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7,1/10
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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe story of how the radical Huey P. Newton developed the Black Panther Party based on his 10-point program for social reform.The story of how the radical Huey P. Newton developed the Black Panther Party based on his 10-point program for social reform.The story of how the radical Huey P. Newton developed the Black Panther Party based on his 10-point program for social reform.
- Prêmios
- 3 vitórias e 5 indicações no total
Georgina Ransley
- Mod Chic
- (as Georgina Keajra)
Marlon Brando
- Self
- (cenas de arquivo)
- (não creditado)
H. Rap Brown
- Self
- (cenas de arquivo)
- (não creditado)
William F. Buckley
- Self
- (cenas de arquivo)
- (não creditado)
Stokely Carmichael
- Self
- (cenas de arquivo)
- (não creditado)
Eldridge Cleaver
- Self
- (cenas de arquivo)
- (não creditado)
Kathleen Cleaver
- Self
- (cenas de arquivo)
- (não creditado)
Angela Davis
- Self
- (cenas de arquivo)
- (não creditado)
Miles Davis
- Self
- (cenas de arquivo)
- (não creditado)
Fred Hampton
- Self
- (cenas de arquivo)
- (não creditado)
Martin Luther King
- Self
- (cenas de arquivo)
- (não creditado)
Enredo
Você sabia?
- ConexõesFeatures Orfeu do Carnaval (1959)
- Trilhas sonorasBallad of a Thin Man
Written and Performed by Bob Dylan
Avaliação em destaque
I've seen Smith in a bunch of movies usually in a small yet important role and on HBO's K Street. This rendering of his live play by Lee finally showcases his tremendous range. Smith is one of those enigmatic actors you see but can't quite place -- here he stands out magically: an enigma playing an enigma. Intense!
I liked the music, it was subtle, supportive and gave great context. Seeing the berets of the audience members reminds us the icon Newton has been. It seemed to be, to a certain extent, a memorial. The use of the archival footage was effective as was Smith's choreography.
As a writer, Smith incorporated many threads of Newton's life skillfully. One thing I didn't get from the film was a cardboard cutout of Newton in one way or the other. He was neither the oversimplified "angry black man" nor the "crazed junkie." Smith's rendering of the character had so much texture: he was vulnerable, strong, defiant, needy, angry, compulsive, confident, worldly and naive. Beautifully written, expertly done. Why Smith isn't playing more leads is a real mystery. I hope he does more work like this.
I liked the music, it was subtle, supportive and gave great context. Seeing the berets of the audience members reminds us the icon Newton has been. It seemed to be, to a certain extent, a memorial. The use of the archival footage was effective as was Smith's choreography.
As a writer, Smith incorporated many threads of Newton's life skillfully. One thing I didn't get from the film was a cardboard cutout of Newton in one way or the other. He was neither the oversimplified "angry black man" nor the "crazed junkie." Smith's rendering of the character had so much texture: he was vulnerable, strong, defiant, needy, angry, compulsive, confident, worldly and naive. Beautifully written, expertly done. Why Smith isn't playing more leads is a real mystery. I hope he does more work like this.
- deedeeshore
- 27 de ago. de 2004
- Link permanente
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- Data de lançamento
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- Central de atendimento oficial
- Idioma
- Também conhecido como
- Huey P. Newton: I istoria enos mavrou panthira
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