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Jump Tomorrow

  • 2001
  • PG
  • 1 h 37 min
AVALIAÇÃO DA IMDb
7,1/10
1,5 mil
SUA AVALIAÇÃO
Jump Tomorrow (2001)
ComédiaComédia peculiarDramaRomance

Adicionar um enredo no seu idiomaA young Nigerian man on the verge of being in an arranged marriage, suddenly questions his situation after an encounter with a stunning Latin woman, who is also about to be married.A young Nigerian man on the verge of being in an arranged marriage, suddenly questions his situation after an encounter with a stunning Latin woman, who is also about to be married.A young Nigerian man on the verge of being in an arranged marriage, suddenly questions his situation after an encounter with a stunning Latin woman, who is also about to be married.

  • Direção
    • Joel Hopkins
  • Roteiristas
    • Joel Hopkins
    • Nicola Usborne
    • Iain Tibbles
  • Artistas
    • Tunde Adebimpe
    • Hippolyte Girardot
    • Raul A. Reyes
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    1,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Joel Hopkins
    • Roteiristas
      • Joel Hopkins
      • Nicola Usborne
      • Iain Tibbles
    • Artistas
      • Tunde Adebimpe
      • Hippolyte Girardot
      • Raul A. Reyes
    • 31Avaliações de usuários
    • 27Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 prêmio BAFTA
      • 3 vitórias e 6 indicações no total

    Fotos12

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 6
    Ver pôster

    Elenco principal23

    Editar
    Tunde Adebimpe
    Tunde Adebimpe
    • George Abiola
    Hippolyte Girardot
    Hippolyte Girardot
    • Gerard
    Raul A. Reyes
    Raul A. Reyes
    • Co-Worker
    Alan Gryfe
    • Teacher
    Amy Sedaris
    Amy Sedaris
    • Other Student in Class
    Arthur Anderson
    Arthur Anderson
    • Jeweler
    Leisa Heintzelman
    • Airport Official
    Isiah Whitlock Jr.
    Isiah Whitlock Jr.
    • George's Uncle
    Natalia Verbeke
    Natalia Verbeke
    • Alicia
    Murielle Arden
    • Claudette Chadoutard
    James Wilby
    James Wilby
    • Nathan
    Kaili Vernoff
    Kaili Vernoff
    • Heather Leather
    William Barry
    • Compere
    Carole Bayeux
    • PVC Girl
    Gene Ruffini
    Gene Ruffini
    • Great Uncle
    Patricia Mauceri
    Patricia Mauceri
    • Consuelo
    Cherie Jimenez
    Cherie Jimenez
    • Maria
    Abiola Abrams
    • Sophie Ochenado
    • (as Abiola Wendy Abrams)
    • Direção
      • Joel Hopkins
    • Roteiristas
      • Joel Hopkins
      • Nicola Usborne
      • Iain Tibbles
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários31

    7,11.5K
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    Avaliações em destaque

    bob the moo

    A thoroughly nice film – but I'm not 100% sure that's a good thing

    George is a young Nigerian American who is due to get married to Sophie, who is coming from Nigeria. George is one day late to pick her up from the airport and she has gone ahead to Niagara Falls for their wedding. George bumps into Gerard, who is on the point of suicide from unreturned love, and the pair travel up to Niagara Falls. On the way George meets Alicia, herself in a relationship and he begins to fall for her.

    Extended from a short I haven't yet seen (Jorge) this film attracted me as it was part of a season of `indie' films and shorts being shown on channel 4. From the opening scenes it was apparent that this film had a nicely comic tone to it that was amusing. The plot is also `nice', a romance without ever getting too heavy or too sickly sweet. The comic feel running through the film keeps it amusing even when nothing much happens.

    The film's weakness is that it is clearly made by a director of shorts. The feel of the film is like that of many short films – development is not the key and it assumes we sort of know the characters well enough after only a few minutes. Similarly the film feels very episodic – the scenes don't flow into each other but feel more like they are very distinct and separate events. However that said the film is still entertaining but it didn't give me more as the film went on – rather just more of the same. I enjoyed the film but it's hard to praise it simply because it doesn't excel itself in any one area but drifts along amiably enough.

    Part of the reason I enjoyed the film was a great lead by Adebimpe, who fits the role like a glove! He is suitably uptight and is very good as George. Verbeke's Alicia is not as good but is `nice'. Girardot is great fun and really gives the film some energy.

    Overall I enjoyed this film and many others will as long as you're in the mood for something slight. If you expect something more substantial then you may be disappointed as this really is a film with all the qualities of a short – in some cases this is good and in others it is a weakness. Generally the film was `nice', I neither loved nor hated it but did enjoy it – I just can't find a better way of putting it as I did think it was remarkably middle of the road in many regards.
    fedor8

    A formulaic indie film with no laughs.

    A low-budget romantic comedy - one of many in recent years, unfortunately - with unfunniness in all of its inglorious drawn out entirety. Indie movies used to be - whether good or bad - fairly original and stayed away from some basic Hollywood cliché genres: such as the romantic comedy. With all those Grant/Bullock or Hanks/Ryan or Clooney/Pfeiffer sappy movies around, why would an "auteur", an "indie rebel", dirty his hands with that clap-trap? He would, and he will and he wants to because he is a BAD "auteur".

    Written/directed by a certain Joel Hopkins, the movie is predictable and dull. The black guy and the attractive female cast are likable enough, but the movie treads very familiar territory. The guy who is supposed to be French (but has more of a Spanish accent, the twit) is supposed to provide most of the laughs but the script is crap and he has no talent. It's sort of like a Hal Hartley film, minus the good dialog and the originality.
    EdF135

    Why did I like this so much???

    I mean the story was simple, production was fine although the budget obviously wasn't in the 10s of millions of dollars and I never quite understood why George and Alicia liked each other so much. But despite all of that I sat in the theater very happy that I took a chance on this one. I think the spartan production made the whole thing seem more real, and since it seemed more real I wanted them to be happy... The characters were all very likeable too, like Gerard and Alicia's aunt. Finally, bonus points for not using subtitles (hey, I understood most of the Espanol!).
    amlobato-03474

    Simple, but very sweet romance!

    This movie is very light. All characters are very well in there roles, specially Natalia Verbeke, that is very beautiful and passional in this movie. And i can't forget about the score. All musics are very similar to brazilian "bossa nova". The soundtrack gives a very pleasant atmosphere to this movie.
    ThurstonHunger

    Laughing in or with the face of love?

    Well this film I think is more about sighing than laughing...

    Saw the preview of this long ago, in a lifetime before kids, and back then thought that my wife and I would enjoy this film. Finally watched it recently and for me the film held up its part of the bargain.

    I think some of the disappointment for this film is a bit heavy-handed for a very indie film from a first-time director. The film is somewhere between quaint and cute, and there is a time and place for that, no? The french version of Cupid was a bit trying on my nerves, but absolutely essential...and even he is given his epiphany, as are the male and female romantic interests, the initially wrongly-aimed arrows of love. They are both exotic on the outside, but all too familiar. It may be that the mute uncle says the most, but then less is often more.

    Still, I think for many this film will have an appeal, as many people feel that they are on the wrong track of the wrong life at times. Having the male as the demure one also should have made this more appealing to my wife, but for some reason she did not get caught up in the film. I thought he was exceptionally well cast, and while he's probably nowhere near that awkward in real life, he certainly tapped into a neurosis as old as the Euphrates.

    The Walter Mitty fantasies that George/Jorge uses for his form of losing himself worked less as comedy for me, but more as an underscoring of George's lack of ownership of his own life.

    Many of the films loose ends were nicely tied together, and using Niagara Falls as the climactic setting, was a crucial cliché. Taking the plunge was well paralleled.

    I see the next film from this director had him working with Dustin Hoffman, I'll check it out hopefully. But perhaps director/writer Joel Hopkins was not the indie wunderkind (or wunderBrit) I suspected. As mentioned in another review, he did license "Instant Karma" for a pivotal scene (and the words worked quite well I thought...).

    Anyways that film looks like it touches on the despair and redemption of love too, so I'll try to entice my wife to watch that with me.

    6.5/10 Thurston Hunger

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Cherie Jimenez's debut.
    • Conexões
      Remake of Jorge (1998)
    • Trilhas sonoras
      3 Steps to NØH Mountain
      Written by William Parker

      Performed by William Parker & The Little Huey Creative Music Orchestra

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 9 de novembro de 2001 (Reino Unido)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
      • Espanhol
    • Também conhecido como
      • Entrando de Cabeça
    • Locações de filme
      • Buffalo, Nova Iorque, EUA
    • Empresas de produção
      • Eureka Pictures
      • FilmFour
      • Jorge Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 33.236
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 33.236
      • 8 de jul. de 2001
    • Faturamento bruto mundial
      • US$ 33.236
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 37 min(97 min)
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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