Confissões de uma Mente Perigosa

One of Charlie Kaufman's more overlooked and underrated screenplays, 'Confessions of a Dangerous Mind' may have been something of a departure from the high-concept experimentalism that made his previous brainchildren, 'Being John Malkovich' and 'Adaptation' (a masterpiece and a near-masterpiece, respectively) such striking breaths of fresh air, but on no account should its ability to engage and entertain on those strengths of its own be underestimated. Taking a well-earned break from the surreal situations and the complex plotting, Kaufman turned his attention here to a much more straightforward yarn that was better grounded in reality; the twist there being that it was based on a story that, while allegedly true, just as likely never happened. 'Confessions' though is willing to give Chuck Barris the benefit of the doubt in regards to his dubious claims to have been a secret assassin for the CIA in the midst of his days as a game show host, giving life to such controversial classic as 'the Gong Show' and 'the Dating Game' while taking it from a range of human targets around the globe. It sits back and lets the scenario unfold without question – and does so with such considerable spirit and vigour that it's hard not to get lured in and pulled along for the ride. Regardless of whether the real-life Barris truly did have some incredible adventures within his time, or simply an overly-active imagination, this movie translates it into one heck of an enjoyable romp – slick, stylish and entrancing on the surface, and with a bracingly poignant and sobering tale lurking underneath.

Kaufman continues to rule supreme with his flair for developing the most heavily flawed and eccentric of characters, investing them with witty dialogue and sharp situations and, as with his previous screenplays, the humour is a pleasantly mixed bag – lightly amusing at some points, laugh-out-loud hilarious at others, even outright alarming whenever it needs to be. George Clooney's direction, meanwhile, though it stands a fair distance from the eye-seizing zippiness that we're used to seeing Spike Jonze apply to this writer's workings, is still an accomplished visual take on the material, made sensational by its meticulous attention to detail. Indeed, the film's fondness for subtle in-jokes, crafty cameos (some great ones among the Dating Game contestants – absolutely great), background gags and general all-round intricacy is partly what makes it so rewarding and worthy of repeated viewings (I was watching it for what must have been sixth or seventh time last night, and still I found myself picking up a whole range of details that I somehow missed out on the first few times around). Sure, things can move a tad slowly every now and then, but with this number of niceties up there to be marvelled at you know you're never for a second going to be bored.

It also draws a fine contrast between the two separate pursuits that Chuck Barris is called to follow – the game show scenes are colourful, light-hearted fun, the assassin scenes murky and deliciously paranoid, and Sam Rockwell, at the helm as our savvy and hapless main man, has the timing, the energy and the appeal to emerge from the two as both a comic figure and a tragic one. Kicking off as a likable, familiar kind of anti-hero, whose goofy grin and offhand ways have us smiling through the bar fights and the womanising, he gradually evolves into something more enigmatic and sorrowful; a lost, confused individual whose more innocuous contributions to society, in the form of lowbrow 'trash TV', are widely scorned (not that I've ever seen any of the genuine Chuck Barris's shows myself, but it would amaze me if they were really any worse than the kind of mind-numbing reality TV that's enjoyed popularity over the past few years), while the hidden talent he discovers in contract killing begins to understandably repulse him soon enough. One of the most effective things about 'Confessions' is just how deftly it uses its gags and its pathos, along with interview snippets from those who were acquainted with the real-life Barris, which punctuate the story at various points, to reflect upon this man, his life, and just how much he really achieved either way, arriving in the end at quite a biting conclusion. I don't think that any other rendition of 'If I had a Hammer' could feel nearly as sad and haunting as it does here.

Drew Barrymore and Clooney himself offer nice support all the while, each epitomising different ends of the Chuck Barris spectrum – Barrymore, as Chuck's bubbly girlfriend Penny, is a fun-loving innocent; Clooney, as his CIA director, is aptly subtle and mysterious. But neither of them, or anyone else involved for a matter of fact, comes even close to upstaging Rockwell, whose input is simply fantastic – there's no doubt in my mind that the Best Actor Award which, as the blurb on the DVD so proudly states, he picked up at the Berlin International Film Festival for his efforts, was well-and-truly earned.

It's not an innovative, far-out, one-of-a-kind experience (a la 'Being John Malkovich'). But it's an entertaining, well-made and entirely satisfying flick with one particularly brilliant stand-out performance, and that's more than enough to do the job. Kaufman can probably pen avant-garde better than anybody else today, but 'Confessions of a Dangerous Mind' goes to prove that, when in the right company, he can write 'normal' just as impressively.

Grade: A

Chuck Barris is a man who decides that his future is in television and tries to come up with ideas for new shows to elevate himself up from the position of tour guide. When his show isn't picked up from the pilot, he is approached by Jim Byrd who offers him work with the CIA. When he finds out that this work is basically as an assassin, he still does it and begins to become quite proficient at it. When his show ideas get picked up by the network he continues to kill, using his job as a producer as cover.

Although I missed this at the cinema, I was keen to get this film when it came out on DVD and wasn't disappointed by the film. The tone from the start is darkly comic, becoming increasingly dark and decreasingly comic as it goes along. Supposedly based on a true story this can be enjoyed with little or no knowledge of the characters and TV shows involved - indeed I had never heard of Barris even if I was aware of what UK TV calls Blind Date. I don't know if it makes it a better or worse film for supposedly being true - I enjoyed it even with me treating it like a work of fiction more than anything else.

Not all the plot really worked of course. As it gets darker it begins to lose it's grip and become slightly less entertaining but strangely more watchable. It is at it's best in the first half though. While Barris and Byrd are good characters, some aren't as well used and you get the impression that the script wishes they weren't involved at all, certainly Penny and Patricia were a little confused and what was hinted at was never revealed in terms of who they were.

Rockwell runs the film really well and copes with the comic stuff and the darker stuff. Clooney is quite a good character in a small role but he does better as director. He uses cross cuts really well and has a lot of help from his cinematographer in terms of effective use of lighting and such. Considering this is his debut as director he does a surprisingly assured job and has a good sense of style. Stars clutter the support cast, some in OK roles and some in cameos. Barrymore is OK but I didn't find her character that interesting, Roberts is more interesting but the significance of her character in Barris' life wasn't developed well enough. Hauer is good and Pitt, Damon and Gyllenhaal make fleeting appearances.

Overall this was a very enjoyable film with it's own unique dark tone and comic content. It may not be 100% successful but it is a film more worthy of viewing than most of the stuff that you see on the shelves at your local video store. Not to everyone tastes perhaps (and it didn't make money at the box office) but Rockwell is great, Clooney shows a deft touch as director and the story is both funny and dramatic even if I'm still unsure whether it is true (or semi-true) or not.

What if the creator and host of two of the 1970s biggest and lamest television game shows was also a part-time CIA hitman? That he used The Dating Game and The Gong Show as a cover to stage assassinations in the netherworld of Cold War espionage. Ridiculous you'd say. But that's what exactly what Chuck Barris claims in his autobiography, and Charlie Kaufman accepts carte blanche as the premise for his screenplay. The film plays it straight up as if Barris were telling the truth.

Can Charlie Kaufman, the screenwriter, and George Clooney, the director pull it off? Mostly. It is competently acted by Sam Rockwell as Barris, Julia Roberts as a fellow spy, Drew Barrymore as his love interest, and director George Clooney as his CIA recruiter and handler. The bizarre landscape, a marriage of television and espionage, is presented without a smirk or wink. If Barris is telling the truth, this is what it must have been like. It's an interesting idea, and Clooney and Kaufman have taken it and crafted an enjoyable film.

Let me start by saying my respect for Clooney as a producer and now a director continue to go up. Backing this one was also Steven Soderbergh... and as a result you get stellar (for scale only) performances by Julia Roberts and Drew Barrymore. Also watch for Brad Pitt and Matt Damon in fleeting, non-speaking cameo roles.

The film (and book) explore the double life of Chuck Barris who was once described as lowering the bar on television for ever. The double life however, is the life of a CIA contract assassin.

The premise is hard to buy into. But then again, so was the man. True or not, the film and story raise Barris up to the level of Andy Kauffman. In a Tyler Durdensque manner this Beautiful Mind takes you thru Barris' theoretical hell or coming to terms with his own personality foibles.

Rockwell is spot on in his portrayal both on and off the small screen as Barris. The reproduction of Gong Show Antics are spooky to say the least. The film is inter-cut with appearances from actual colleagues from Barris' past (such as J.P. Morgan, Gene Gene the Dancing Machine, and others) in an almost Harry-Met-Sally style of nostalgic interview.

Clooney's use of live scene cuts to transition fluidly from thought to thought or scene to scene are reminiscent of The Graduate's Poolside swan-dive directly into Mrs. Robinson's bed. This is a film that has a touch of "Fight Club", "Forrest Gump", and "La Femme Nikita"... all tied together by the man that brought up Rip Taylor's $1.98 Beauty Show.

The film presents more questions than it answers. Matter of fact the only question the film really answers is whether or not someone really answered the weirdest place they ever had whoopie.

I saw this on Starz thanks to the marvel that is Tivo. The DVD is now definitely on my wish list.

George Clooney's directorial debut is a compelling dramatic biopic about `Gong Show' host Chuck Barris, who claims to be a hit man for the CIA. Barris started out small, but decided to go for the big time and move to New York, where he got a job at NBC. Soon he becomes a manager type person, and creates an idea for a game show called `The Dating Game'. It becomes a hit, but he feels unfulfilled, even though he has Penny (Drew Barrymore). Also, Jim Byrd (Clooney) from the CIA recruits Barris to kill for the CIA. As we watch the movie, we don't know which is true and which is a figment of his imagination. Think of it as an R-rated Beautiful Mind.

Barris is played with great intensity by Sam Rockwell. Clooney took a risk of planting a not-well-known name as the lead. With such star power behind him like Clooney, Barrymore, and Julia Roberts, he stands out. Rockwell has starred in such movies before like Heist and The Green Mile, all three times with great acting. He brings out the inner demons of Barris. Rockwell was exceptional, and exceptionally believable. Even though he was billed fourth, he has his name out now and we can expect him in larger things.

Many scenes were standout, with their camera angles and unique way of playing it. At times it seemed like a play, with a wall disappearing, for instance. However, Confessions of a Dangerous Mind wasn't as funny as I was hoping. Sure, some scenes were quite funny (like the scenes in the beginning where it was a montage of the f-word). It had an authentic feel to the 60's (including the soundtrack), like Catch Me If You Can did. At times, it had a documentary style to it, which would have been more effective if they had more substance behind it, such as more of the interviews or none at all. Many of the camera shots were close-ups, which looked quite cool. I am a game show aficionado, so I thought that most of the time would be spent on Barris going onto the CIA, but it was evenly divided between the two, so I was happy.

At times, the mood was light-hearted, almost satirical, but at other points it was serious drama that poked at your emotions. As I said before, Rockwell is definitely lead material. Clooney did a good job portraying the CIA recruiter, and Barrymore is the other standout as Barris' girlfriend. She and Rockwell, besides good chemistry, both displayed true emotions. Roberts, as another CIA agent, put in her usual mediocre performance, though she was better than normal. However, many characters have no substance behind them, namely Roberts, who was billed third and had about three scenes (which, I guess, is better than Jennifer Aniston in Office Space).

Possible the only downpoint of the movie was that at times, it got too trippy for its own good. Even Barris didn't know what was real and what wasn't. It got a little too muddled in plot, such as who is who, at times. When Barris sees everyone who he killed, that was just…weird. Anyway, I would highly recommend Confessions of a Dangerous Mind to about anyone.

My rating: 8/10

Rated R for language, sexual content and violence.