Jantar com Amigos

No character makes sense, everybody is wrong. Gabe and especially the ultra conservative Karen constantly temper in their friend's decisions, which are really none of their business (as if my best friend had a right to tell me who I should be with or what my goals and principles in life should be). Tom on the other hand is a self-righteous bastard who always thinks of himself as the victim. He loves talking about himself and doesn't accept anyone else's opinion. And Beth, well, she's just an unbelievably annoying person. I could see how anyone would want to leave her.

A movie about failed marriages and love should show how nobody is wrong and everybody is right. The thing is, none of the four characters here is believable and the dialog is painful at times. From the first time Tom and Beth meet it's hard to believe that the two of them are even attracted to each other. It's also hard to believe that somebody as far removed from reality as Karen is living on this planet and happily married.

Nope, the writers got it all wrong and not even the cast can save this movie. Sorry.

TV may be mostly a wasteland these days, but every once in a while, a fine original film shows up on the tube. `Dinner With Friends' is certainly in that category. It takes the viewer deeply into the relationship between two couples and within each. They were best friends until one of the marriages hits the rocks. We see each side of that split and how it affects the other couple. Initially, sides seem to be taken along gender lines, but that reverses as each member of the separating couple finds new relationships. Is it fatal to the other marriage? Watch and see.

In a long series of original HBO movies, the predecessor being "WIT". "Dinner With Friends" turned out to be one of the best dramatic shows HBO has produced. First of all to get a top-notch director such as Norman Jewison and Pulitzer Prize winning play to work with, they were ahead before they began. All four major stars, Quaid, Kinnear, MacDowell, and Collette more than succeeded with their tasks, but it was the two long scenes between Greg and Dennis that raised this show to greater heights. Greg Kinnear has come so far in such a short time as an actor and he can hold his own with anybody now. I think I've seen every film Dennis Quaid has made and "DWF" is his finest work to date. If you've ever worked as a professional actor or director, you know that the easiest scene to play is "anger" and the most difficult is maintaining an audience's interest while you're playing low-key drama. The low-key counterplay and interaction between these two men was superb! It was often said of the late Geraldine Page that she could act in a whole movie or a three act play and know everything she was thinking if she had NO dialogue. Quaid and Kinnear were excellent listeners and responded to each other in the same way as Page. Besides the rich and powerful screenplay, the icing on the piece was placed with Dave Grusin's melodic score, a-la "The Fabulous Baker Boys". The 90+ minute movie ran the gamut of emotion for its audience. I was moved from tears to laughing out loud and anger to surprise. I only hope when next years Emmy nominations are announced, people will still remember this film in August 2001. Dennis Quaid and Greg Kinnear should be at the top of the list. Thumbs UP and four solid stars!

The opening scene of this film is very good, with equal parts humor, pathos, agony and sympathy. Problem is, it gets progressively worse as it goes along, and in the end, it just ... ends. It's as if the script writer(s) indiscriminately decided that it was a good place to write "The End" and say the hell with it.

Having seen Donald Margulies' play when it opened in New York, I was interested in what Norman Jewison, the director, had done with it for the screen version. It helps that Mr. Margulies did his own adaptation, although, it appears to this viewer, the stage version was more satisfying. Not that there's anything wrong with the film, it's just that the cast in the play was far superior than these well intentioned actors we see in the movie. Mr. Margulies has tried to open his play, but it just doesn't go anywhere.

The basic premise, and a caveat to good friends, is to stay away from "fixing up" prospective marriage partners, as things in life are a bit more complicated than a good ending in a book, a play, a movie, or human relations.

Karen and Gabe are happily married. They conjure to arrange a meeting with Beth, a painter, and Tom, a lawyer. Basically, the idea of having mutual friends meet one another, might not be bad, but in reality things should be let alone and let nature takes its course. The bright idea back fires on Karen, who, upon hearing at the beginning of the film that her best friend, Beth, is divorcing Tom, is visibly upset. She feels betrayed by these two people she was instrumental in bringing together.

It's hard for both, Gabe and Karen, to think where they went wrong in their match making roles. They never take into consideration that Beth is totally wrong for Tom, and vice versa. The problem is that this couple don't think that Beth and Tom have found new partners in what appears to be a much solid relationships than what they had together. Karen and Gabe are crushed, but in reality, not everything is perfect in their own marriage. We get hints that yes, they are not completely happy, but they have decided to stay in the marriage out of decency and out of duty to their two boys, which is what Beth and Tom have failed to do. Call them old fashioned, but one has to give Karen and Gabe a lot of credit for at least trying to stay together as a family.

Andie MacDowell is Karen; she is a beautiful woman. In the movie, Ms. MacDowell appears a bit distant. She loved to bring people together and resents their friends separation. Ms. MacDowell's Karen comes across as a hard and judgmental person. Dennis Quaid tries hard to give Gabe warmth. Perhaps he comes across as the best of the four principals. Toni Collette's Beth is an enigma until her confrontation with Karen at the restaurant, then, we see a woman that is not shy in telling her best friend off as she embarks in a new relationship. Greg Kinnear is Tom. He is perhaps the weakest link in the quartet, as he is perhaps, not treated fairly by Karen, or Gabe.

The movie remains a bit theatrical, but Norman Jewison has done wonders with the material.