AVALIAÇÃO DA IMDb
7,3/10
8,5 mil
SUA AVALIAÇÃO
No final da Segunda Guerra Mundial, um prisioneiro de guerra alemão em trabalhos forçados no Gulag, escapa do campo siberiano para retornar à Alemanha, mas é perseguido por um oficial soviét... Ler tudoNo final da Segunda Guerra Mundial, um prisioneiro de guerra alemão em trabalhos forçados no Gulag, escapa do campo siberiano para retornar à Alemanha, mas é perseguido por um oficial soviético.No final da Segunda Guerra Mundial, um prisioneiro de guerra alemão em trabalhos forçados no Gulag, escapa do campo siberiano para retornar à Alemanha, mas é perseguido por um oficial soviético.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Anatoliy Kotenyov
- Oberleutnant Kamenev
- (as Anatoly Kotenyov)
Hans-Uwe Bauer
- Leibrecht
- (as Hans Uwe Bauer)
Vladimir Korpus
- Semjon
- (as Wladimir Korpus)
Igor Filchenkov
- Anastas
- (as Igor Filtschenkov)
Avaliações em destaque
I saw this film as part of Boston's Museum of Fine Arts film series. It is an extremely well-acted and well-produced adventure, based on the true story of a German POW's incredible journey through the dauntingly wide expanses and multi-ethnic terrain of the former Soviet Union in the late '40s and early '50s. It is beautifully shot on location, outdoor scenes of the rugged Russian landscape being a principle attraction. It is also quite well-acted by Bettlemen, who evokes both sympathy with and admiration for his character, and the rest of the cast. The principle actor spoke for about an hour afterwards. As he admits, the film does not go into detail about why the prisoners were there--no doubt some of them deserved punishment. However, many scenes also concentrate on the main character's wife and children back in Germany. Bettlemen, whose grandfathers both died in Russian POW camps after WWII, said he did the film as much to illustrate their family's plights as that of the prisoners.
The film (and the book) also illustrate that Samaritanism is not dead, and was not, even in Russia at this time. Forrell was, after all, a German soldier, but he would have been unable to cross Siberia without help from people of many diverse people. As Bettlemen related, "People will help a creature driven into the dust, even if it is their worst enemy."
The film (and the book) also illustrate that Samaritanism is not dead, and was not, even in Russia at this time. Forrell was, after all, a German soldier, but he would have been unable to cross Siberia without help from people of many diverse people. As Bettlemen related, "People will help a creature driven into the dust, even if it is their worst enemy."
Honestly, It is really impossible for me to imagine ANYONE rating this LESS than 6****** STARS! This FILM Really has SOMETHING for EVERYONE!!!
Immediately after watching "So weit die Fube tragen" an inescapable question popped into my head: Why did it take nearly half a century for this movie to get made? If ever there was a film that serves as irrefutable proof of the old adage "Truth is Stranger than Fiction", believe me, AS FAR AS MY FEET WILL CARRY ME is it!
Imagine trying to wrap your suspension of disbelief around all of the following elements: At the end of WWII, a German POW, Clemens Forell, is sent to a Siberian forced-labor camp, in the far northeastern corner of the Soviet Union (Russia), only a few hundred miles west of Alaska. After years of the most inhumane treatment and paltry diet imaginable, Forell manages to escape, with the aid of the camp Dr., his compatriot. Thusly, he becomes the most sought after fugitive in the Communist Bloc. His life-sustaining obsession: To reach his family in Germany, over 8,000 miles away, on foot!
Now if this premise were presented as a work of fiction, it would seem so preposterous that, more than likely, it would have been laughed out of theaters. This film should appeal to several diverse groups: To those of you who seek out true stories; to fans of escape films; to those who enjoy Man vs. The Wild/Nature themes; to the fans of German and/or foreign cinema; and to those with an interest in diverse cultures and film-shoot locations. One thing that really impressed me; Most True Stories, in recent years, stretch the truth quite a bit, for "Dramatic Impact"! It is obvious that this film refuses to compromise the truth. This apparent faithfulness to the original true story was influential in my decision to give it a 9* rating. By the way, very solid ensemble acting and some very beautiful exotic locations.
Immediately after watching "So weit die Fube tragen" an inescapable question popped into my head: Why did it take nearly half a century for this movie to get made? If ever there was a film that serves as irrefutable proof of the old adage "Truth is Stranger than Fiction", believe me, AS FAR AS MY FEET WILL CARRY ME is it!
Imagine trying to wrap your suspension of disbelief around all of the following elements: At the end of WWII, a German POW, Clemens Forell, is sent to a Siberian forced-labor camp, in the far northeastern corner of the Soviet Union (Russia), only a few hundred miles west of Alaska. After years of the most inhumane treatment and paltry diet imaginable, Forell manages to escape, with the aid of the camp Dr., his compatriot. Thusly, he becomes the most sought after fugitive in the Communist Bloc. His life-sustaining obsession: To reach his family in Germany, over 8,000 miles away, on foot!
Now if this premise were presented as a work of fiction, it would seem so preposterous that, more than likely, it would have been laughed out of theaters. This film should appeal to several diverse groups: To those of you who seek out true stories; to fans of escape films; to those who enjoy Man vs. The Wild/Nature themes; to the fans of German and/or foreign cinema; and to those with an interest in diverse cultures and film-shoot locations. One thing that really impressed me; Most True Stories, in recent years, stretch the truth quite a bit, for "Dramatic Impact"! It is obvious that this film refuses to compromise the truth. This apparent faithfulness to the original true story was influential in my decision to give it a 9* rating. By the way, very solid ensemble acting and some very beautiful exotic locations.
A revolution took place and the german media never mentioned it: Except from some ignorant right wingers the general media was not willing to comment on this first major production on the topic of german prisoners of war. The original version from the fifties and the book are interesting - this movie is watchable for a big public. I appreciate the courage of the moviemakers to touch this forbidden legacy of germany. Great, heartbreaking cinema, that leaves you in tears at the end - as far as I am concerned.
I agree with some other commentators who said that this movie was somewhat overtly dramatic - in some points getting almost too sugary/tear-jerking experience. I haven't read the book so it is hard to comment how faithful the film is to the book, but seems that the authors of the film almost a bit overemphasized the great survival story and the connection between the father and the child.
This is counter-balanced by good acting, rather good cinematography and beautiful images of nature. "So weit die Füsse tragen" is fairly entertaining as an adventure film and I was strangely attracted by the story about travelling through endless wastes of Siberia. The portrayal of nature is captivating. The film isn't a remarkable masterpiece, but I'd still recommend seeing it if the subject sounds appealing. After all, German POWs in Russia isn't exactly the most worn subject of films.
This is counter-balanced by good acting, rather good cinematography and beautiful images of nature. "So weit die Füsse tragen" is fairly entertaining as an adventure film and I was strangely attracted by the story about travelling through endless wastes of Siberia. The portrayal of nature is captivating. The film isn't a remarkable masterpiece, but I'd still recommend seeing it if the subject sounds appealing. After all, German POWs in Russia isn't exactly the most worn subject of films.
It's highly rewarding seeing recent films from the German perspective of events, during WW2. This one concerns the hundreds of thousand of captive German soldiers (at the end and after the war), that were shipped to the Russian Gulags and never seen again. This is the true story of just one individual, who managed to escape and then walk across the whole of the country, to the Iranian border (which took him around three years). He was not only chased by an obsessive camp commander but had to endure, walking through Siberia in temperatures dropping to -40 degrees. You could never have made it up (surely he would have perished) and if this real event had been either an American or a British soldier, he would have indeed been World famous and depicted on stamps. It remains one of the finest testaments of human endeavour and the film does him a rightly so heroic justice. Also to the Jewish man who helped him, with just a sheer kindness.
Você sabia?
- CuriosidadesThe name Clemens Forell is an alias. The real life version of Forell was named Cornelius Rost. He used a different name as he was afraid of potential trouble with the KGB when the book was released.
- Erros de gravaçãoForell's daughter is looking at a post 1991 map, it shows boundaries of countries that did not exist as independent entities during the 1940s-50s, such as Croatia, Ukraine, Czech Republic, Latvia, and others.
- Versões alternativasVersion released in USA is heavily cut down from 158 minutes to 122 minutes.
- ConexõesFeatured in Adolf Hitler: The Greatest Story Never Told (2013)
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- Orçamento
- DEM 15.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 804.608
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