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IMDbPro

O Coração do Mundo

Título original: The Heart of the World
  • 2000
  • Not Rated
  • 6 min
AVALIAÇÃO DA IMDb
7,6/10
3,7 mil
SUA AVALIAÇÃO
O Coração do Mundo (2000)
Ação épicaDesastreÉpico de ficção científicaÉpico românticoFantasia épicaMissãoSteampunkAçãoCurtoFantasia

Adicionar um enredo no seu idiomaA scientist chooses a wealthy man over her two lovers but must heal the earth's core to save humanity.A scientist chooses a wealthy man over her two lovers but must heal the earth's core to save humanity.A scientist chooses a wealthy man over her two lovers but must heal the earth's core to save humanity.

  • Direção
    • Guy Maddin
  • Roteirista
    • Guy Maddin
  • Artistas
    • Leslie Bais
    • Caelum Vatnsdal
    • Shaun Balbar
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    3,7 mil
    SUA AVALIAÇÃO
    • Direção
      • Guy Maddin
    • Roteirista
      • Guy Maddin
    • Artistas
      • Leslie Bais
      • Caelum Vatnsdal
      • Shaun Balbar
    • 22Avaliações de usuários
    • 12Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 1 indicação no total

    Fotos1

    Ver pôster

    Elenco principal6

    Editar
    Leslie Bais
    • Anna
    Caelum Vatnsdal
    • Osip
    Shaun Balbar
    • Nikolai
    Greg Klymkiw
    • Akmatov
    • (as Hryhory Yulyanovitch Klymkyiev)
    Tammy Gillis
    Tammy Gillis
    • Mary Magdalene
    • (não creditado)
    Carson Nattrass
    Carson Nattrass
    • Centurion
    • (não creditado)
    • Direção
      • Guy Maddin
    • Roteirista
      • Guy Maddin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários22

    7,63.7K
    1
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    10

    Avaliações em destaque

    ThreeSadTigers

    Amazing; one of the most radical and imaginative short films that I've ever seen

    Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing Christ - for the heart of a scientist studying the earth's core. Whether or not there's any kind of deeper interpretation is hard to tell, with the film racing along in an almost stream-of-consciousness approach, as expressionist cinema conventions are cast against elements of Soviet propaganda films in Maddin's typically exciting and an anachronistic style. Although vague and enigmatic, there is a definite story here; one that is relatively easy to follow if we pay close attention to the incredibly quick cuts and barrage of on-screen information, as references to Metropolis (1927) and Journey to the Centre of the Earth (1864) are combined with the director's intuitive sense of visual abstraction, humour and satire, whilst also featuring an almost heartfelt approach to its characters, even in such an exceedingly short-form.

    At this point in time, I'm still something of novice to the films of Guy Maddin, though I have seen the vast majority of his short films and would rate them from good to excellent. Like the rest, The Heart of the World (2000) is worth watching more than once in order to pick up all of the information being offered to us in the continual bombardment of overwhelming and fascinating imagery and fragments of captivating narrative, whilst also standing as a simply astounding piece of film-making in the most basic sense. A masterful combination of wit, imagination, style, content and pure cinematic ability, in which the saviour of the world turns out to be none other than cinema itself.
    10basilica

    The most Intense and disturbing

    6 minutes of my movie viewing life. I was amazed at the emotional impact of this short, the music, editing, visuals and subject matter all combine to make this a masterpiece of cinema...and it is a black and white, silent film at that. Just as satisfying as INTOLERANCE. To some and maybe the casual viewer this may come across as a cheap and quickly thrown together film, but with repeated viewings, you can see the care and time that Maddin lavished on this production, the pace is frantic and actually leaves you gasping for breath...and thinking what did I just see! A highly recommended film and one to include in a library of important and significant works of art cinema.
    8gavin6942

    A Brilliant Homage of the 1920s

    Nikolai, a mortician, and Osip, an actor playing Christ in a play, are brothers in love with the same woman. Anna, a state scientist and said woman, is in love with both brothers and studies the Earth's core, the very heart of the world.

    I loved every frame of this film from start to finish, and loved the way writer-director Guy Maddin smoothly blended a Soviet film theme with makeup and designs reminiscent of German expressionism (particularly "Metropolis"). Using the word "kino" was a nice touch to mix the two, as kino is the word for cinema in both Russia and Germany...

    The hectic pace draws you in, and while the running time is short, it is enough for you to understand the world Maddin is working in and to know who Anna is. Perhaps I did not completely grasp the symbolism of the Christ figure or the phallic parts, but this in no way lessened my enjoyment.
    tedg

    Pumping

    There aren't many artists who are also filmmakers. I suppose part of the problem is that there just aren't that many true artists, never were. I'm talking about people who know the limits of the world, have the tools and commitment to go there and gather magical shards, then come back and use them to cut my tethers.

    I'm talking about neither skillful entertainment nor novel decorators of ordinary ideas.

    And there are vastly fewer artists making films. Real artists, real films. I have three living that I particularly value: Medem, Wong, Greenaway. But Greenaway is off experimenting in other media at the moment and may be lost, his two greatest collaborators gone and interest in the drugs of narrative waning. I may replace him with Maddin.

    It isn't just that the man has an incredible facility with a broader cinematic vocabulary than others. Its that he is able to connect that intuitively to deeper adventures in being and the internal stays that keep our emotional skin from collapsing.

    Now to my mind, there's a world of difference between mastering the short form in film — which this is — and the long form. The long form is required for soulchange. It just takes that long for our minds to encircle themselves to strangle the unwanted. But holy cow, what a short form project this is. Since this, I know only two Maddin projects: "Saddest" and "Dracula," and each of them are something I would get my best friend out of bed and travel across the state to see.

    This probably won't stick because it is so brief. But it is such rush! Every element in it has either no floor or sits on poles so high you can't see down. His stories are all similar, but no matter because they are irrational, overloaded with contradiction, self-destructive and yet cartoonish. They are — like his images — apparently borrowed from the past and simply pasted, like a child's assembly of magazine photos.

    But nothing is borrowed, really. All his ethers are wholly called from his own dreams and merely and loosely wear somewhat familiar costumes.

    The main deal here is conflict between a man who is a mortician/military politician (with a penis-cannon) and his brother, an actor who plays Christ deeply enough to convince himself. The two vie for sex with the planet — there's an amazing segment you won't forget where the woman-world in question impregnates herself, and bears... guess.

    Cinema! Usually I comment on how clever the folding in a film is. In this case, the folding of the Christ-play is a weapon that is used against the woman in the name of wooing her. Just that one, that one notion is enough to advise you not to miss this.

    Ted's Evaluation -- 3 of 3: Worth watching.
    North-3

    Amazing short film

    Fans of Guy Maddin should check out this new short film. If you thought his previous short film Odilon Redon was an excellent film, The Heart Of The World tops it.

    The pacing is frantic, the storyline is the classic love triangle that Guy loves working with, the setting is heavily influenced by Soviet imagery. Even the editing style is very similar to that of Eisenstein.

    What also makes this film work very well is the accompanying Soviet music entitled Time, Forward.

    Whereas Guy's recent longer narratives have failed (The Hands of Ida, and Twilight Of The Ice Nymphs), his shorts films just keep getting better and better.

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    Interesses relacionados

    Charlize Theron in Mad Max: Estrada da Fúria (2015)
    Ação épica
    Helen Hunt and Bill Paxton in Twister (1996)
    Desastre
    Timothée Chalamet in Duna (2021)
    Épico de ficção científica
    Leonardo DiCaprio and Kate Winslet in Titanic (1997)
    Épico romântico
    Dev Patel in A Lenda do Cavaleiro Verde (2021)
    Fantasia épica
    Judy Garland, Ray Bolger, Jack Haley, and Bert Lahr in O Mágico de Oz (1939)
    Missão
    Alfred Abel, Brigitte Helm, and Rudolf Klein-Rogge in Metrópolis (1927)
    Steampunk
    Bruce Willis in Duro de Matar (1988)
    Ação
    Benedict Cumberbatch in A Incrível História de Henry Sugar (2023)
    Curto
    Elijah Wood in O Senhor dos Anéis: A Sociedade do Anel (2001)
    Fantasia
    James Earl Jones and David Prowse in Star Wars: Episódio V - O Império Contra-Ataca (1980)
    Ficção científica
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      References/parodies Soviet montage cinema of the 1920s, German Expressionism of the 1920s, and silent melodrama film.
    • Conexões
      Edited into Guy Maddin: His Winnipeg - in conversation with Charles Coleman (2014)
    • Trilhas sonoras
      Time, Forward
      Written by Georgi Sviridov (as Giorgi Sviridov)

      With permission from the Sviridov Foundation and Meloydiya © 1968

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 7 de setembro de 2000 (Canadá)
    • País de origem
      • Canadá
    • Idioma
      • Nenhum
    • Também conhecido como
      • Сердце мира
    • Locações de filme
      • Winnipeg, Manitoba, Canadá
    • Empresa de produção
      • Toronto International Film Festival
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 6 min
    • Cor
      • Black and White
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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