Avalon

I think many of the complaints about this movie are by those that overlook one of the most obvious statements of the movie... that day to day life is boring & tedious, (walking hallways, taking lonely boring train rides, feeding your dog, watching an annoying person eat) all the while the visual world (read spiritual, artistic, visionary, higher level, etc.) is breath-taking. None of the characters of this world are privy to the visual poetry we are being exposed to as viewers... and that is part of the point, they are blind to it... yet it's a reminder that technological obsessiveness, or material obsessiveness, blinds everyone from simple visual beauty. The lighting alone in the movie was incredibly inventive, variations of sepia tones that went from red to green to blue during the course of the movie... overall the lighting and photography in the movie was amazing. You could take any given frame of this film and have a very beautiful photograph. There is a lot of CGI work in this movie that many nay-sayers called "low budget" and didn't even notice. Watch at the very end of the movie how the ghost's mouth wavers, almost like the Mona Lisa, from sad half-frown into a smirk, and this was done in post. I'm sure many people missed very subtle and beautiful touches like this on first viewing. If someone were to critique it for lack of complexity, I would agree... Blade Runner was not "deep" in the same way... but both, upon multiple viewings, remain almost timelessly poignant while being very reflective of when they were made, and I'm sure in 10 years this movie will seem as striking, as Blade Runner is to me now over 20 years since it's release. This will be one to watch over and over again every 6 months.

One caveat... the Miramax version is rubbish. The translations are horrible and stupid. Literally you lose half the meaning of the film. At one point Ashe is talking to the Gamemaster discussing Avalon (the mythic island) and discussing Odin and the helmet of forgetting... right as she puts the VR helmet on. In the Miramax version... the Gamemaster just says "be careful it's dangerous in there"... etc. Not even close, it's like they didn't bother even attempting a real translation, pathetic.

Avalon is a beautiful movie, but not for everyone. If you mainly like action or fast-paced movies you may be turned off by some of the slow scenes during the movie. Avalon has action though, and explosions galore. Some of the story is a little ridiculous and hard to follow, but that isn't necessarily a bad thing at all.

This is the only film I know of that was a co-production of both Japan and Poland. Directed by Mamoru Oshii, but filmed mostly in Poland and in the native Polish language.

While watching this movie you get a feeling of a very unique quality. It was filmed (or altered in post) to resemble an old Sepia toned film, but still with the high-resolution of today's film standard. This adds a very bleak and depressive visual style to much of the movie. That's a good thing, because this is not a happy movie in the least.

Avalon relies heavily on CGI throughout the movie, due to the "cyber game world" that the movie is largely dealing with. Much of the CGI effects are quite interesting to watch. You can often tell they are CGI effects, but it's obvious that it's a computer dominating world with players inside it.

Another effective element to the film was the excellent music score by Kenji Kawai. This has to be one of the most beautiful and engaging film scores I've heard in a long time. It ranges through many different forms, even to the operatic. Very layered and complex, yet easy on the ears. Recorded with the Warsaw Philharmonic Orchestra, tons of people played the various musical instruments in the recording of the score, according to the end credits. I would compare it in a sense to Christopher Young's otherworldly and haunting score for the first two Hellraiser films. It's a shame that the soundtrack to Avalon is currently only available as an expensive import CD.

Even if you dislike the film, you must watch it once just for the amazing music...it really is that good.

This is a stunningly visual film which takes many of the best elements of the minor sub-genre of 1980s and 1990s sci-fi involving virtual reality, and blends them into an interesting story exploring social withdrawal, addiction, the nature of reality, and the value of life. The film does have a bit of new wave pretentiousness to it - using cliché hacker-names for the players of Avalon, etc, but no more so than many of its competitors (and a bit less than The Matrix). If this sort of thing doesn't appeal to you - and especially if you're the type who wants a film to simply entertain and tell you a simple story, don't bother to read any further.

The film uses a story-telling technique common in good literature but unfortunately under-used in film - that of intentional ambiguity. The best example of this is the main character - well played by Malgorzata Foremniak. You simply don't know what to make of "Ash". Though I found it easy to relate to this character, and I think I understand her, I am not sure most viewers will. In my opinion, Ash is best interpreted as a person with an iron-clad grip on reality, who nevertheless maintains a distance from the people around her, and prefers to keep her relationships "in-game". This is not at all an uncommon personality type, especially among women and mature males in the real worlds of virtual reality and on-line gaming.

The film focuses on Ash's ambitions to become the best player of Avalon - an ultra-real and sometimes deadly virtual reality game - in the world. Avalon is illegal and run on LANs which are set up in what looks like futuristic crack houses. To become recognized as the best, Ash has to complete a level which tends to put anybody who enters it into a catatonic state. She comes to believe that an old team mate of hers - Murphy - inhabits that zone, and wants to rescue him. But of course the designers of the game have other plans, and maybe Murphy himself does as well. Foremniak does a great job of playing this ambiguous yet sympathetic character. Ash, the carefully developed script, the excellent soundtrack, and the superb and beautiful visual effects, all keep you guessing until the very end. I never knew what to expect from this film, and I was very pleased by the way it developed its own concepts of logic and justice - remaining centered on Ash throughout.

Avalon was interesting enough for a second and perhaps a third viewing. I will update my review (if needed) after my next round with it. For now, I will only give it a very high recommendation to anybody who has read this far. After all, if you've read this far in the review, you're probably interested enough in the film to see it.

I noticed the movie got rated somewhat better by the younger part of the public and frankly, that doesn't surprise me. You'll have to have played an online shoot-em-up or war game at least once to see why the idea of a gamer making a life of her addiction in a near future isn't such an outlandish idea.

Avalon takes this idea to new extremes, without being cheap or easy and adds a healthy dose of magical realism. The artwork is stunning, the soundtrack very strong (and classical instead of the usual techno), the acting is cool and distant, which is all perfect for the dark setting. Even the choice of Poland as the scenery seems right on.

Why then doesn't this flic deserve a 10? Well, although I liked the story and though it does have depth, it is a bit one-dimensional. The world doesn't seem to harbor more than this one story and that's a shame. The movie could have become a classic with a little bit more background plot. But nonetheless, a must-see.

Firstly I was amazed at the effect that this film has on people. After reading other comments here, it does not take long to note that reviewers are either full of praise or downright critical, with little in between. Not many movies are so provocative. I stumbled onto this film late one night at the local video rental and it was like my last option, so I had little or no expectations to be deflated. I was pleasantly surprised. The sombre ambiance of the surroundings (Poland) enchanted me, and the sepia black & white film stock simply added to the mystique of the setting. Indeed I have not experienced such a rich atmosphere in a sci-fi film since Blade Runner!!! The SLIGHTLY low-tech special effects were incredible in that they seemed to add authenticity to the fact that this was a "video game" NOT "reality", unlike a lot of sci-fi where the special effects are merely another prop. The insular existence of the lead character due to her obsession with her virtual world is perhaps very poignant today more than ever with the advent of cyber space, computer games etc and their potential for social alienation. Perhaps the films shortcoming is that it may not appeal to the younger set who have grown up on a heavy diet of Hollywood Blockbusters where there has to be the mandatory car chase and subsequent sex followed by a gratuitous helping of ultra violence, but for me that was part of this very artistic films charm.