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IMDbPro

Ao Caminhar Entrevi Lampejos de Beleza

Título original: As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
  • 2000
  • 4 h 48 min
AVALIAÇÃO DA IMDb
8,1/10
1,6 mil
SUA AVALIAÇÃO
Ao Caminhar Entrevi Lampejos de Beleza (2000)
BiografiaDocumentário

Adicionar um enredo no seu idiomaDirector Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.

  • Direção
    • Jonas Mekas
  • Roteirista
    • Jonas Mekas
  • Artistas
    • Jonas Mekas
    • Stan Brakhage
    • Robert Breer
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    1,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Jonas Mekas
    • Roteirista
      • Jonas Mekas
    • Artistas
      • Jonas Mekas
      • Stan Brakhage
      • Robert Breer
    • 11Avaliações de usuários
    • 11Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos5

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    Elenco principal15

    Editar
    Jonas Mekas
    Jonas Mekas
    • Self…
    Stan Brakhage
    Stan Brakhage
    • Self
    • (cenas de arquivo)
    Robert Breer
    • Self
    • (cenas de arquivo)
    Hollis Frampton
    • Self
    • (cenas de arquivo)
    Allen Ginsberg
    Allen Ginsberg
    • Self
    • (cenas de arquivo)
    Ken Jacobs
    • Self
    • (cenas de arquivo)
    Peter Kubelka
    • Self
    • (cenas de arquivo)
    Adolfas Mekas
    • Self
    • (cenas de arquivo)
    Oona Mekas
    • Self
    • (cenas de arquivo)
    Sebastian Mekas
    • Self
    • (cenas de arquivo)
    Hermann Nitsch
    • Self
    • (cenas de arquivo)
    Nam June Paik
    • Self
    • (cenas de arquivo)
    P. Adams Sitney
    • Self
    • (cenas de arquivo)
    Andy Warhol
    Andy Warhol
    • Self
    • (cenas de arquivo)
    Jane Wodening
    • Self
    • (cenas de arquivo)
    • (as Jane Brakhage)
    • Direção
      • Jonas Mekas
    • Roteirista
      • Jonas Mekas
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários11

    8,11.6K
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    Avaliações em destaque

    8sanwolfx

    More complex than it seems

    I think it is sort of a misconception to say that this film is about the beauty of life, and nostalgia for the past. Through the narration and the titles, ambiguity is introduced into the mix. Mekas remarks multiple times the fact that this images are to an extent unreal: people are not so innocent as these images show them to be, people do not love each other as much, other people's perceptions of the same events are quite different, and he isn't just filming his children but he is inventing his own childhood through them. "This is a political film", says the movie repeatedly, and yet in the artificial idealized world of the film politics is entirely absent -there's no poverty, no war, no questioning of his bourgeois lifestyle-, and that's precisely the point: to show not how the world is, but how we want it to be, and how that desire can sometimes become a shallow fantasy. We long for paradise, but paradise is lost. We can only get glimpses of it, not in everyday life, but through it, beyond it, inside us.

    My complain with the movie is a matter of form. I just don't like the accelerated frame rate, the fast cuts, the repetition, the inflated length, the out of tune music. I sort of enjoyed it for the first hour and a half, but after that it became a blur. It had in me the effect of starting out as a beautiful experience and ending as a nightmarish reality without meaning from which I just wanted to escape; one is dying to know people's names, to hear someone's voice (besides the rather silent Mekas), and to stay in one place for a while. But then again, that feeling is also part of Mekas' scheme. Beauty comforts us by what it evokes, but hurts us by how unreachable it actually is.
    10tarqeq

    One of those life changing movies

    At 288 minutes, this nearly 5 hour epic is a challenge. But its rewards are well worth the effort. Jonas Mekas has managed to produce a film that forces its viewer to truly understand the beauty and majesty that is life.

    Highly recommended, you will be a better person for seeing it.
    7yuuki-23947

    Interesting idea but execution isn't great.

    The concept of the movie works, the image are sometimes mesmerizing and the comments interesting and funny. When the right combination of music and shots come together it is very nice.

    That said it could have been shorter, some parts are quite repetitive, there's like 5 "ecstasy of summer in NYC", several shots of winters that are very similar, etc. And while the shaky, unfocused shots have their charm, they can become tedious. Jonas Mekas does tell you at some point he's not a film maker, but that's a sometimes a bit too apparent in the work itself.

    That said it's really good material if you want to zone out, you can watch this with fleeting attention and not miss much of the experience.
    9davidbornoff

    A wonderfilm film

    Much like Prousts "A la recherche du temps predue" Mekas's, "brief glimpses of beauty" is a refleciton on the years of his life past as seen through the eyes of a man who is percieving his own death. Mekas beautifully edits together the scraps of film that fell to his cutting room floor while he was working on projects he "percieved" as important, not realizing that what was truly important were the deatils that he missed, that he left out in favor of the shot in focus, the shot in composition. He strings together these family films of his children, his wife, his friends, New York during a lightning storm, all while narrating the film from what seems to be "His Death Bed." This film is by far one of the more touching, more emotional films I have ever seen. It is an homage to life as much as it is a recognition that beauty lies in the places we least expect it and as we walk we may occasionally catch brief glimpses of it, if we are lucky enough to have our eyes that wide open.
    10Media Boy

    Not filmmaking, but filming

    No plot, no story, no tension, no conflict, no irony, no dialog, often out of focus, jittery and nearly 5 hours long. All this and it is one of the greatest documentaries I have ever seen. A stunningly positive and beautiful film that is just about the happiness and joy of family, New York City, country getaways and filming. This is such a compelling work, it did not even seem that long. This is the work of a man at peace with his own happiness. We should all be so lucky.

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    Enredo

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    • Curiosidades
      "The ultimate Dogma movie before the birth of Dogma," is how its maker, Jonas Mekas described it.
    • Citações

      [first lines]

      Jonas Mekas: I have never been able, really, to figure out where my life begins and where it ends. I have never, never been able to figure it all out, what's all about. What it all means. So when I began, now, to put all these rolls of film together, to string them together, the first idea was to keep them chronologic. But then I gave up, and I just began splicing them together by chance, the way that I found them on the shelf, because I really did not know where any piece of my life really belongs. So let it be. Let it go. Just by pure chance. Disorder. There is some kind of order in it, order of its own, which I do not really understand, same as I never understood life around me. The real life, as they say, or the real people. I never understood them. I still do not understand them, and I do not really want to understand them.

    • Trilhas sonoras
      Both Sides Now
      Written by Joni Mitchell

      Performed by Judy Collins

      Courtesy of Elektra/Asylum Records

      By arrangement with Warner Music Group Film & TV Licensing

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    Perguntas frequentes12

    • How long is As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 4 de novembro de 2000 (Reino Unido)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Blu-ray Boxset
      • DVD Boxset
    • Idioma
      • Inglês
    • Também conhecido como
      • As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      • 4 h 48 min(288 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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