Carmen: Uma Ópera Pop

I really liked this one. I thought they did a great job of updating the story to the present day in a clever, believable way. I'm not a particular fan of hip-hop, either. There were some really clever lyrics (my favorite was the argument scene), yet the original score does underlie the whole thing. I liked it much better than "Carmen Jones," the 50s version of "Carmen" which degenerates into Broadway schlock at times.

The man who played the evil cop did a really terrific job, and I hear he's usually a singer, not an actor. The supporting roles were really well interpreted and the people who played them well-chosen. I very much enjoyed the fortune teller, who seemed really ominous with his voodoo/Jamaican aura. The leads shined.

My main gripe with the whole thing was the camera work, which was rather distracting at times. For example, there is a meta-commentary at the beginning and end of the movie, a rap done by a woman, and the camera constantly changes angles and splits into multiple images of the artist. I'd have much preferred a straight shot so that I could pay attention to what she's saying and her body language, which were good.

Overall, I loved it and will see it again.

"Carmen: A Hip Hopera" , ranks with some of the "worst" movies ever made!!! Inadequate acting, and the waste of a talented director such as Mr. Robert Townsend. Bizet's "Carmen", and Preminger's "Carmen Jones" were excellent!!! The "third time is a charm", is not the case with "Carmen: A Hip Hopera!!!!! V.King

Carmen is a hip hop remake of the classic film Carmen Jones. The film stars Beyonce from Destiny's Child as Carmen. Carmen is an actress trying to make it with the love of Mehki Pfefier. But Mos Def a dirty cop stands in the way. This is one of the best hip hop movies since Krush Groove.

This movie made me howl with laughter because it was so bad. Bad acting, especially by 'Bouncy' Knowles, bad editing and horrible looking blue screen work. None of the songs were memorable and the 'film' looked like a overlong music video. Robert Townsend did great with Hollywood Shuffle and has gone downhill ever since....give up Robert!

I'm in my 60's and I live far from any exposure to African-American culture. I always found Rap to be pretty annoying. But I stumbled across this on cable, and I really liked it. It helps that "Umbrellas of Cherbourg" is one of my all-time favorite films, and this had a very similar flavor. One refreshing feature of the film was the authenticity of the language. It always irritates me to see black kids in the ghetto (movie version) speaking something that sounds too close to acting-school English. The cast of this fiom, apparently, did not consist of trained actors who enunciated clearly in a ghetto-esque parody, but people who live and talk in that culture all the time, and it sounded real. At the same time, it was not so steeped in arcane under-culture talk that I could not understand it. So, 5 stars out of 5 for overcoming the language problem that mainstream films are so challenged by. I'd have liked more music---quite a bit of the dialogue was spoken in normal conversation---a lot more could have been put to music, since the commitment had already been made to use that device. I think the pace of the musicalized dialogue was very, very well done in terms of matching body language. Nobody seemed uncomfortable with the exchanges, or impatient for the imposed rhythm to catch up with the reaction. A neat job. Overall, this is a finely-tuned, slick vehicle that works. Whatever you think of African Americans or their music or their culture, this is a nice film that will perhaps endear you to this charming entourage.