O Julgamento do Diabo

Again, here we have a movie that tries to be a commercial success by trying to serve everyone by trying to be many or most things. It cannot be classed because it is more than one kind of movie: black comedy, moral tale, emotion-driven drama, fantasy, post noir, court drama… And it fails miserably on all accounts.

The cast is perfectly cast: Kim Cattrall as the vain impresario, Anthony Hopkins as the wise old guy, Jennifer Love Hewitt as the femme fatale, Dan Aykroyd as the imposing yobo and Alec Baldwin as the struggling man of a certain age. Hence, a perfectly TYPE-CASTED cast.

What more to say about 'A Shortcut to Happiness'? Not much. It is boring, self-indulgent and over-ambitious. If you like those kind of movies, do not hesitate and watch it immediately.

Tasteless rewrite of "The Devil and Daniel Webster" has a struggling novelist named Jabez Stone unable to get anything published much less find anyone to read his work; he enters into a pact with a comely female Satan for fame and fortune in exchange for his immortal soul. Update of Archibald Macleish's play "Scratch" and 1941's far-superior "The Devil and Daniel Webster" (wherein a panicked farmer was the tempted man) was produced and directed by its star, Alec Baldwin. There's a fine supporting cast including Anthony Hopkins as lawyer Daniel Webster and Jennifer Love Hewitt as the Devil but, unfortunately, the picture was edited against Baldwin's wishes after sitting on the shelf for years (it finally debuted on the Starz network in 2007 after a few theatrical bookings). The film begins well but quickly loses its footing once Baldwin's writer gains the success he so desired, turning the picture into a yuppie treatise on the old money-can't-buy-happiness ploy. The filmmakers are so out-of-touch, they don't even consider the fact that maybe some of the writer's needs are in fact fulfilled by his newfound celebrity. Instead, he becomes a sad sack with money in the bank and women at his feet--clearly not something actual struggling writers can identify with. Worse, there's never a moment when Stone's heart is detectable; Baldwin is so callow an actor (not to mention as the director) that all we perceive are his handsome, unmodulated externals. Pursing his lips and gazing intently at the camera, hoping to smolder, Baldwin loses track of the character and where he came from. The final courtroom battle is well-played, though so much of the writing is smarmy and executed without style that the overall results are distinctly unsatisfactory. *1/2 from ****

Years ago I first learned of this movie, as well as its troubled production and reportedly bad quality. Of course, that made me want to see it, but I couldn't find it anywhere until I came across it by accident on Amazon Prime Video. Well, does the movie show tell-tale signs of behind the scenes troubles, and is it a really bad movie? Yes and yes. There are many things wrong with this movie, such as the flat or downright awful performances by the cast, the fact that it's obvious that linking footage or entire scenes are missing, the pacing is extremely slow, and the fact that telling this classic story in a modern setting brings no new perspective or angles. However, what really bothered me most about the movie was that the movie never finds a clear tone and sticks with it. As it is, the movie is too goofy to be taken seriously, but somehow also too serious to make the comic touches amusing. The results are that I was not quite sure how to take this story.... apart from it being done in a really bad manner. While I'll admit some of the blame for the movie's failure doesn't fall on director/actor Alec Baldwin's shoulders - he claimed that the movie was taken out of his hands and butchered by others - there are no real signs that his intended version would have been that much better. In short, the movie is a really strange change of genre for prolific schlockmeister producers Randall Emmett and George Furla. But not strange enough to really catch the interest of the select few who sometimes get a kick out of big budget cinematic misfires.

This is one of those films that I remember being in the can for years before anything happening w/it. I don't think it's terrible, but it's not really good either. Alec Baldwin was pretty good, but the plot is it kind of flimsy at best. The cast is pretty good in what they're given, but again you are only as good as the script. Baldwin directing this although I could have sworn he didn't direct all of it, I thought I read somewhere or lots of re-shoots wasn't bad but he definitely has some potential in there. Although his work on "30 Rock" is nothing short of genius & should keep him busy for a little while longer. I just hope the show bows out gracefully a la Seinfeld, but maybe not even that long. 9 years it went. So if you want to see a film that you won't get much from, but won't really hate either well this is for you. I can't remember the last time a film had been wrapped so long before finally being released & only on DVD at that. It was nice to see Alec Baldwin & Anthony Hopkins again together since their excellent yet not much people have seen "The Edge." Now pick up that excellent film for some real entertainment.

This movie was fun but Jennifer Love Hewitt was so utterly miscast. She's fine for some light TV but she's not a powerful enough actress to play in an ensemble of this caliber. Everyone in it, Kim Catrall, Hopkins, Rubin, Akroyd, and even Baldwin himself are quite wonderful but Ms. Hewitt throws the balance. She's the thing that spoils the movie; especially her delivery of the last "closing argument" monologue belongs in some kind of first year acting class. The movie is a bit moralistic and sentimental and in my opinion it does not live up to the actual story of The Devil and Daniel Webster which is, in many ways more subtle than how Baldwin had handled it. He's gone for a more commercial treatment of a concept whose sophistication could have been just as entertaining. All in all, it's a fun little piece thought some of the sets, the editing as well as the casting of Hewitt should have been rethought. Baldwin is a decent enough director; keeps the film moving and definitely gives the characters good arcs.