Branca de Neve

It's fundamental ideia is the choice between the horrors darkened by emotions or the beauty enlightened by reason. The director makes his choice and invites the audience to choose.

The movie has an original communication technique. And, like all artistic expression, may or may not reach the spectator. As it is so fresh and a violent cut on the established way of communication through cinema, it produces a lot of negative response.

Because it's so original, because it's Wasler adaptation is so beautiful, I recommend this movie as a philosophical experience.

Some people can think: "watch a movie is always an art experience, cinema is art, after all". Yes, that's right, but not as much as this one! This movie is far away from the common concept of cinema, it's beyond the concept of "let's watch a movie and eat some popcorn to entertain ourselves"!

It's original, provocative and tries to mess up with our most deeply concepts. César Monteiro's filmography is full of these ingredients, but in this particular case, it goes to the extreme, because it changes one of the most important concepts of cinema: To Watch something! When you listen to a song, you don't expect to see anything, just listen to it… when you read a book, you know you will have to imagine all the characters' faces, all the colors, all the scenarios…When you watch a movie you're expecting to see all the story, what is really happening on the screen. But here you don't, you just watch a black screen almost all the time!

I have to say that I watched this movie at the theater when it was released here in Portugal (there were just more 5/6 persons at the theater!) and I can tell you it was strange! I didn't feel like watching a movie, but as I was a part of some weird artistic experience. Believe me, it's really bizarre to be locked in a dark room for 75 minutes just hearing voices and looking to a dark screen! Sometimes I just felt suffocated! But if anyone asks me if it was bad, I will say it wasn't, because I see it as a unique experience, one that I will remember for all my life.

For me it is very difficult to talk about this film, I hated it so much that it is very hard to me to have an opinion, i just feel like writing curse words, and start a huge rant on how bad this film is.

Basically in this version of the classic "Snow White" we are presented with a black screen from start to finish and, about a dozen characters narrating the story, this movie is incredibly bad, and a huge waste of time.

I strongly believe this isB he worst movie Portuguese of all time and one of the worst I've ever seen, surely.

There isn't anything good about this movie. My vote is 1.

Title (Portugal) - "Branca de Neve" ("Snow White")

João César Monteiro was known for his excruciatingly lengthy movies and awkward humour, but nothing could prepare both the audiences and the critics for his outrageous 'Branca de Neve'! A huge debate followed its debut, it has been labeled everything, from a masterpiece to a fraud and four years later it still angers and baffles a great deal of people. The first shocker is the movie itself. All of us have heard of and may recall with fondness the silent movie era, but 'Branca de Neve' introduces us to the 'radiophonic movie' concept, that is, a movie that has no image at all! Most of the movie leaves the viewer staring at a monotonous black canvas, interrupted only by a few occasional and might I add, very brief still shots. The story itself is an adaptation of Robert Walser's 'Schneewittchen' and the dialog between the characters happens in complete darkness, like a radio play. But a very strangely acted one, like some weird cross between the melodramatic characters of 'Frei Luís de Sousa' and some cheap soap opera.

The outcome is bizarre and in my opinion truly unbearable. I have sat through César Monteiro's 'Comédia de Deus' and laughed at his 'Bodas de Deus' but I couldn't bear to watch the whole movie. Believe me, I tried! I have no problem with slow paced movies, Andrei Tarkovksy and István Szabó are two of my favorite directors, but 'Branca de Neve' is the ONE movie that crushed my will, and in accordance with a famous Hitchcock quote, the endurance of my bladder! This movie is practically unwatchable. But does it really matter?

Which brings us to the second part of the controversy raised by this movie: the art versus entertainment debate. I remember reading an article reviewing this movie that referred to it as 'a mindf***'. And indeed it is! It's like the director wanted to tease us, play with our conceptions and prejudices, defy our notion of what a movie is or should be. I'll give it credit for that, it's a very provocative movie, but again, it's unwatchable, maybe it's a piece of 'higher art', but, as movies go, it's a terrible movie in all respects.

The first question that popped into my mind when I realized the movie had no image was the budget issue, because this movie was sponsored by ICAM, that is, with the tax-payers' money. Where did the money actually go to? There's practically no camera work, unless you discount the lonesome two or three images here and there. The cast is small and all they needed was a recording studio to act out their lines. What happened to the funds? It just adds to the outrage!

So I have mixed feelings about 'Branca de Neve'. I like the concept and the thought that César Monteiro, in the true spirit that always made his movies so provocative, is trying to mess with our brains, gloves off, in a very unsanitary way. But this movie may be pushing the 'trying to be too artsy for its own sake' edge. I also think it was a terrible waste of resources, ICAM's sponsorship could've been spent in other ways, especially since money seems to be an issue as of late.

Final word: do watch this movie if you can and even if you can't endure the whole thing. If you are amused by it or if you feel insulted, I'm sure João César Monteiro will be pleased, wherever he may be. And should this fail to satisfy you, well, there's always Walt Disney's.

The author shows that we can «see» a movie even if there are not images in the screen: you can «see» what happens following the dialogs and the description of the scenes. Like a story before sleep in a dark room. Anyway, there are some color plans (a few minutes): clowds on the sky, stone figures and César Monteiro itself in front of a wonderfull tree in the Lisbon's botanic garden.