

      Você sabia?

      Editar
      • Erros de gravação
        As Uekyo speaks into the camera with a Union Jack draped over her, the boom mic drops into the picture for a second or two, then moves up and out of sight.
      • Citações

        Miyuki Minazuki: I think it's okay to live my life as a pistol.

      • Conexões
        Follows A Marca do Assassino (1967)

      Principais escolhas

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      Perguntas frequentes17

      • How long is Pistol Opera?Fornecido pela Alexa

      Detalhes

      Editar
      • Data de lançamento
        • 27 de outubro de 2001 (Japão)
      • País de origem
        • Japão
      • Idioma
        • Japonês
      • Também conhecido como
        • Pistol Opera
      • Empresas de produção
        • DENTSU Music And Entertainment
        • Eisei Gekijo
        • Ogura Jimusyo Co.
      • Consulte mais créditos da empresa na IMDbPro

      Bilheteria

      Editar
      • Orçamento
        • US$ 1.500.000 (estimativa)
      Veja informações detalhadas da bilheteria no IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        • 1 h 52 min(112 min)
      • Cor
        • Color
      • Mixagem de som
        • Dolby SR
      • Proporção
        • 1.33 : 1

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