Jogo de Espiões

There are many reasons why we like a movie or not. For me, this is the case in witch small things were enough to like it: the two main actors, the places in which the action occurs, and the fact that it has more to do with a love affair, in a tragic atmosphere than about spies. Well, of course this is about spies - two of them - and mostly about the relation between them; if they are similar enough to understand each other, they are also different enough to generate some tension in the relation.

Maybe this is more about how the characters move around each others than about action or intrigue. In fact this is so obvious that the way in which the story is told is mostly in flashback, with Muir (Robert Redford) introducing all of them and narrating part. So, the story is the story and the spy game is what Muir does within the CIA, in 24 hours or so. The distinction is important because if you think of this as a traditional spy movie (maybe like the Bourne Identity or Supremacy) it has two obvious flaws for the genre: the plot is very simple (maybe predictable) and there's no bad guy, no one to kill or to revenge; there's also almost no genuine action, and, as far as I can remember, Bishop (Brad Pitt) only fires one weapon in the whole movie. Maybe what mislead most of the people was the title of the movie, and maybe that's why most of them didn't like it. However, in my opinion, this is a very good movie, with strong leading roles and a compelling story.

No gadgets, no arms, no villains, no action...oh, no,this is a whole different game, and it's a serious and a dangerous game: the game of people and their relations.

Spy Game is everything we're not supposed to expect from a major Hollywood movie: engrossing, intelligent, well written, acted and directed. But that's just what it is and more, this is definitely the best thing I've seen since Memento. Although Pitt is really good and Redford plays himself as well as he has in years, I think the most credit should go to Tony Scott. In the hands of a lesser director this could have been something more like Mission Impossible. But Scott stays right on target, keeping us interested, developing the characters, and keeping the pacing nearly perfect. Scott also shows us that he's stayed with the times: he employs the full array of modern camera tricks like fast motion, reverse zooms and funky lenses but in a way that actually makes the film better instead of being an annoying distraction. The dialogue feels natural, all the actors do good work, no one tries to steal the show or be the star. The story is interesting and almost never lapses into the kind of hyper violence or sappy sentimentality one has come to associate with modern studio pictures. You get a feeling this is pretty close to how the CIA really operates, a place with fantastic technology at its disposal but who's ultimate effectiveness is determined by the fallible people who run the missions and take the chances. I really enjoyed this film, I hope it's a sign of things to come and not a rarity.

SPY GAME / (2001) *** (out of four)

Tony Scott is known for his big budget, fast-paced, action-packed extravaganzas. His latest film, "Spy Game" is no exception. He takes advantage of a massive budget, but loses sight of human comprehension. It's difficult to grasp his moral when it's awash in a superficial style where individual shots seldom last more than thirty seconds, and where dialogue never exceeds the length of a short paragraph. There's not much time to introduce characters, situations, or even locations-datelines appear on the screen to identify times and places.

Yet, it doesn't just feel as if we are in another movie by Tony Scott-everything feels very real. The danger is real. The characters are real. Many action films are about the action, special effects, and car chase sequences. "Spy Game" does contain those things, but they are in a focused, tight, evocative thriller. This movie is about the characters, not the action. It never forgets that.

"Spy Game" contains a complex structure. We begin in 1991. Veteran CIA officer Nathan Muir (Robert Redford) prepares for retirement. On his last day, he learns that his one-time protégé, Tom Bishop (Brad Pitt), has been captured in a foreign prison on a charge of espionage and will be executed in 24 hours. Fearing international crisis, the CIA decides it would be too risky to save him. But with a new generation in control of the agency, Nathan is no longer an insider. He must outsmart his own agency in order to save his old friend.

Most of the film plays out in flashbacks as the CIA digests valuable information from Muir. The movie spans from the Vietnam war to the end of the Cold War, with years ranging from 1965 to about 1991 (although the characters don't seem to age much). We learn Nathan chose Tom as a sharpshooter in Vietnam. He trained with Bishop. They formed a close bond, until something came between them-a woman.

The forty-year span in time poses no problem for "Spy Game." The engaging screenplay, by Michael Frost Beckner and David Arata, focuses on only the necessary characters. The soundtrack, by Harry Gregson-Williams, masterfully captures the various time periods, spicing the scenes with a slick sense of style and intrigue. The cinematography by Daniel Mindel makes the differences in location clear. Christian Wagner's editing gives the movie a frenzied, almost rushed emotion, that puts us right in the middle of the race against time.

Pitt and Redford retain their ground, despite a thick style. Redford creates a character out of nothing. We know little about him at the beginning, and we know little about him at the end. But he somehow gives his character a conscience, human values, and a lot of interest. We care about him because we do not like the black and white CIA operatives. Thus, we care about Pitt's character as well. Pitt gives his character an immature nature. He is in a stereotypical young hotshot role that might have fit him better a few years ago, but he still creates a grave sense of panic and fear.

With a structure like this, we expect subplots to evolve from the flashbacks. There is an intriguing terrorist story. A love story. Themes about betrayal, trust, position, friendship, commitment…but "Spy Game" never slows down and allows us to absorb these important details. By the end, we feel exhilarated, and we know we just watched a very smart, well-crafted film, but the most we can take from it is that it is a very smart, well-crafted film. I think, beneath all the style and surface, there is a little more to the movie than that.

Spy Game is an action thriller film directed by Tony Scott and starring Robert Redford, Brad Pitt, Catherine McCormack, Stephen Dillane, Larry Bryggman and Marianne Jean-Baptiste.

CIA agent Nathan Muir is retiring and learns that his friend is incarcerated in China, he takes it upon himself to free him from the Chinese.

One of the most underrated films of Tony Scott, the film is very much engaging and the viewers who likes espionage spy thrillers will surely like the film. We have seen many edge of the seat spy thriller but this film is quite different from other films, the film will demand your patience due to it's slow speed but will not disappoint you.

Acting is superb and both Redford and Pitt were quite impressive in their respective roles. The screenplay of the film is slow but still have the ingredients to keep you engaged.

Climax of the film is good and satisfying, this film is not the typical spy thriller film but still a great entertainer. A Must watch underrated film.

Nail-biting and exciting movie about terrorism , spies and geopolitical issues . The film deals with a spy chief called Nathan Muir (Robert Redford) who's on the verge of retirement from the Central Intelligence Agency. Then the veteran spy learns that his one-time protege Tom Bishop (Brad Pitt) , a CIA operative serving in various countries , has been incarcerated. Tom has gone rogue and been taken prisoner after attempting to smuggle a prisoner out of China . Although Muir and Bishop had once been close friends , sharing long periods of thrilling adventures from Vietnam , Berlin , to Beirut where Muir schemed a plot to chase a mastermind terrorist . As in Lebanon , both of whom formed a solid and shaky alliance to break the terrorist ring which previous bombed US military targets with a lot of casualties . Things go wrong when Bishop falls in love with an aid-worker (Catherine McCormack) . As his memories of their friendship come flooding back , Muir sets about managing the rescue of his old friend from a Communist prison . Meanwhile , the super-powerful CIA uses technological-gizmo-surveillance satellites and modern surveillance systems for people spying and hound terrorists relentlessly . It's not how you play the game ... It's how the Game Plays you. It's not how you play the game. It's how the game plays you. "Poor is the pupil who does not surpass his teacher" . In the end, only friendship matters!

Story's core is interesting and script is dense with information and drama . The ultra-brisk editing and rapid scenes movement leaves little time to consider some inadequacies . Regarding a peculiar relationship between two top-of-the-range spies whose long knowledge has developed bad blood and resentment between them , in spite of the two men haven't seen each other in years . Here Brad Pitt is reunited as a co-star with his A River Runs Through It (1992) director Robert Redford for this espionage thriller from Tony Scott , and both of them giving awesome interpretations . Engaging and twisted thriller concerning the spy-world on Middle East , China and other countries . Robert Redford and Brad Pitt sustain interest enough in this tale of friendship , betrayal , sacrifice and terrorism . Brad Pitt is good as tough super-spy as well as sniper operative and Robert Redford 's cool displaying an enjoyable performance as the elderly and regretted CIA agent . The use of geopolitical messages to add weight to a romantic subplot between the spy and the beautiful nurse , well played by Catherine McCormack , though feels a little forced , at times. They are well accompanied by a good cast , such as : Stephen Dillane , Larry Bryggman , Marianne Jean-Baptiste , Shane Rimmer, David Hemmings, Benedict Wong , Ken Leung , Matthew Marsh , Michael Paul Chan , among others .

The film packs adequate , evocative cinematography by Dan Mindel and rousing musical score by Harry Gregson-Williams . The motion picture was well realized by Tony Scott . He was a good filmmaker whose works received some great reviews , his first big hit happened when was asked by producers Don Simpson and Jerry Bruckheimer to direct Top Gun (1986) starring Tom Cruise . He would work again with Cruise on another high adrenaline film Days of thunder (1990) , which proved less successful . He followed the success of Top Gun with the sequel Beverly Hill cop II (1987) with Eddie Murphy , which was well received . In 1993, he directed the cult movie True Romance (1993) , which was written by emerging director Quentin Tarantino but Scott had a lot of control over the film . While Unstoppable (2010) was Tony Scott and Denzel Washington's fifth and final film collaboration. The others were Red tide (1995) , Man on fire (2004) , Déjà vu (2006) , and Pelham 123 (2009) all of them got big successes . Spy Game(2001) rating : 7/10 . Well worth watching . Above average . The picture will appeal to Robert Redford and Brad Pitt fans .