Jet Boy - Garoto Inocente

I was bored and wanted to watch a movie, Jet Boy was the only movie starting at that moment so I started to watch it. The beginning hooked me right away, I wanted to know what would happen to this young boy who was selling himself on his twelfth birthday. This movie hooked me and it kept me hooked all the way through. A lot of neat things happened :)

I watched this like two weeks ago and completely forgot to review it so my thoughts and opinions aren't very fresh but I'll try my best. I liked this movie. I'm always a sucker for the kid plot line with sex work or drugs especially if there's gay involved. I thought this was really interesting and the ending was cute. The acting was a little meh but that's forgivable. It was exactly what I was looking for to watch while procrastinating on my homework.

It's a good movie. It's about a boy who sells himself for money. And then his mom dies and he has no dad, so he has no where to go. While in a diner he mats Boon. It's sad because in one scene he says "I just want to be a good kid" and you feel sad for him. He dosen't want Boon too leave him all alone.Branden Nadon plays Nathan,the main character. It's also good because it's canadian.

«Jet Boy» is not a pleasant movie to watch, not for the sordid elements in the plot, but for the options the leading characters choose in the end, in a hopeless intent to form a "happy home". And worse than that, what begins rather promising turns into a melodrama of few merits: the performances by Branden Nadon as Nathan, the "jet boy", and Dylan Walsh, as Boon, the tough driver who is forced to take Nathan with him in a dangerous trip to Vancouver, related to drug trafficking.

The main issue is that 13-year-old Nathan is a prostitute, abused and battered by adult male patrons, who runs away from Calgary when his junky mother dies of intoxication with bad dope that he provided. He meets Boon in a cafeteria on the road, and suspects that the man is into "something". When Boon makes a phone call, Nathan memorizes and then erases a number which is vital for Boon to call in Vancouver... and so on, the plot gets into cliched territory, giving rutinary psychological answers to many of both characters' ticks, blows and surrender, including a return to Boon's hometown, to his dying father, to his ex-bride and her son, whose apparently idyllic suburban life attracts Nathan and unwittingly Boon too.

Things get tougher, deadlier in Vancouver, and... you know the rest. It gets mellow and improbable, but I tell you, Nadon does a fine job as the kid, and Walsh gives good support as the kind of man who attracts and repels Nathan. Not bad to watch as a surrogate of a TV Movie of the Week.

I gave this a 9 out of 10, which is extraordinary for what, in many ways, is a pretty bad film. Sometimes a movie can touch you, like this one does, even though you know it has some terribly bad aspects like cardboard-cutout characters and unbelievable plot turns. In a movie that often has the complexity and production values of an ABC Afternoon Special, there is the stirring performance of Branden Nadon as Nathan, a young male prostitute, latching onto a drifter he wants to be his ... father figure? lover? both? There are many unanswered questions here, opportunities missed, time spent on uninteresting plot lines. But instead of walking away in disgust, Nadon's performance and character just leaves you hungry for more, and wishing scenes had been expanded. There's a scene where Nathan tells a gay teen who has just kissed him, "I just want to be a good kid," and it so excruciating and sweet and sad you wish the scene had gone on forever. When Nathan accompanies the drifter to the drifter's home town, none of the people he encounters there know how worldly he is, or how wounded he is, and how he longs to belong to someone. It's a poignant performance you won't easily forget.