Putting It Together

Carol Bunett!

George Hearn!

Bronson Pinchot!

'Nuf said!

If you are a fan of Carol Burnett (and you're not bothered by her scary, plastic-surgery face), if you like Bronson Pinchot, and if you don't mind prerecorded music (and heavily miked singing...), then by all means watch this program. I *hated* it! I was so disappointed. One longs for a live orchestra, band or pianist...and better singing! I wasn't thrilled that Perfect-Strangers-Balki was in it (and even more dismayed when he opened his mouth), and I was bitterly sad that George Hearn deigned to appear in this travesty. A performer like him shouldn't be in this!

There are however some pretty good extras: an interview with Ms. Burnett and an outtake (very hilarious! It was my favorite part.)

Putting It Together has a wonderful cast of singer/actors. It is a funny piece of work that is fun to watch and very enjoyable. Now I can't just give applause to Carol Burnett for her performance, but to the rest of the actors:John Barrowman(The Fix, Sunset Boulevard, Miss Saigon), George Hearn, Ruthie Henshall(TAC Les Miserables, Hey, Mr. Producer!, She Loves Me, Chicago), and Bronson Pinchot(The Langoliers). All these actors make a wonderful performance. They hold their act together until...(well I won't give it away to those who've not seen it). All of these actors have great voices. This performance is undescribable. It is absolutely wonderful to watch. I recommend this to those who enjoy theatre or Stephen Sondheim. EponineFantine.

This is the best filmed performance of a Broadway show that I've seen since Victor/Victoria. The music is fantastic, the story is what it needs to be, the performances are remarkable. Of course, I've always been a fan of John Barrowman, I think he was probably the best performer on the stage, with the exception, of course, to the great Carol Burnett. This was her show, even with Barrowman, Henshall, and Hearn, she made this her own. She is funny, but at the same time, I think a lot of people might be surprised at her incredible ability to truly act. The seriousness she provides in some of her songs is absolutely stunning and heart wrenching. My favorite song in the show was "Unworthy of your Love" I was very happy that they added that song to the show. However, I must say that I was a little disappointed in the changes in plot and songs. The original, with Julie Andrews, had a really great plot point where all of the guests at the cocktail party play games, and through the games, they are able to sing the songs connecting with the answers they gave to certain questions, and there were so many good songs that came out of it, among them, Love Takes Time, A Little Priest, The Gun Song, The Miller's Son, Sorry-Grateful, Remember, Impossible, and so many others that were switched out for other, not quite as good songs such as Ladies Who Lunch, More, It's Hot in Here, The Road You Didn't Take, There's Always a Woman, Buddy's Blues, and Good Thing Going. Still, great performances that will change your life.

Based on the 1998 Los Angeles production, this show ran for over 100 performances on Broadway.

Primarily a love-fest for Sondheim fans, this review was a big hit. From the authoritative baritone of George Hearn to the camp antics of Bronson Pinchot it's great fun.

There are many somewhat unusual numbers included amongst the justly famous ones. The opening number (Invocations and Instructions to the audience) comes from The Frogs, four of the five songs in the film 'Dick Tracy' are included, and a couple of numbers cut from 'A Little Night Music' are also present. Sondheim addicts will doubtless get great enjoyment from identifying what comes from where, so I won't go on. (It took me a while to get them all - my DVD does not have a listing!)

Carol Burnett is hilarious in 'Getting Married Today' and dramatically convincing in 'The Ladies who Lunch'. John Barrowman's stunning looks and equally stunning voice is put to good use in such numbers as 'Bang' – a duet with the glorious Ruthie Henshall – and 'Marry Me a Little'. Bronson Pinchot is a narrative link between scenes, and has his own moment of glory in 'Buddy's Blues', one of those tongue twisting numbers Sondheim revels in, executed with great panache.

The binding force in all this is, of course, George Hearn. Whether in solos, duets or just on stage listening (for example to Carol Burnett in 'Could I Leave You?' ) his presence is commanding and supportive.

There is not one part of this show that is less than totally enjoyable. All the extremely talented artists are having fun, and so are the audience. Join in.