AVALIAÇÃO DA IMDb
5,6/10
12 mil
SUA AVALIAÇÃO
Jeffrey Dahmer é um solitário operário que foi responsável por matar, desmembrar e se alimentar de 17 homens no norte dos Estados Unidos.Jeffrey Dahmer é um solitário operário que foi responsável por matar, desmembrar e se alimentar de 17 homens no norte dos Estados Unidos.Jeffrey Dahmer é um solitário operário que foi responsável por matar, desmembrar e se alimentar de 17 homens no norte dos Estados Unidos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
Artel Great
- Rodney
- (as Artel Kayaru)
Dionysio Basco
- Khamtay
- (as Dion Basco)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Let's face it: people who will watch this to see violence or some of the acts of the most notorious serial killer, Jeffrey Dahmer, will be disappointed.
The reason?
That's because the film doesn't at all emphasize in Dahmers sadism or cruelty - it's a human look into the mind of an inhuman psycho. Well, I suppose the film is trying to be objective. Not to merely shock, but then again there's too few of Dahmer's unspeakable acts, that one might wonder what the writer/director was trying to do?
Anyway, watch this if you like serial killer films, but don't expect too much. Give it a try, it's quite decent and serious film.
The reason?
That's because the film doesn't at all emphasize in Dahmers sadism or cruelty - it's a human look into the mind of an inhuman psycho. Well, I suppose the film is trying to be objective. Not to merely shock, but then again there's too few of Dahmer's unspeakable acts, that one might wonder what the writer/director was trying to do?
Anyway, watch this if you like serial killer films, but don't expect too much. Give it a try, it's quite decent and serious film.
Based on real-life serial killer Jeffrey Dahmer, who was active primarily in Wisconsin in the 1980s, this film focuses on a few key episodes in Dahmer's life.
If you're at all familiar with the facts about Jeffrey Dahmer--and probably a hefty percentage of people interested in the film are familiar with Dahmer to some extent--it's difficult to watch this film without strong expectations. The problem is that under those expectations, Dahmer isn't likely to be the film you want it to be. It might work better if you're unfamiliar with the background material, but on the other hand, it might be too disjointed to work in that case. You need a familiarity with Dahmer's life to piece the film together as you watch it.
That's not to say that the film is a complete failure. In fact, I gave it a 7 out of 10. Jeremy Renner, who plays Dahmer, is fantastic. Bruce Davison, as Dahmer's father, and Artel Kayaru, as Rodney, also turn in great performances. Writer/director David Jacobson chose to make the film a psychological portrait, rather than a chronological retelling of Dahmer's misdeeds, and rather than focusing on the lurid details of the crimes. After the first 20 minutes or so, the film becomes non-sequential, and links together a number of events that provide clues (as much of a clue as we can have, at least) into Dahmer's behavior. We see Dahmer interacting with his family (primarily his grandmother and father) in a peculiar, distanced way. We see him discovering and trying to come to terms with his homosexuality in a twisted way. We see his desire for intimacy. We see actions taken by the police that would be unbelievable if we didn't know that they actually happened that way, more or less. We see him constantly drinking alcohol through most of these events. This makes up the bulk of the film. In fact, we only see Dahmer kill two humans during the course of the film, and both are relatively not graphic, and relatively quick events.
All of this was intriguing to me, but I wanted the lurid details to be explored more. Dahmer was a man who conducted experiments on his victims, trying to turn some of them into lobotomized, robot-like companions. He kept vats of acid in his apartment to dispose of body parts. He had a severed head in his refrigerator. He cannibalized victims and engaged in necrophilia. To make a film about Dahmer where these things are not explored not only downplays the severity of his crimes, but it also leaves out fairly essential aspects of Dahmer's character, if this is to be a character study. I found myself regularly checking the running time, wondering how and when Jacobson was going to get to this other material before the film had to end. And for someone unfamiliar with Dahmer, they probably would spend a lot of time trying to figure out why the film keeps jumping from one event to another, frequently going back and forth with the same events.
The bottom line is that while this film is more than worthwhile as a kind of extended footnote, a much better film about Dahmer needs to be made. Let's just hope that we can get someone as gifted in the role as Renner to be in that film.
If you're at all familiar with the facts about Jeffrey Dahmer--and probably a hefty percentage of people interested in the film are familiar with Dahmer to some extent--it's difficult to watch this film without strong expectations. The problem is that under those expectations, Dahmer isn't likely to be the film you want it to be. It might work better if you're unfamiliar with the background material, but on the other hand, it might be too disjointed to work in that case. You need a familiarity with Dahmer's life to piece the film together as you watch it.
That's not to say that the film is a complete failure. In fact, I gave it a 7 out of 10. Jeremy Renner, who plays Dahmer, is fantastic. Bruce Davison, as Dahmer's father, and Artel Kayaru, as Rodney, also turn in great performances. Writer/director David Jacobson chose to make the film a psychological portrait, rather than a chronological retelling of Dahmer's misdeeds, and rather than focusing on the lurid details of the crimes. After the first 20 minutes or so, the film becomes non-sequential, and links together a number of events that provide clues (as much of a clue as we can have, at least) into Dahmer's behavior. We see Dahmer interacting with his family (primarily his grandmother and father) in a peculiar, distanced way. We see him discovering and trying to come to terms with his homosexuality in a twisted way. We see his desire for intimacy. We see actions taken by the police that would be unbelievable if we didn't know that they actually happened that way, more or less. We see him constantly drinking alcohol through most of these events. This makes up the bulk of the film. In fact, we only see Dahmer kill two humans during the course of the film, and both are relatively not graphic, and relatively quick events.
All of this was intriguing to me, but I wanted the lurid details to be explored more. Dahmer was a man who conducted experiments on his victims, trying to turn some of them into lobotomized, robot-like companions. He kept vats of acid in his apartment to dispose of body parts. He had a severed head in his refrigerator. He cannibalized victims and engaged in necrophilia. To make a film about Dahmer where these things are not explored not only downplays the severity of his crimes, but it also leaves out fairly essential aspects of Dahmer's character, if this is to be a character study. I found myself regularly checking the running time, wondering how and when Jacobson was going to get to this other material before the film had to end. And for someone unfamiliar with Dahmer, they probably would spend a lot of time trying to figure out why the film keeps jumping from one event to another, frequently going back and forth with the same events.
The bottom line is that while this film is more than worthwhile as a kind of extended footnote, a much better film about Dahmer needs to be made. Let's just hope that we can get someone as gifted in the role as Renner to be in that film.
Movies based on real life serial killers tend to get a lot further under my skin than those with fictional maniacs—films like Dahmer, which details the nauseating activities of gay serial killer Jeffrey Dahmer, who drugged and dismembered his unlucky victims, concealing their body-parts in and around his home(s). The fact that these events actually happened (I can remember the discovery of Dahmer's victims in the news) and are portrayed so convincingly makes Dahmer seriously chilling viewing.
Jeremy Renner, as the titular killer, is simply superb, effectively playing the character as both a teenager and an adult. Director David Jacobson shoots in a non-linear fashion, which adds a further dimension of interest, yet he also avoids sensationalism, the gore quotient kept relatively low and other unsettling details of Dahmer's lifestyle thankfully obscured in a drug and alcohol infused haze. It's a wise move: this study of Jeffrey Dahmer's life is disturbing enough without matters getting too graphic.
Jeremy Renner, as the titular killer, is simply superb, effectively playing the character as both a teenager and an adult. Director David Jacobson shoots in a non-linear fashion, which adds a further dimension of interest, yet he also avoids sensationalism, the gore quotient kept relatively low and other unsettling details of Dahmer's lifestyle thankfully obscured in a drug and alcohol infused haze. It's a wise move: this study of Jeffrey Dahmer's life is disturbing enough without matters getting too graphic.
Extremely well acted, particularly by the lead. Appropriately creepy and atmospheric -- as well as poignant and introspective. Makes a character out of a "monster". Examines Dahmer's struggle with his homosexuality and that struggle's basis for his sickness. Doesn't focus on the violence, and doesn't explore the cannibalism at all. Flashback structure works well. Liked the comparisions of his banal teenage years to the horrific current years. Would have liked a little bit more of an acknowledgement of how totally out of control this guy became. Cinematography is excellent at times -- but is bedeviled by some sloppy focus work. Again, the lead actor is topnotch. This is a work to be proud of.
I did hear a lot of bad buzz about this movie; mainly people were complaining that it was boring. The movie starts out with Jeffrey living alone in his apartment ready to kill his next victim, an Asian boy and meeting another one at the same time, Rodney. We get many flashbacks of when he was young and when he committed his first murder.
So was it boring? Hell No! Well for me it was never boring because from the beginning we are captivated by this lonely and troubled man. The reason behind this was due to Jeremy Renner's real and absorbing portrayal that should stand out as one of the best performances of 2002. Another reason it was never boring was because of its catchy dialogue. Jeffrey had some really though provoking things to say. The best conversations were between Jeffrey and Rodney who was played by Artel Kayaru. He was magnetic and he gave the second best performance.
People who thought that this movie was boring were probably expecting more scenes of Jeff killing all his victims. We don't see all of the crimes and that's because this film was more of a character study than a gore infested horror film. There were some creepy and disturbing scenes but nothing intensely frightening. Only one particular scene that caught me by surprise---oh,that really freaked me out. Great scene, I loved it because it didn't have any music and it was very well directed. It's really weird to feel sorry and be moved by a killer and it's the first time I ever felt that way.
So was it boring? Hell No! Well for me it was never boring because from the beginning we are captivated by this lonely and troubled man. The reason behind this was due to Jeremy Renner's real and absorbing portrayal that should stand out as one of the best performances of 2002. Another reason it was never boring was because of its catchy dialogue. Jeffrey had some really though provoking things to say. The best conversations were between Jeffrey and Rodney who was played by Artel Kayaru. He was magnetic and he gave the second best performance.
People who thought that this movie was boring were probably expecting more scenes of Jeff killing all his victims. We don't see all of the crimes and that's because this film was more of a character study than a gore infested horror film. There were some creepy and disturbing scenes but nothing intensely frightening. Only one particular scene that caught me by surprise---oh,that really freaked me out. Great scene, I loved it because it didn't have any music and it was very well directed. It's really weird to feel sorry and be moved by a killer and it's the first time I ever felt that way.
Você sabia?
- CuriosidadesJeremy Renner was cast because of his resemblance to Jeffrey Dahmer and because not many actors wanted to portray the serial killer.
- Erros de gravaçãoWhen Rodney falls while dancing with the skeleton, first it's on top of him, then it's to his side, and then it's on top of him again.
- Citações
Jeffrey Dahmer: You know what the cross was, don't you?
Rodney: Yeah, where Jesus died, right?
Jeffrey Dahmer: A torture device... used to kill criminals. So when you pray to it, it's like praying to an electric chair, or a guillotine.
- Cenas durante ou pós-créditosThough the names of Jeffrey Dahmer's victims were changed in this biopic, details of his killing methods were used; yet, the film's closing disclaimer states that any similarities to the history of any actual person, living or dead, or any actual event is entirely coincidental and unintentional.
- ConexõesFeatured in The 2003 IFP Independent Spirit Awards (2003)
- Trilhas sonorasJust out of Reach
Performed by Patsy Cline
Written by V.F. "Pappy" Stewart
Used by permission from Acuff Rose Music Inc.
Courtesy of The San Juan Music Group
By Arrangement with Media Creature Music
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- How long is Dahmer?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 250.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 144.008
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.093
- 23 de jun. de 2002
- Faturamento bruto mundial
- US$ 144.008
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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