Os Assumidos

This show, has brought the best five years to my life. I started watching the show when I was 13, and was the backbone for my coming out. Without this show, I don't think I would have had the courage to come out when I did. It was like home to me when things got rough. Now 17, I have developed a connection with the characters based on the lifestyle they led and the one I lead. Through the whole last episode, I cried, it was like a part of me had died, remembering that it was the biggest reason why I came out. I already miss the show, and I am anticipating buying the rest of the box sets I'm missing, the two Cd's I'm missing, and the book, to keep in my collection of the greatest t.v show to be aired and the greatest backbone support to gay people around the world. That's all folks!

It's about time that filmmakers created a series that doesn't revolve around the trivial and comic relationships of heterosexual couples - many of the sitcoms these days seem to have that theme in there somewhere do they not? It's controversial, often quite graphic and rarely comic - it's an adult 'soap opera' with alot more content than your average. Apart from anything else, Queer As Folk has thrown a revealing light onto the trials and tribulations of gay relationships - proving to those unfamiliar with the subject that they are not relationships that should be ridiculed or discriminated against. Regardless of the moral merits, it's just a really good series. The acting is great and the storyline keeps you watching week after week. The series explores numerous relationships that all differ in some way or another - yet in many ways they are also very much alike. This series can be enjoyed by anyone, despite some of the reviews I've read in the past. In fact, I'd encourage anyone to try it out at least once - you may be presently suprised.

I love the American version of Queer as Folk. I never saw the British version, though I'm interested to see if I can find a copy of it. I started watching the show because I was bored and I like Hal Sparks (Michael) from seeing him on VH1's I Love the 80s. But in this show, I discovered some things that a lot of television shows now seem to lack: interesting plots, three-dimensional characters, and most importantly, realism.

I like how the character's issues are never resolved in one episode, and how the actions of one have some effect on the other main characters of the series. The characters are all three-dimensional, and very strongly played by their respective actors. They have wide ranges of emotion, and though they at first appear to be stereotypes, it is soon very evident that each one has plenty of flaws. The story lines are extremely engaging as well, and I find myself disappointed at the end of every episode, because now I have to wait and see what happens.

Of course, it isn't a documentary of gay life in Pittsburgh, so of course there are over-exaggerations and the occasional predictable plot line or relationship. But that's okay, because this is television, and the writers are allowed to have creative license. Now into the fifth season, I am a dedicated fan of the show, and will be sorry to see it end.

What can I say about the show? It has incredible characterisation (capable of drawing even a straight man into the lives of the characters), beautiful cinematography, great acting and compelling writing. I have seen the first two seasons and I am currently watching the third on VHS because I lost showtime in the process. I have 3 episodes left of season 3 and, barring a few rather flagrant showings of male nudity (which although arguably contextually appropriate did seem a bit over the top), the shows have continued the quality of the first two seasons. What is great about the show is the fact that you really do care what happens to the characters, you can see an element of yourself in them (well maybe not all of them but you can find something in at least one of the characters that you relate to--I really relate to Ted myself, particularly in the middle of the first season and most of the third season). The show has tackled a lot of touchy topics (HIV, gay marriages, homophobic politicians) and, barring Emmett's brief fling with quack therapy in an attempt to be straight, they have been dealt with in a thoughtful, intelligent and sensitive manner (although how can you deal with reparative therapy seriously?), and, in a real stretch, showing that the gay community has its own flaws, which i think is what really sets the show apart, it says that the gay community isn't perfect and the gay characters aren't perfect.

And even though all my straight friends who have never seen the show may laugh and ask me if I have started to play for the other team, I will continue to watch as long as the quality is kept up like this. Besides Six Feet Under, Monk and MI-5, this is one of the few shows I would go out of my way to see. Bring on season 4 and let Ben die already (the second part is only a personal opinion, I just never cared for his character although I think Robert Gant does an excellent job of portraying him, I would rather have seen Michael with David).

And I have seen the second series of the British version and, loath as I am as an anglophile and a purist to say it, the American version has gone further then the British series (although in all fairness they have had a lot more episodes to explore the characters). My only beef is that Gale Harold may seem cold and rather like a jerk (since a stronger term may be censored but one is definately implied), Aidan Gillen was creepy. Gale was the kid in high school that was popular although he never really liked anyone while Aidan was that guy who you would see somewhere and he would just creep you out yet you couldn't take your eyes off him. Two totally different characters and I think one works better for a miniseries and the other works better for a regular series.

It's always fashionable to negatively critique US versions of British material, but I am not always into that fashion.

I loved the first two episodes of this Americanized QUEER AS FOLK. It certainly follows the plot of the British version (so far at least). Yet the pace is more leisurely since the US version takes 45 minutes to do what was done in 30 minutes on the British version.

The US version is also easier to understand -- and it's not just the fact that we aren't getting the British slang in quickly-spoken thick British accents. Maybe it's the more leisurely pace that makes the plot easier to follow.

Hal Sparks has a wonderful dead-pan dry humor as the narrator, Michael. Randy Harrison is sweet as Justin, the newly-out teenager. When he was rejected by his dream-man Brian, his pain looked genuine and touching.

Even though the opening narration indicates "It's all about sex," the show is actually about more than that. The narrator is referring to the fact that gay night life in trendy bars is "all about sex," but we see in Michael and Justin the reality of people searching for a sense of connection in a world that doesn't offer a lot of connection -- especially for gay people.

While the British version was only 8 episodes with a 2 hour finale (which I found disappointing), this US version promises to begin with 22 episodes and possibly go on from there. I look forward to the future developments. So far, I see nothing to complain about.