Bicho de Sete Cabeças

Brainstorm aka Bicho de Sete Cabeças (2000) - Seven Heads Animal - an expression that means "a very hard obstacle to fight or a complex thing to do" is also the name of a song written by Arnaldo Antunes, whose songs were used as soundtrack in the movie. His lyrics are great - he is a recognized writer, lyricist and singer in Brazil - and fit perfectly the movie plot and atmosphere, as well as the instrumental part of the songs. The atmosphere is full of darkness and sadness. This is not an easy movie to watch. I can't say much about the plot, but I can tell that it's about the asylum system in Brazil. For you to have a picture of how bad some places were, there is a famous book about one asylum called "Brazilian Holocaust", by Daniela Arbex... The film portrays with an astonishing realism the routine on an asylum with focus on the life of Neto (Rodrigo Santoro). The technical features are great. The locations, the make up, the costume design and the cinematography make the film disturbingly real. In addition to all of this, the acting also helps a lot making the movie believable. Rodrigo Santoro is fantastic in this film. He totally embraced the character and brilliantly showed his behavior changes through the story. The movie seems short when we notice the length, 74 minutes, but the editing is great and helps with the pace. It's not fast nor slow and I really liked it. The editing also helped creating an escalating narrative, with a suffocating climax and a great ending. A very worth watching movie directed by Laís Bodanzky.

This film is brilliant, flawless performances and beautifully told story, coupled with the beautiful soundtrack. Unfortunately Brazilian films still suffer discrimination even here.

I would love people to disclose this marvelous work.

When I see the potential of this movie, seriously believe that would be worthy of an Oscar, two or three Oscar's. Not that Oscar is so important to the quality of a film if the film did not win is not a sign that he is not good.

Briefly, this movie demonstrates what happens when people are prejudiced, and prefer to push the issue to another, than face it. And still today, because it shows that you treat marijuana like crazy, can only worsen things.

Shocking. This is how I felt when watching this movie. It is a raw picture of the mental institutions system of Brazil and the ignorance by the parents and relatives about dealing with the subject of drugs. Is the act of putting someone in public mental institution the best solution or the easiest ? The madness of our society leads the family to take the easiest solutions instead of giving love. Medicine instead of friendship. This astonishing movie shows us all these kind of conflicts. Conducted by a fantastic music composed by Arnaldo Antunes.

Alternative (and artistic said) direction is a tradition among Brazilian movies, and Bicho de Sete Cabeças does not escape from it. The first thing you notice when watching it that the image is not of a very high quality; a cheaper type of film was used. That can be explained by the fact that the movie industry is not very sponsored in Brazil, forcing some cuts on the budget. But that can also be a consequence of the constant fight of Brazilian moviemakers to never do things in the conventional way. That is also noticed on the unusual takes and camera movements.

Normally, that is the exact reason why Brazilian people themselves dislike Brazilian movies. It is rather unpleasant to watch. Some scenes even create a certain dizziness. And for that reason, this alternative direction is a nuisance for the beginning of the movie, where we see Neto living his everyday life. It may not be an ordinary one, but his personal decadence could have been shown using modern filming techniques, that wouldn't create in the audience the feeling that they're watching an amateur movie, something homemade. However, when it comes to the scenes that occur inside the madhouse, this alternative directions fits exactly with the horrible climate that fills the place. It transmits to the audience the point of view of the character; a normal person who's under the effect of heavy drugs and is surrounded by mad people. That uncommon filming enters the audience mind, as if they were there, living that situation. It makes them feel uncomfortable, but that's the purpose.

The poison for some is the balm for others. So the lesson here is that nations should exchange their techniques and use them to best fit their movie, instead of keeping fighting against what is foreigner.

"Bicho de sete cabeças" is based on a true story, but it somehow resembles an overlong advertising spot with documentary posturing. Director Laís Bodanzky tries to make it look harsh and real, but few situations ring true, not the least those related to the young. This is quite obvious when the filmmakers try to find a cinematic equivalent to the perceptive alterations of a person under the influence of drugs. Back in the 1960's one could pass such naiveté as a Roger Corman joke in the face of lack of budget, but today it seems rather clumsy. Although he is too old for the leading role of Neto, Rodrigo Santoro gives a startling performance. As a matter of fact, it is his work that holds the movie together. Unfortunately, he has to deal with a weak script that opts for stereotypes: this is not a bad option per se, but it clashes with the film's intention to create a documentary climate. When the family visits Santoro in the sanatorium, for example, incoherence reigns, sister makes dumb remarks, mother smokes, while father bursts into his usual rhetoric. Poor Othon Bastos does his best to bring a bit of humanity out of his role as the father, loaded with clichéd dialogues. Hugo Kovensky's cinematography is also outstanding but in the end the script and the direction betray the intentions of the rest concerned. 6/10