Puckoon

This film is a must see for fans of the book and Milliganesque humour. I think the best thing about it is that the film works as a stand alone film in itself, irrespective of the book. It must have been very difficult to pull all the various scenes and diversions in the book together into one cohesive film.

All your favourite characters and scenes are in, and a great deal of the dialogue is word for word from the book, so you don't miss out on some of the characters' classic soliloquies, descriptions and chats with the author/director/viewer. The characters and setting really did appear as they did in my mind when reading the book. Off the top of my head, look out for the following classic scenes and dialogue from the book: - Madigan talking to the camera ('author' in the book) about his legs, his wife, retreating not running away etc.. - The owner of the Holy Drunkard pub describing his wedding day - Drawing the line to decide the border - Rafferty - Moving coffins to and fro across the border - two brothers smoking the same fag - the soldiers waiting for a train to show up - and lots, lots more!

Sean Hughes is great as Madigan (changed from Milligan in the book), .... Gryff Rhys Jones is head of the border patrols, Ronnie Drew of the Dubliners has a cameo role, Richard Attenborough plays the 'author', and one of the Macgann brothers is in it as well. For me, it's one of those films that I could watch over and over again as there are so many funny lines and scenes - bit like rewatching Life of Brian.

Spike Milligan was one of the funniest men I've ever seen, and a huge influence on my life.

This movie is limp and awful, and does his memory no credit. The script is cluttered and preserves too many lines from the book intact (the leg jokes here are incomprehensible). The actors' performances are uniformly ineffective, a great cast wasted, and the lead, Sean Hughes, delivers Milligan's belligerent hostilities in a plaintive whine, which misses the point completely.

The gentle pacing is a killer as well. Farce should accelerate towards the end. The Goon Shows often did, the novel "Puckoon" definitely did, but this film, if anything, slows down just when you want the various elements to smash together in a final climax.

Milligan narrated an abridged audio recording of "Puckoon" in 1980, with T.P. McKenna, Dermot Kelly, Norma Ronald and Jack Hobbs. Now, that's funny. Ten minutes of that is funnier than this whole film. I believe the LP was transferred to CD, but don't know if it's still in print.

There is a movie of "Adolf Hitler: My Part in his Downfall" with Jim Dale and Arthur Lowe. It too is a godawful mess, but it's funnier than this thing.

It's possible that Milligan's spirit is too rambunctious for the screen. The other reviewers here are indulging in politeness and wishful thinking. This film fumbles virtually every opportunity and never misses a chance to disappoint.

Fantastically funny with a serious message at its heart. Director Terence Ryan has captured the bright infectious humour of Milligan's comic novel and balanced it with the darker political message of the partition of Ireland.

At last Puckoon has been made into a wonderful, mesmerizing film. This is a film that every Milligan fan will want to see many times, if just to catch everything that happens in each scene. The script has cleverly constructed in layers, the surface being the fast paced comedy and the deeper layers showing what happens to ordinary people, like the villagers of Puckoon, when their country is suddenly and arbitrarily divided

Directed and narrated by Richard Attenborough, Puckoon is an adaption of Spike Milligan's humorous book about an Irish village where the border between the six Ulster counties and what was then called the Irish Free State. I doubt that anyone on this side of the pond would know anyone in the cast other than Elliott Gould who plays the village Jewish doctor like he might have been understudying Paul Muni from The Last Angry Man. Gould's kind of artificially grafted into the proceedings and he really doesn't serve any purpose.

The main character is played by Sean Hughes and he's the village lout who avoids work like it was a bill collector. Somehow some way Hughes gums up everything he gets involved in, including the boundary commission where the line in Puckoon takes all kinds of crazy twists and turns.

You probably have to be a bit up on Irish history to appreciate most of this picture. Still there is enough physical comedy in it and that language is universal.

Puckoon is amusing enough and recommended, but for a select audience.