O Vendedor do Ano

This short film is pure brilliance.

While its style of jump cuts, close-ups and abrupt, energetic camera movement is jarring, this is a deliberate ploy on behalf of Boyle to unsettle the audience. We are drawn in to the hectic and aggressive lifestyle of the salesmen by the in-your-face action and dialogue. The combination of Boyle's exciting camera-work and Cartwright's intelligent, dark, witty script is, in my mind, perfect. There is an amazing amount of humour interspersed in the poverty, destitution and desperation of the backdrop.

But what really sets this drama apart is the amazing performance of Timothy Spall as the obsessive salesman. Despite playing an unadulterated b**tard, you can still see some humanity in his bullying and ruthless behaviour, and even feel pity at the person he has become. A lesser actor would surely have struggled to show the two sides to his character but Spall is utterly convincing and compelling in his intensity.

And if you like this, be sure to watch the other Boyle/Cartwright collaboration, 'Strumpet'.

i´ve just seen this film once, last year, and i must say i found it very hilarious. timothy spall plays a big role. the way he teaches his new colleague and his lifestyle made me cry (laughing).

in fact it is a black humour film, very bright and funny on the surface but very sad at the core.

i recommend it with no reserves. it´s sense of humour may be thick, but it´s still worth the seeing.

After a string of awful movies - especially "Strumpet" - Boyle does a rather entertaining English-type indie thing which, though visually unappealing and dominated by hand-held camera and other annoying stuff, maintains a certain level of interest. Spall certainly helps affairs, but the David Thewlis look-alike also.

There is a very funny scene where Spall plays a "motivation song" in the car: it is a simple punk song with the lyrics being only "Sell! Sell F***ing Sell! (etc)..." which he then sings to.

It's a solid movie, but no need to get too excited. If you are a fan of "Trainspotting", don't expect that sort of level of entertainment here.

"Death of a Salesman" meets "Glengarry Glenn Ross" on acid, this portrait of the empty, horrible life of door-to-door selling was made on the cheap in 20 days for the BBC. It has Boyle's characteristic energy, and playful eye and a great, if occasionally over-the-top performance by Timothy Spall as a salesman brilliant at his craft if without a shred or morality or self-worth left, along with a solid performance by Michael Begley as the young 'rookie' assigned to apprentice with Spall.

All that good stuff said, I just wish this was deeper. It's dark, certainly, but there's a certain familiarity and even glibness to it's manic attack on capitalism. Enjoyable, fun, sad, but it feels like inside this good movie was a great one looking to get out.

Vacuuming Completely Nude in Paradise - isn't that one of those rare titles for a movie that you just have to ponder over for a little while, like Duck You Sucker! or Pillow of Death? If the movie doesn't quite live up to the its title like 'Sucker' did or 'Pillow' definitely did not, then it's to director Danny Boyle's credit that he keeps it moving fast and maniacally but with his own kind of sensitivity to the characters that doesn't make us see them as too pathetic or too "out-there" to care. He also films this story of a wannabe DJ working as a vacuum salesman (Michael Begley), paired as a rookie with the veteran/hard-bitten and ranting and raving man (Timothy Spall) who could definitely tangle with Alec Baldwin in Glegarry Glen Ross to see who wins out in selling something to a reluctant or just not-there customer, like it's a movie on the run for $100.

In a way that makes it an amazingly brash affair in a good way; we see these guys in their car or Spall making a sale or just Begley at home freaking out when his girlfriend leaves him as if it's all candid or on the run. He shoots with several little cameras in a car or shoots with a dirty filter in a dance hall, and if one has seen Slumdog Millionaire or 28 Days Later you may notice a similar lucid insanity (if that makes sense) of style. In another way it can be distracting to the actual plot, or whatever of it there is, but he thankfully allows his actors to take over much of the control throughout.

While Begley, a British TV actor I've never seen before and may not see again, was very good in that fresh-faced "what-is-this-world" perspective (with a breathless freak-out after finding a dead body that is priceless), it's Timothy Spall's show. An actor who's been in plenty of Mike Leigh films and some big blockbusters like Harry Potter, Spall imbues his character with purpose and drive and a deliberate knack for getting people with him killed while driving, playing outrageously simply and funny motivation tapes with hardcore music and "Sell! Sell! F***ing Sell!" blasting away, and acting totally out of control but devilishly in control at the same time. It's remarkable work considering it's just a TV movie, but any moment he's on screen, especially those last moments that (un)intentionally echo La Strada, you can't look away for the better.