Wooly Boys

I enjoyed this film. It showed how a young city boy grew up and faced life, from being a spoilt brat he turned out to be a man of decisions and courage.The two main men in the film played there parts with feeling and i could belive in them.

Released to2001, "Wooly Boys" stars Peter Fonda and Kris Kristofferson as two aging sheep ranchers in the Badlands of North Dakota. After the former pays a visit to his daughter (Robin Dearden) in Minneapolis, he brings back his city-bred 16 year-old grandson (Joseph Mazzello). Keith Carradine plays a country sheriff, Rosanna DeSoto a ranch hand and Michael Booth an FBI agent. Jad Mager and Adam Logan are on hand as troublemakers while T. Mychael Rambo plays a hearse driver.

This dramedy focuses is on the conflict-habituated friendship of the two older ranchers and the visiting teen being a fish-out-water in the wilderness, which brings to mind 2003's "Secondhand Lions." At around the 30-minute mark there are several laugh-out-loud scenes, which are less frequent throughout the rest of the movie. The lines of the idiotic FBI agent are the best. Beyond this, the cast and authentic North Dakota locations are great, but the movie's mediocre about half the time. For instance, the kid responds to Kristofferson's character in one scene and it's wholly unconvincing. A top-of-the-line movie would re-do the scene or ad lib; whatever it took to make it work. So it's one of those part good/part meh movies, but I think the good makes it worthwhile, like the laughs, the birthing scene, the cast and the ND locations.

The film runs 99 minutes and was shot in Fryburg, Beach & Medora, North Dakota, and Minneapolis.

GRADE: C+

The movie was not as good as I hoped. It wasn't bad but it was lacking. The story felt rushed, some of the humor was too obvious (there were scenes that were funny though), and there should have been clearer character development. I think it's a good film for children and older folks. I had hoped there would have been more film of the badlands and it failed to truly show the beauty of the prairie. For an independent low-budget release it was pretty good. At least it didn't make North Dakotans look like backwater hicks ( ala the horrible "Fargo" movie which was not filmed in nor did it take place in the city it was named after!)

Decades ago actors (and, certainly, actresses) often used to quit making movies, to retire and be remembered for what they've done while being young, strong, beautiful. Some decided to reappear for a special occasion, like James Cagney, some kept their decision till the end. Greta Garbo and Cary Grant come first into my mind.

Today the times have changed. After Katherine Hepburn, Bette Davis, Jack Lemmon, Henry Fonda and others that didn't want to waste their last breaths, many actors that have approached the years where traditional lover and action hero roles don't fit much any more not only keep on playing, but aren't satisfied to get supporting roles for new young stars movies – they even make movies where all top casting positions contains their peers. And while Clint, Tommy Lee and others decided to go to space, Kris, Peter and Keith's movie takes place in (similarly isolated) American wilderness.

For Kristofferson, as a country composer and singer, and as a "Heaven's Gate" star, this is a natural environment. Carradine also had his share of roles that took him to middle USA, "Nashville" and "The Long Riders" among best remembered. And for Fonda this may be the kind of landscape that he rode along in "Easy Rider".

Though their best years are behind them they are still capable of making a good job. They are not stars like Jones and Eastwood (and, unfortunately, never have been – just a step behind, having maybe just a teaspoon less luck to make few successes in a line), and they don't get first class productions. However, taking what's been offered, none of them disappointed us. There was no need for a big theater type of acting, the three men are small people from small town and big gestures would be overacting.

Though the story keeps running in the limits of solid TV production, the writers made some unusual and funny jokes (stolen dead body, agent Collins' enthusiasm...) and avoided making the conflict between worlds of a teenage computer fan and his grandfather from isolated farm become a center point of jokes (so many times repeated in movies like "Crocodile Dundee", "Coming to America", "Starman", "Les visiteurs" etc) – screenplay is definitely better than one would expect seeing that long list of writers. However, the directing seems rather slow and too mainstream, leaving some scenes underused and a lot of potentials partially ignored. As it could be expected, the end is too sentimental containing no surprises, very TV-ish, but doesn't ruin the integrity.

Anyway, it is always a pleasure to watch those three next-to-top stars and, without having to big expectations, those who like all or some of them won't regret.

I've just gotten out of a screening of this film and I have to say, WOW!This one will hopefully be up for some awards.Kris Kristofferson is as always charming, sexy, and wonderful. I loved his comic repartee with newcomer Adam Stradlin. Where did they find this guy, he's great!Stradlin has the intensity of a young Gary oldman and the charisma of Mel Gibson. Everyone shines.Lil' blond Bonnie Borst as the wacky greyhound bus passenger, this girl should have her own sitcom.Peter Fonda tops his performance in "The Limey" and really carries this film. Co-stars Greg Sporleader and Jad mager who I've heard are hardened Shakespeare thespians create believable in-bred hic's, better than Cooter and Roscoe P. Coltrane from "Dukes of Hazzard" I highly recommend it. 10!