Retratos do Amor

"Snapshots" is a journeyman B-flick about a middle-aged bookseller in Amsterdam (Reynolds) who meets the daughter (Chaplin) of an old love (Christie), falls in like with her, and then confronts his feelings with a little help from his past. This corny and awkward little flick has too many deficits for this commentary. Suffice it to say that in the grand scheme of cinema, it's crap. However, as a no brainier sentimental watch for the zoning sofa spud, it squeaks by as nominal fluff. Recommended for fans of the players or anyone who can't find anything better among the channels. (C)

Note - the snapshots referred to by the title are really black and white nude studies of Chaplin...the most interesting, artistic, and professionally done thing in the film, IMHO.

Just caught this film on cable. It's always nice to see Julie Christie no matter how strange the casting. It is odd to see her playing a Moroccan woman but she can actually pull it off. Carmen Chaplin is delightful as the young artist but I felt that Burt was out his element. He's just not believable as an old hippie in Amsterdam-even smoking a joint. The story is a little too cliche--coming of age, reunited old loves, even flirting with "older man falls for sweet young thing who may be his daughter", but still something holds my interest.

The atmosphere is warm, the city of Amsterdam is very appealing, the shots on board the boat are great. A sweet, sentimental tale worth the time to view.

Award-winning Dutch filmmaker Rudolf van den Berg almost manages to pull off this unlikely romantic drama, if not against all odds, then at least against quite a few. First of all, Burt Reynolds plays an ageing hippie. Reynolds was probably further from the hippie culture than most Americans his age in the '60s and '70s. Second of all, Julie Christie plays a Moroccan woman. That's borderline preposterous. And on top of that, young Carmen Chaplin (Charlie's granddaughter), who was in her mid-20s here, becomes some sort of love interest for old Burt. Admittedly, he was still handsome and charming. So it's somewhat surprising that it's actually the scenes between these two characters, Larry and Aïsha, which carry the film and give the unlikely plot the necessary weight and warmth. Van den Berg's work is simultaneously sensitive and corny, clever and flawed. I cannot decide whether the film could have been much better, or if it actually turned out as well as it possibly could. But as usual, Reynolds gets ample opportunity to demonstrate his wonderful comedic timing and line delivery.

Burt reynolds, julie christie, carmen chaplin (charlie chaplin's granddaughter). Larry runs a bookstore in amsterdam, but a businessman is very eager to buy up his shop, as well as the other shops on the street. When he meets a strong willed young lady from america, he reminisces about meeting another young girl here, years ago. Lots of flashbacks, but it's well done, and fortunately, it's easy to tell when we are in those flashsbacks, which not everyone can master. It's a fun tale. Nothing tricky or real new, but it's a pleasant journey. And who doesn't have fun in amsterdam? Directed by rudolf vandenBerg. Has won numerous film fest awards for his films.

Snapshots is a New World meets Old World, young meets old, past meets present love story with a fine use of coincidence, a great flavor of Amsterdam, and some terrific moments by Reynolds and Chaplin.

The flashback scenes of younger love (apparently done by a second crew) are nearly unwatchable...editors might have saved them as quick, patchy dream-like sequences, but let them run in all of their silliness. Without a fast-forward button, they ruin the film. USA scenes are almost as bad with a corny TV flair and evidently no budget for cinema-like setups--the only good thing to say is that they show how much better an actress Chaplin is than the production around her.

Watch it for the Amsterdam parts, which are lovely, well-acted, and even funny.