Spider - Desafie Sua Mente

Spider is a wonderful entry into the Cronenberg cannon. I strikes me as Cronenberg trying to do a Ken Loachesque style movie with all of his usual hard philosophical questioning, sniping at your assumptions of what reality really is.

The overwhelming impression I was left with was the sheer creepiness of the film, highly appropriate in a film about a Spider. This impression is built up with wonderful cold and dismal sets and cinematography and a relentless slow pace that draws you in to the inevitably horrifying conclusion. There is always an undertone of the horrors that have driven the protagonist to his fate though you never really see that underlying terror. You almost feel as if his psychotic reaction to events was almost the only thing he could have done. The acting is first class all round I feel it would be unfair to single out any one of the stunning performances.

This film is really about growing up and how you cope with it. Everyone has to go through it and most seem to emerge the other side with only minor ticks and deviancies. Some people however are crushed by the terror of the things that come to light between the ages of 6 and 17 and this is the perfect illustration of this. This could have been you. More worryingly, if something really bad happens to you, this still could be you.

Are you so sure that everything you remember happening in your childhood really happened? Those little anecdotes you trot out when you're with friends? Are those memories coloured by how you saw the world when you were that age? What are childhood experiences are you hiding from yourself? In a sense these are all very Freudian concepts given life in a film that has as it's central plot a case of Oedipus twisted way beyond it's classical borders.

Some have found this boring, I didn't. I can understand that the slow pace and, for Cronenberg, the simplicity of the storyline might lead one to not engage with the film especially if you find the entire concept of mental illness alien. However, that feeling of wanting to run away from this film as fast as possible whilst screaming is one that should really recommend it to you in the strongest possible terms. Not all horror is jumps and monsters, some is atmosphere and the ordinary. And that's the scariest sort.

SPIDER (2003) *** Ralph Fiennes, Miranda Richardson, Gabriel Byrne, Bradley Hall, Lynn Redgrave, John Neville. Filmmaker David Cronenberg does it again : mixing psychological drama with Gothic mystery with the cloak of violence in the air with Fiennes (in a brilliantly mannered near mute turn) as the titular character, a schizophrenic recently released to a halfway house, nicknamed in his youth by his mother (Richardson who gives an excellent turn to the third power; she inhibits three interlaced roles that act as the story's linchpin) for his cat's cradle yarn confections which sends his scattershot memories into overdrive as he attempts to connect the missing pieces of his life. Told in intersperses of flashback Cronenberg expertly uses his persuasive powers of dread eke out the thin plottings of Patrick McGrath's novel – who adapted the screenplay too – that can tax on the nerves in long, baroque stretches of near silence. Dank, rotting production design by Andrew Sanders, excellently lensed by Peter Suschitzky and the chamber music-like score by Howard Shore makes the most of its broken-minded protagonist's living nightmare.

We watch Spider (Ralph Fiennes) at the present time, trying to live at a boarding house which takes pity on people who should legally be in mental institutions, and, in parallel action, watch him reliving his childhood, doomed to stand watching those events play out again and again, an observer as impotent as he felt when they originally happened.

This film is a mystery into the character and history of Ralph Fiennes' character. Its a little film, dealing with the mind of one troubled little man, and a patient film. Its also a very mature film from Cronenberg, where he has done away with the shock tactics of the past, and the results are delightful. But if you don't like patient films (and you might see it as a slow film - don't expect big action, expect to watch a fascinating character - and maybe discover why he's so troubled), watch any of Cronenberg's previous efforts instead.

Its not a very big or important film - not one of the most essential films of 2002, but if you've seen those more important choices, and are looking for something different, Spider may just be an interesting, atmospheric experience for you.

8/10. Maybe I was just in the perfect mood for it, but i loved Spider. I thought it was a beautiful and atmospheric character study. Spider is a real unique character, brought to life vividly by Ralph Fiennes.

spider is a strange but beautiful film. don't let yourself be influenced by all the intellectual approaches to define the plot of the movie. it's not necessary. spider whispers a silent story about different perceptions of reality and truth. it is touching and rather adressing the heart than the brain. the story is driven by a strong sexual theme concerning the relationship between mother and son.

the performances are throughout excellent. cronenberg hat created one of his best films. go and see it.

After seeing every single Cronenberg film I've been able to find, I've come to one simple conclusion: I've seen entirely too little of his works. I have yet to see one film of his that I found a complete waste of time(though I did not find much point in The Brood). This is quite possibly my favorite film of his yet, and I guess that says something about how few of his films I've seen(as this seems like one of his more unappreciated films). The film is quite dark and bleak. It has a fairly slow pace, but there's plenty of atmosphere and I never really felt like turning it off. The plot is very good, and I liked the way it developed somewhat out of joint, with little continuity other than the main plot-line. The acting is superb. One actress performs two roles, and does so with such talent that I never realized they were being portrayed by one and the same person. I only discovered this after checking out the cast list. Spider is a very unsettling film, but I suppose Cronenberg has done far better in other films. For some reason, I just found this the more easily accessible of his films, the one that requires least afterthought to be understood, to decipher what he wanted to say. All of the other films by him that I've seen, I've required to basically 'be told' what the film was about... with this one, I thought for a while after seeing it, and figured it out, put the pieces together myself, without much difficulty. Maybe that's a problem for the film... it's too simple. It's far more simple than the usual Cronenberg, and that is what makes me like it more, and his more experienced and analyzing fans like it less. I recommend this film to any fan of Cronenberg and/or dark films. Don't expect to be able to figure out the film from just one viewing, and don't take anything you see in it at face value. 8/10