AVALIAÇÃO DA IMDb
7,1/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young Nigerian man on the verge of being in an arranged marriage, suddenly questions his situation after an encounter with a stunning Latin woman, who is also about to be married.A young Nigerian man on the verge of being in an arranged marriage, suddenly questions his situation after an encounter with a stunning Latin woman, who is also about to be married.A young Nigerian man on the verge of being in an arranged marriage, suddenly questions his situation after an encounter with a stunning Latin woman, who is also about to be married.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 prêmio BAFTA
- 3 vitórias e 6 indicações no total
Abiola Abrams
- Sophie Ochenado
- (as Abiola Wendy Abrams)
Avaliações em destaque
George is a young Nigerian American who is due to get married to Sophie, who is coming from Nigeria. George is one day late to pick her up from the airport and she has gone ahead to Niagara Falls for their wedding. George bumps into Gerard, who is on the point of suicide from unreturned love, and the pair travel up to Niagara Falls. On the way George meets Alicia, herself in a relationship and he begins to fall for her.
Extended from a short I haven't yet seen (Jorge) this film attracted me as it was part of a season of `indie' films and shorts being shown on channel 4. From the opening scenes it was apparent that this film had a nicely comic tone to it that was amusing. The plot is also `nice', a romance without ever getting too heavy or too sickly sweet. The comic feel running through the film keeps it amusing even when nothing much happens.
The film's weakness is that it is clearly made by a director of shorts. The feel of the film is like that of many short films development is not the key and it assumes we sort of know the characters well enough after only a few minutes. Similarly the film feels very episodic the scenes don't flow into each other but feel more like they are very distinct and separate events. However that said the film is still entertaining but it didn't give me more as the film went on rather just more of the same. I enjoyed the film but it's hard to praise it simply because it doesn't excel itself in any one area but drifts along amiably enough.
Part of the reason I enjoyed the film was a great lead by Adebimpe, who fits the role like a glove! He is suitably uptight and is very good as George. Verbeke's Alicia is not as good but is `nice'. Girardot is great fun and really gives the film some energy.
Overall I enjoyed this film and many others will as long as you're in the mood for something slight. If you expect something more substantial then you may be disappointed as this really is a film with all the qualities of a short in some cases this is good and in others it is a weakness. Generally the film was `nice', I neither loved nor hated it but did enjoy it I just can't find a better way of putting it as I did think it was remarkably middle of the road in many regards.
Extended from a short I haven't yet seen (Jorge) this film attracted me as it was part of a season of `indie' films and shorts being shown on channel 4. From the opening scenes it was apparent that this film had a nicely comic tone to it that was amusing. The plot is also `nice', a romance without ever getting too heavy or too sickly sweet. The comic feel running through the film keeps it amusing even when nothing much happens.
The film's weakness is that it is clearly made by a director of shorts. The feel of the film is like that of many short films development is not the key and it assumes we sort of know the characters well enough after only a few minutes. Similarly the film feels very episodic the scenes don't flow into each other but feel more like they are very distinct and separate events. However that said the film is still entertaining but it didn't give me more as the film went on rather just more of the same. I enjoyed the film but it's hard to praise it simply because it doesn't excel itself in any one area but drifts along amiably enough.
Part of the reason I enjoyed the film was a great lead by Adebimpe, who fits the role like a glove! He is suitably uptight and is very good as George. Verbeke's Alicia is not as good but is `nice'. Girardot is great fun and really gives the film some energy.
Overall I enjoyed this film and many others will as long as you're in the mood for something slight. If you expect something more substantial then you may be disappointed as this really is a film with all the qualities of a short in some cases this is good and in others it is a weakness. Generally the film was `nice', I neither loved nor hated it but did enjoy it I just can't find a better way of putting it as I did think it was remarkably middle of the road in many regards.
A low-budget romantic comedy - one of many in recent years, unfortunately - with unfunniness in all of its inglorious drawn out entirety. Indie movies used to be - whether good or bad - fairly original and stayed away from some basic Hollywood cliché genres: such as the romantic comedy. With all those Grant/Bullock or Hanks/Ryan or Clooney/Pfeiffer sappy movies around, why would an "auteur", an "indie rebel", dirty his hands with that clap-trap? He would, and he will and he wants to because he is a BAD "auteur".
Written/directed by a certain Joel Hopkins, the movie is predictable and dull. The black guy and the attractive female cast are likable enough, but the movie treads very familiar territory. The guy who is supposed to be French (but has more of a Spanish accent, the twit) is supposed to provide most of the laughs but the script is crap and he has no talent. It's sort of like a Hal Hartley film, minus the good dialog and the originality.
Written/directed by a certain Joel Hopkins, the movie is predictable and dull. The black guy and the attractive female cast are likable enough, but the movie treads very familiar territory. The guy who is supposed to be French (but has more of a Spanish accent, the twit) is supposed to provide most of the laughs but the script is crap and he has no talent. It's sort of like a Hal Hartley film, minus the good dialog and the originality.
I mean the story was simple, production was fine although the budget obviously wasn't in the 10s of millions of dollars and I never quite understood why George and Alicia liked each other so much. But despite all of that I sat in the theater very happy that I took a chance on this one. I think the spartan production made the whole thing seem more real, and since it seemed more real I wanted them to be happy... The characters were all very likeable too, like Gerard and Alicia's aunt. Finally, bonus points for not using subtitles (hey, I understood most of the Espanol!).
This movie is very light. All characters are very well in there roles, specially Natalia Verbeke, that is very beautiful and passional in this movie. And i can't forget about the score. All musics are very similar to brazilian "bossa nova". The soundtrack gives a very pleasant atmosphere to this movie.
Well this film I think is more about sighing than laughing...
Saw the preview of this long ago, in a lifetime before kids, and back then thought that my wife and I would enjoy this film. Finally watched it recently and for me the film held up its part of the bargain.
I think some of the disappointment for this film is a bit heavy-handed for a very indie film from a first-time director. The film is somewhere between quaint and cute, and there is a time and place for that, no? The french version of Cupid was a bit trying on my nerves, but absolutely essential...and even he is given his epiphany, as are the male and female romantic interests, the initially wrongly-aimed arrows of love. They are both exotic on the outside, but all too familiar. It may be that the mute uncle says the most, but then less is often more.
Still, I think for many this film will have an appeal, as many people feel that they are on the wrong track of the wrong life at times. Having the male as the demure one also should have made this more appealing to my wife, but for some reason she did not get caught up in the film. I thought he was exceptionally well cast, and while he's probably nowhere near that awkward in real life, he certainly tapped into a neurosis as old as the Euphrates.
The Walter Mitty fantasies that George/Jorge uses for his form of losing himself worked less as comedy for me, but more as an underscoring of George's lack of ownership of his own life.
Many of the films loose ends were nicely tied together, and using Niagara Falls as the climactic setting, was a crucial cliché. Taking the plunge was well paralleled.
I see the next film from this director had him working with Dustin Hoffman, I'll check it out hopefully. But perhaps director/writer Joel Hopkins was not the indie wunderkind (or wunderBrit) I suspected. As mentioned in another review, he did license "Instant Karma" for a pivotal scene (and the words worked quite well I thought...).
Anyways that film looks like it touches on the despair and redemption of love too, so I'll try to entice my wife to watch that with me.
6.5/10 Thurston Hunger
Saw the preview of this long ago, in a lifetime before kids, and back then thought that my wife and I would enjoy this film. Finally watched it recently and for me the film held up its part of the bargain.
I think some of the disappointment for this film is a bit heavy-handed for a very indie film from a first-time director. The film is somewhere between quaint and cute, and there is a time and place for that, no? The french version of Cupid was a bit trying on my nerves, but absolutely essential...and even he is given his epiphany, as are the male and female romantic interests, the initially wrongly-aimed arrows of love. They are both exotic on the outside, but all too familiar. It may be that the mute uncle says the most, but then less is often more.
Still, I think for many this film will have an appeal, as many people feel that they are on the wrong track of the wrong life at times. Having the male as the demure one also should have made this more appealing to my wife, but for some reason she did not get caught up in the film. I thought he was exceptionally well cast, and while he's probably nowhere near that awkward in real life, he certainly tapped into a neurosis as old as the Euphrates.
The Walter Mitty fantasies that George/Jorge uses for his form of losing himself worked less as comedy for me, but more as an underscoring of George's lack of ownership of his own life.
Many of the films loose ends were nicely tied together, and using Niagara Falls as the climactic setting, was a crucial cliché. Taking the plunge was well paralleled.
I see the next film from this director had him working with Dustin Hoffman, I'll check it out hopefully. But perhaps director/writer Joel Hopkins was not the indie wunderkind (or wunderBrit) I suspected. As mentioned in another review, he did license "Instant Karma" for a pivotal scene (and the words worked quite well I thought...).
Anyways that film looks like it touches on the despair and redemption of love too, so I'll try to entice my wife to watch that with me.
6.5/10 Thurston Hunger
Você sabia?
- CuriosidadesCherie Jimenez's debut.
- Trilhas sonoras3 Steps to NØH Mountain
Written by William Parker
Performed by William Parker & The Little Huey Creative Music Orchestra
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Entrando de Cabeça
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 33.236
- Fim de semana de estreia nos EUA e Canadá
- US$ 33.236
- 8 de jul. de 2001
- Faturamento bruto mundial
- US$ 33.236
- Tempo de duração
- 1 h 37 min(97 min)
- Mixagem de som
- Proporção
- 1.85 : 1
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