Praça Moscou

This film is excellent in so many ways it is difficult to contain my emotions about it. I'm an American who speaks Hungarian well enough to follow the film. This film does not have English subtitles on the Hungarian DVD release, which is an incredible shame, because it is priceless. It illustrates youth apathy and confusion under both the communist system and during the post-communist transformation better than any film I have seen. Moreover, unlike Goodbye, Lenin!, with an intricate and contrived storyline that takes 2.5 hours to unfold, this film runs more like "La Haine" and/or "City of God (Cidade de Deus)" without the violence. It follows some teen friends around Hungary, etc., while the transformation comes about. It is absolutely priceless and should be mandatory viewing in any social science classes on post-socialist transformation -- if a version with English subtitles can be secured. Stellar, stellar, stellar film!

The film tries to capture all the facets of the Hungarian history in 1989. It tries to represent the change from the point of view of young high school students.

All the Hungarian people till 1988 lived in a lie. One year later everything was destroyed. Forty years of socialist culture fades away in some weeks. The opressing forces of the Soviets leaves the country and leaves the country as it is. A country without future, without any ideas, how to go on, how to raise from the dust.

I would recommmend the film for those, who like controversy and for those, who are very open for human feelings.

Only movie made since 1989 to really be able to explain the end of Communism, and they did so by showing it through the eyes of 18-year-olds who didn't really understand it themselves. The comment about Csalamade is extremely profound. It described the crappy nature of things back then in those days, which, none the less, we've become nostalgic for. And most all of things described, really did happen: The exam questions were leaked. Young Hungarians got their first chance to travel through Western Europe on those forged train tickets. And a Hungarian graduation ceremony really does look like that. Director still had the same sense of social accuracy in his latest film, Season, but he missed the profound statements he gave us in Moskva ter.

It's mighty difficult for me to write a useful recommendation for this movie. Headed home after a party at around dawn I still stop for the odd freak-burger at Moszkva Square or Moscow Square, at the very place that you can see in the movie. And I recognize so much from my own memories from my own high school times, even though the youth of the film are not exactly my generation, it's almost too much to me. The point where this closeness of the film peaked was when I even discovered the guy running this DVD rental place about two minutes from where I live, in a minor role in the cast.

So, for your information, the most important thing to note might be that this film is very authentic. If you want to see the socialist/post-socialist transition for whatever it was, check it out. This is what it felt like, this is us (Budapest, Hungary, at the time). I cannot describe these things in fully rational terms. Perhaps you can. Enjoy the benefit of insight, you're guaranteed to have it.

The movie takes place in 1989 when I was 15 years old and thanks to my clear memories, I must admit that the director managed to catch the atmosphere of the period. It was a time of big changes, the communist system collapsed, a "great" Hungarian leader died while a very important historical character, Imre Nagy, executed after the 1956 revolution, was finally given the honor of being buried. The setting is also excellent, the movie really looks as if it was shot in 89. For foreign viewers however this film doesn't say much because it's full hidden of jokes that only we understand, for example when the boys are sitting in a cab singing the horrible Opus song Life Is Life and at one point in the lyrics they sing Levelet Kaptam Life, because in the 80s nobody knew what the singer says there. What I missed was the lack of the depth of the characters and the plot wasn't very strong either but we mustn't complain because Moszkva Tér is a massive standout in contemporary Hungarian cinema.