Cyber Wars

It was once remarked by B-movie producer Roger Corman, that Singapore would make a great place for a science fiction movie (Corman had co-produced Saint Jack, the only Hollywood movie to date filmed entirely here). And it's true, as we do have a number of locales that look futuristic enough for on location shoots, and more so if given the special effects treatment to spruce things up. The opening shot of the city skyline is something familiar, yet on the other hand, something rather artificial about it - It's not Singapore, it's a fictional city state called Sintawan.

Avatar probably and unwittingly set itself a high benchmark to meet right from the start, by having that text crawl (cliche) explaining the setting of the world upon which the story is based, talking about Simplants and the police - pitting itself against cult classic Blade Runner. Director Kuo Jian Hong (daughter of the late Kuo Pao Kun, this movie is dedicated in his memory) might have high hopes of Avatar emulating and meeting those standards, or to achieve an indie following, however the fundamentals of having a proper storyline was already flubbed.

It tried too hard to be intelligent, rather than sticking to the "keep it simple stupid" rule, especially if one is thinking of cramping plenty of tech-no-babble into less than two hours. Unlike The Matrix which seamlessly gelled simplified philosophy into its narrative, and more so as an afterthought rather than assaulting your senses while the story is being told. Speaking of The Matrix, there were also some reference to the giant network storage of persons' identities, a Cyberlink (probably an advanced form of the Net), as well as a subplot involving the police up against a group of rebels, amongst others. Avatar suffered from trying to explain too much in too little time, and will make you switch off when listening to "important" mumbo jumbo you don't' care about, regarding some teleportation technology and identity doppelganging using biological science early in the movie, before shifting gears into presenting some huge conspiracy theory about playing God in the Game (oooh).

Briefly, we follow the exploits of the best (Singapore, oops, Sintawan everything also must #1) bounty hunter in the business of Simplant capture - Dash MacKenzie (Genevieve O'Reilly), an ang moh, as locals don't have street cred to be leads in the movie. Actually, most of the local actors, prominent ones I must add, were relegated to playing supporting or cameo roles in this production, folks like Lim Kay Siu, Neo Swee Lin, Kumar, Gerald Chew, Richard Low and Kevin Murphy (from S11, didn't know he was that active in previous local productions, the other one being City Sharks, but bit role as well), The other main lead was an Asian actor Wang Luoyong (huh?) who played cop Victor Huang, in pursuit of Dash, and under circumstances beneficial to both, begin an uneasy partnership which blossomed into some hokey romance.

I think by now any self respecting (I say this in jest) local movie would somehow have a scene set in coffee-shops / hawker centers to get that seal of authenticity that it's made in Singapore. Diners should have no qualms that in Avatar's future, our favorite makan style of choice is still around, with shady covert dealings taking place right underneath hungry bellies. Other locations easily identified included the Expo MRT station (no more EZ-Link cards, your palm is scanned instead), inside MRT trains, Bugis Junction, the area around Empress Place, Little Guilin at Bukit Gombak and even Hotel 81 (yes!) which seemed to retain its perceived sleazy purpose in the movie.

The acting's all very stiff, probably from the cast's lack of belief in what they're actually doing, and the unbelievable lines they have to say. For a production of the time, it's probably still stuck in a mindset that it is better to engage B/C-graded caliber ang-moh actors than to choose jolly good ones from our local scene. Not that I'm against foreign talent, but in my opinion it's quite a pain to see them going through the motions here, spewing lines of dialog which are and sound so artificial, made worse by their accents.

Avatar looked like a million dollars, alas it felt like a cheap telemovie. The effects were decent though, but for scenes with extended CG or CG created backgrounds, it ended up a bit raw and looked unpolished. The costumes looked lush, especially Joan Chen's figure hugging and cleavage enhancing outfits. Some shots were done creatively, obviously so to cover up the lack of a bigger budget to get more gizmos mentioned, implied or are actually used in the film, like vehicles - you never actually see them zoom around the city.

So is Avatar worth watching? Yes, for that lesson on how not to make a science fiction film. One wonders if The Gene Generation will work out successfully, which also casted another Hollywood B-movie specialist Bai Ling in a lead role.

In the early 21st Century, society is connected through the Cyberlink. All communication and monetary transactions occur within its sphere. The Cyberlink records the identities of all legalized citizens. Simplants provide criminal with alternative identities. Ident police and private headhunters track them down.

In Entropolis, the efficient bounty hunter Dash MacKenzie (Genevieve O'Reilly) is hired by the big corporation boss Joseph Lau (David Warner) and his henchman Davinder Sandhu (Michael De Mesa) to hunt down his former employee Edward Chan (Gerald Chew). Edward has vanished after submitting to the state-of-art procedure neuromorphing. While seeking Edward out, Dash stumbles with Ident Detective Victor Huang (Luoyong Wang) and he warns her that someone might want to kill Edward, but she does not pay attention to him. Dash finds Edward but he is assassinated before telling her why he is hunted down. However his mistress Sylvia escapes from the killer. Soon Dash finds a clip and her biotech guru Julius Kui (Kay Siu Lim) stumbles with the truth and finds why Edward was murdered. Dash brings Victor to meet Julius and he shows Megacorp transactions in Sintawan to them. He explains that these five companies make up the total infrastructure and have total control over Cyberlink. They form a powerful consortium and play a game based on the ancient Chinese game Wei Chi. Sintawan is the playing field where they wage corporate war in accordance with the strategies of the five companies, manipulating the course of the society and everyone living here. Therefore the place is an illusion and nothing is what it seems and there is no distinction between the game and reality. Then Dash finds that they are all avatars. What will they do?

"Cyber Wars" is an interesting film with a complex story. The plot has flaws and gives too much new information to the viewer; therefore the best to do is to watch the film again on the next day to understand better the details. Dash is an unpleasant character and Genevieve O'Reilly and Luoyong Wang are histrionic in certain moments and do not show any chemistry, but this combination of Matrix and Blade Runner entertains. My vote is seven.

Title (Brazil): Not available on Blu-Ray or DVD.

A decent movie with a good cyberpunk theme. A very Gibsonesque world complete with wetwiring, neural links, the matrix and even a holo-dolphin being used as an semi-sentient afterlife avatar. The main character is a tough independent women caught up in a world of technocratic intrigue playing a short hand against tough odds. So the scenery is familiar to fans of cyberpunk and anybody who has read mid 80's Gibson.

Of course the world has moved on and in 2010 the film seems oddly dated. For a more current take on cyberpunk look to Vexille or Paranoia 1.0. This aside I give it kudos for portraying a more honest 80's idea of a virtual world than maybe something like virtuosity. The themes are solid, if a little cartoonish and flat.

Main gripe would probably be the lead role. She just did not seem to engage with the role. The material may not have been there but I have seen good actors giving a lot more with a lot less. She never seemed hurried or overly perturbed even with the bullets flying and people dieing in front of her. A gunshot wound was just another cheap squib and her acting was not up to the task of making you believe it was anything other. The threatening claustrophobia you would expect from a good techno or cyber thriller was absent.

Supports were better and gave a solid B grade performance.

One of the other problems was a noticeable inconsistency in the sound. Some parts were noticeably poorly miked and there were differences in tone and sound continuity. A distraction but not so bad. The music was good and had the right feel.

Also the lighting never seemed right. The whole film was too bright. Cyberpunk is film noir at heart and there should have been more play with shadows and colours. There was plenty of scope for light play. Scenes where subways lights go out could have been played for darkness but they were not.

That being said I still enjoyed it. There are not too many movies of it's kind. A Gibonesque story can be hard to pull off even with the best actors, production crews and serious money to throw around (Johnny Mnemonic). The Matrix as envisaged by Gibson always looks a bit cheesy (think lawnmower man) and as I said in 2010 there are real threats from networks that make the 80's cyberpunk themes seem pale (drone war planes, hikikomori, identity theft, net surveillance, rfids and GPS positioning).

Think of this film as picture postcard from a day at a Gibson beach. Your not really there but it looks nice enough.

Despite all the bad comments, this movie is rather enjoyable. True, the acting is not always at its best...but other than that it is a solid classical cyberpunk movie that looks as a professional level job...not the amateurish home-made thing that someone described!

It's not a world shaking work of art, but it accomplished the job of entertaining the viewer and is much better then some Hollywood-crap we see this days.

I rate it a 6 for the movie "value" ... a 7 because it shows a good technical work ... and a 8 because we should get more of this stuff, it deserves support.

This film was based on William Gibson's SF writing, but he isn't mentioned anywhere in the credits. A challenge to watch, because the dialogue is often muted. If the audio track had been recorded better it would be a better film. The story is not bad, and the ideas are intriguing, but alas, they came from somewhere else...sort of a youth oriented film for younger fans of SF. Maybe a film that would have been better done by a big studio. Better than most trashy Cyber-Punk movies set in the proverbial post apocalyptic garbage can, this future is clean and orderly. The female lead is not that bad, but the film resounds with so many ideas that came from William Gibson it is like watching a mini cornucopia of the SF writers work all rolled into one film, that is written by someone else.