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IMDbPro

FLCL

  • Minissérie de televisão
  • 2000–2001
  • TV-14
  • 30 min
AVALIAÇÃO DA IMDb
8,1/10
21 mil
SUA AVALIAÇÃO
POPULARIDADE
3.775
1.341
FLCL (2000)
Trailer for FLCL: The Complete Series
Reproduzir trailer1:09
1 vídeo
43 fotos
Animação desenhada à mãoAnimação para adultosAnimeDrama psicológicoUm retrato da vidaAçãoAnimaçãoComédiaDramaFicção científica

Coisas misteriosas começam a acontecer com Naota, um jovem de 12 anos, encontra uma mulher estranha em uma Vespa junto com seu grande baixo.Coisas misteriosas começam a acontecer com Naota, um jovem de 12 anos, encontra uma mulher estranha em uma Vespa junto com seu grande baixo.Coisas misteriosas começam a acontecer com Naota, um jovem de 12 anos, encontra uma mulher estranha em uma Vespa junto com seu grande baixo.

  • Criação
    • Kazuya Tsurumaki
  • Artistas
    • Jun Mizuki
    • Mayumi Shintani
    • Izumi Kasagi
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    21 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.775
    1.341
    • Criação
      • Kazuya Tsurumaki
    • Artistas
      • Jun Mizuki
      • Mayumi Shintani
      • Izumi Kasagi
    • 116Avaliações de usuários
    • 20Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Episódios6

    Explorar episódios
    PrincipaisMais avaliados1 temporada

    Vídeos1

    FLCL: The Complete Series
    Trailer 1:09
    FLCL: The Complete Series

    Fotos43

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    Elenco principal60

    Editar
    Jun Mizuki
    • Naota Nandaba
    • 2000–2001
    Mayumi Shintani
    • Haruko Haruhara
    • 2000–2001
    Izumi Kasagi
    • Mamimi Samejima
    • 2000–2001
    Suzuki Matsuo
    • Kamon Nandaba
    • 2000–2001
    Hiroshi Ito
    • Shigekuni Nandaba
    • 2000–2001
    Mika Itô
    • Eri Ninamori
    • 2000–2001
    Kazuhito Suzuki
    • Masashi Masamune
    • 2000–2001
    Sho Miyajima
    • Gaku Manabe
    • 2000
    Kôji Ohkura
    • Amarao
    • 2000–2001
    Chiemi Chiba
    • Kiturubami
    • 2000–2001
    Steve Blum
    Steve Blum
    • Masashi…
    • 2000
    Kari Wahlgren
    Kari Wahlgren
    • Haruko Haruhara
    • 2000
    Stephanie Sheh
    Stephanie Sheh
    • Additional Voices…
    • 2000
    Barbara Goodson
    Barbara Goodson
    • Naota Nandaba
    • 2000
    Melissa Fahn
    Melissa Fahn
    • Eri Ninamori
    • 2000
    Steve Kramer
    Steve Kramer
    • Shigekuni…
    • 2000
    R. Martin Klein
    R. Martin Klein
    • Gaku…
    • 2000
    Joe Martin
    • Kamon Nandaba
    • 2000
    • Criação
      • Kazuya Tsurumaki
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários116

    8,121.1K
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    Avaliações em destaque

    8jonevans-94118

    Innovative and you can still see it today

    Fooly Cooly really hasn't aged in the last 20 or so years.

    Its still just as surreal as the last time I saw it. On a recent watch, I was even able to see how it affected much of the anime to come in later years.

    If you like existential series, you'll enjoy this as well.
    8VegitaBOD

    Yeah, it takes some gettin' used to...

    FLCL (short for "Furi Kuri", although I really have no clue how or why) is a highly stylized show. It's light-speed flow of dialog train-wrecks with the multitude of visual accompaniments in a strange combination of storytelling and all-out madness. There's no denying it, Furi Kuri will almost assuredly make you say "What the **** did I just watch?" I won't try to convince you of anything but that fact, nor do I feel anyone should. The show was made to warp minds while telling a tale - yes, there IS a plot underneath all this insanity - and cover as many genres, as many styles and subjects and tastes as possible. It is madcap entertainment, that's for sure.

    Any attempts to cover the storyline for this series feel as if they'll ultimately end in failure, primarily because saying too much would spoil the plot...and you can't tread very far without toeing that line. Therefore, I'll make an attempt at telling what I can, trying not to spoil anything.

    ::takes a deep breath::

    Naota is a sarcastic, smart-alec 12-year-old with a distaste for bitter drinks and sports a baseball bat at all times. He lives with his father and grandfather, and has a strange friendship with his older-brothers' girlfriend, Mamimi. Naota generally finds life boring in his town, a run-of-the-mill city with nothing out of the ordinary ever happening (despite the fact that there is a giant factory at the edge of town, a factory in the shape of a giant iron). This dull life changes when, for no apparent reason, a pink-haired girl named Haruko shows up on a moped...and proceeds to plow right into Naota, sending headlong into an adventure he would most likely prefer to avoid. With the entrance of Haruko into Naota's life, everything - not just his everyday life, but everything else around the entire city - seems to become even stranger and stranger. Naruko apparently has some strange obsession with Naota, one that requires the occasional beating with a guitar (aw, heck...she does that to everyone).

    That's a fairly loose run-down of the series. However, the focus seems to be very, VERY far removed from such down-to-earth elements as "Following a steady plot" or "developing characters"; instead, Furi Kuri seems to lampoon anything and everything it can, from basic elements of life and society to American Television (yes, there is a South Park section in the series). It flows so quickly you feel as if you're being overwhelmed, yet at times the show appears to slow down, just enough to let the poor audience barely catch up...and then speed off again, taunting the viewers with its very appearance.

    How can a show be so cruel in its simple execution? Imagine a fairly normal scene of Naota reminiscing about his older brother (whom has gone to America to play Baseball). Naota then proceeds to walk into his kitchen, discovering Haruko has appeared at his house. Without any warning the show shifts into hyperdrive, transforming into a moving manga (Japanese black-and-white comic), telling the next few scenes with crazed voice acting and rapid camera movement, mimicking a person reading such a publication. There are moments when the show will shift to cliched Anime moments (the "gun-fight" camera, with characters flying about and spraying bullets) back to normal time simply because it WANTS to. The show is driven by a madman, driving to make madmen of us all. ...and yet somehow the show is comprehensible after a few viewings, subtle moments once misunderstood now coming in clear(er). You get the feeling of several layers of meaning coming from all angles, several topics being touched upon, the show proving that it is more than just a crazy attempt at randomness in entertainment. The last episode, while lacking any true "tying up of loose ends" at least brings all events of the past to a pseudo-close, bringing an understanding to the basest wackiness exhibited.

    Usually, I find myself enjoying shows that are able to combine elements into powerful scenes - Cowboy Bebop is a good example of this, splicing wonderful jazz and rock with the action pacing of each section of the series. Furi Kuri, however, throws this concept right out the window, apparently making the attempt at clashing anything and everything they can without wholly losing its sanity in the process. The music, performed by J-Pop (J-Rock?) group "The Pillows" has a rock/punk edge to it, yet feels easygoing and fun to listen to. This music almost seems out of place when taken in conjunction with the wild action and oddities that are viewed; large fights take place with simple guitar-riffs in the background, appearing as an attempt to downplay the action as nothing more than a childs' imagination.

    One could probably get away with calling this show a visual representation of a childs' imagination, actually. It only has boundaries where it sees fit, it plays whatever music it wants to whenever it wants to, and it jumps from topic to topic as if it suffers from ADHD and has ingested a few bowls of sugar. The people may stay the same (for the most part), but everything else defies logic, reality, and reason. Despite its extremely varied existence, I enjoyed the series immensely, and suggest it to anyone who wants to experience...well, anything. It doesn't single out certain topics - like love, friendship, actions, self-depricating humor - instead opting to tackle them all and mush them together into 20-minutes of super-phrenic television. If you don't enjoy the absolute craziness of FLCL, then you should at least respect it for its ability to throw caution (and most everything else) to the wind and go with whatever it feels like doing. Hey, since when has 6 episodes of dementia been this fun?
    10InzyWimzy

    Attitude with a bass

    My all time favorite anime series. It's difficult to explain and must be seen to enjoy its creativity and cleverness. This is one of best ways to show the strides GAINAX is making as well as other greats like Evangelion, Gunbuster, and others.

    Almost everyone in this series undergoes change especially Naota. I finally watched episode 5 and 6 and I never picked up on the role of Naota's brother. How about lefties, sour and sweet, or mild or spicy?? "Brittle Bullet" may be my new favorite...how can you not be amazed by its final scene and the rich color schemes. Haruko is epitome of female anime coolness and she looks so creepy with that smile and no eyes! Mamimi's manic self always brings a laugh and who wouldn't want their own Canti? Great secondary characters who just add more to the richness of the story. And a heavy emphasis on EYEBROWS. The show is linear but tangents are strewn throughout which makes this a great series and repeated viewings. I probably still won't get it, but I think it's meant to kick back, relax, and enjoy the show. Also, FLCL would not be the same without the Pillows soundtrack which fits perfect with the show. The end credit sequence makes you want to get a vespa.

    For those who enjoy originality, terrific tunes, and just so bizarre it's tasty anime to munch up.
    chrispchenry

    Total Riot

    This is the most original anime I have ever seen in my life! It's totally insane, really fast and hysterical. Full of pop-cultural references and giant robots. Great action sequences and a top-notch soundtrack provided by JPop band The Pillows. The one thing I noticed the most is the distinct animation style, which actually changes randomly. The first and last episode feature a mind-blowing and dizzying manga sequence where pages from the manga are animated.

    This is totally original, anyone who calls themselves a fan of anime should check this one out.
    9deepion

    the most insane anime ever?

    when you start to watch this anime, it won't be long before you go... "what the heck!?". of course, this is exactly what it wants you to do. there is no use trying to understand it, and there is no point you getting upset about it. if you don't like it, don't watch it. this is an anime which stretches your imagination, as well as the boundaries of animation. this is one of the most beautifully animated shows i have seen and without a doubt the most charming. the wonderful mix of characters and weird story, along with a cruel and wicked sense of humour and craziness makes for one outrageous anime which will not disappoint. a must view, just make sure to not give up on it, after a few viewings, you'll start to notice new things and realise what a true masterpiece this really is. you want something really different? fed up with all the usual rubbish? you can't get further from reality than FLCL.

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Though credited with a question mark, the voice of Miyu Miyu is provided by Evangelion director Hideaki Anno.
    • Erros de gravação
      When there's a bird's eye view of the floor, 'medical mechanica' was misspelled 'medical meccanica.'
    • Citações

      Naota: When you're in a town like this all covered with smoke, you forget that there's a world outside. Nothing amazing happens here. And you get used to that, used to a world where everything is ordinary. Every day we spend here is like a whole lifetime of dying slowly. But now Haruko is here. That's how I know there really is a world outside.

    • Cenas durante ou pós-créditos
      Miyu Miyu - ?
    • Versões alternativas
      When screened on Cartoon Network's Adult Swim in the US, the ending credits are displayed in untranslated Japanese. The North American DVD however, released by Synch-Point, only has the ending credits translated in English.
    • Conexões
      Edited into FLCL Reanimated (2025)
    • Trilhas sonoras
      Ride on shooting star
      Performed by the pillows

      Lyrics and Music by Sawao Yamanaka

      Arrangement by the pillows

    Principais escolhas

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    Perguntas frequentes18

    • How many seasons does FLCL have?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 26 de abril de 2000 (Japão)
    • Países de origem
      • Japão
      • Canadá
      • Reino Unido
      • França
    • Central de atendimento oficial
      • gainax.co. (Japan)
    • Idiomas
      • Japonês
      • Inglês
    • Também conhecido como
      • Fooly Cooly
    • Empresas de produção
      • Gainax
      • Production I.G.
      • Star Child Recording
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 30 min
    • Cor
      • Color
    • Mixagem de som
      • Dolby SR
    • Proporção
      • 1.33 : 1

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