Depois de despertar de um coma de quatro anos, uma antiga assassina busca vingança contra o grupo de assassinos que a traiu.Depois de despertar de um coma de quatro anos, uma antiga assassina busca vingança contra o grupo de assassinos que a traiu.Depois de despertar de um coma de quatro anos, uma antiga assassina busca vingança contra o grupo de assassinos que a traiu.
- Direção
- Roteiristas
- Artistas
- Indicado para 5 prêmios BAFTA
- 30 vitórias e 103 indicações no total
Shin'ichi Chiba
- Hattori Hanzo
- (as Sonny Chiba)
Chia-Hui Liu
- Johnny Mo
- (as Gordon Liu)
Kenji Ôba
- Bald Guy (Sushi Shop)
- (as Kenji Oba)
Resumo
Reviewers say 'Kill Bill' is acclaimed for its stylized action, dynamic fight scenes, and genre-blending approach. Tarantino's direction and Thurman's performance are praised, along with the eclectic soundtrack and vibrant visuals. However, some find the violence excessive and the narrative simplistic. The film is seen as bold and visually striking, though it divides opinions on artistic merit and storytelling.
Avaliações em destaque
This is movie is unusual, but it works for me. It kept me intrigued from the beginning with the plot which is not entirely clearly, but that made it more interesting for me. There's a lot of action in the movie which I found excellent and enjoyed a lot. It might not be realistic, but its a movie so it doesn't have to be. The plot is amazing and I can't wait to watch volume 2 soon because of how intriguing volume 1 was.
Pros:
1. The bright colour palette does a wonderful job at highlighting the over-the-top nature of the film.
2. The entire animated sequence of the O-Ren Ishii (Lucy Liu) origin story is gorgeously animated, as well as being impactful and brutal.
3. The score envelops the movie in a pulsating lively aura, and adds reems of energy to the scenes.
4. The action and fight scenes are incredibly entertaining and brilliantly choreographed.
5. The editing is mostly top-notch, especially with the quick cuts adding a lot of vibrancy to the fight scenes.
6. The costume and set design create the outlandish world perfectly.
7. Both Uma Thurman (The Bride) and Lucy Liu deliver great performances.
8. The sound-mixing is very crisp and clean, and it adds so much weight to the action scenes.
9. The make-up and art production is off-the-charts and, in regards to the gore, helps to make the deaths to feel more potent in their execution.
Cons: 1. The slow-motion used is extremely unattractive and pointless. 2. There is annoying minor usage of stock action screams.
Cons: 1. The slow-motion used is extremely unattractive and pointless. 2. There is annoying minor usage of stock action screams.
Just saw Kill Bill: Vol. 1 and was surprised, to be honest, at how incredibly GOOD this film is. Here is a craftsman (or artist, if you prefer) at the top of his game. Some of the shots are simply incredible; the score is, for the most part, vintage Tarantino selections- and the RZA does a very good job at filling the blanks; Uma Thurman is a great female lead, for sheer presence (and decent acting chops). Even Lucy Liu, who I expected was going to re-hash her Charlie's Angel character, burst on the scene like a flaming nunchuck.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
Having seen Tarantino's 3 previous films, going into the cinema, my expectations for 'Kill Bill' were already over the roof. However, regardless of my high hopes for quality entertainment, I was not prepared for this film. I was dumbfounded. I was blown away. I had quite simply never seen anything even remotely like it.
In 'Kill Bill', the revenge plot serves only as a larger story arc, thus allowing Tarantino to play with as many different genres as he likes, and boy - what a mix he dishes out! With complete disregard for the conventions of filmmaking, he paints an expressionistic masterpiece in his own unique style, the likes of which the world has never seen before. Cinema rarely gets this exciting. With 'Kill Bill', Tarantino proved once and for all that all the hype around his persona is justified: he IS the most daring, original - and entertaining! - filmmaker of his generation. Simply amazing: 10 stars out of 10.
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget And B-Movies: http://www.imdb.com/list/ls054808375/
All-Time Favorite Films: http://www.IMDb.com/list/mkjOKvqlSBs/
In 'Kill Bill', the revenge plot serves only as a larger story arc, thus allowing Tarantino to play with as many different genres as he likes, and boy - what a mix he dishes out! With complete disregard for the conventions of filmmaking, he paints an expressionistic masterpiece in his own unique style, the likes of which the world has never seen before. Cinema rarely gets this exciting. With 'Kill Bill', Tarantino proved once and for all that all the hype around his persona is justified: he IS the most daring, original - and entertaining! - filmmaker of his generation. Simply amazing: 10 stars out of 10.
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget And B-Movies: http://www.imdb.com/list/ls054808375/
All-Time Favorite Films: http://www.IMDb.com/list/mkjOKvqlSBs/
Você sabia?
- CuriosidadesWhen Chiaki Kuriyama (Gogo) was shooting the scene where she flings her ball and chain out, she accidentally hit Quentin Tarantino on the head as he stood by the camera.
- Erros de gravaçãoWhen the Bride boards the airplane she has the samurai sword with her in the cabin. Obviously, this wouldn't happen in reality. This is a stylistic choice for this film. The couple sitting directly behind The Bride have a sword as well, and a third sword can be seen. In addition, all of O-Ren's outriders have swords prominently displayed on their bikes.
- Citações
Hattori Hanzo: Revenge is never a straight line. It's a forest, And like a forest it's easy to lose your way... To get lost... To forget where you came in.
- Cenas durante ou pós-créditosDuring the opening credits, the actors playing the members of the Deadly Viper assassination squad are listed according to their number on The Bride's death list
- Versões alternativasMany changes were made to the movie to minimize the violent and adult content when it was broadcast on TBS. One of the most interesting: The "Pussy Wagon" was changed to a "Party Wagon".
- ConexõesEdited from O Último Grande Duelo (1972)
- Trilhas sonorasBang Bang (My Baby Shot Me Down)
Music by Sonny Bono
Lyrics by Sonny Bono
Performed by Nancy Sinatra
Courtesy of Boots Enterprises, Inc.
By Arrangement with Celebrity Licensing
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Kill Bill Vol. 1: La venganza
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 70.099.045
- Fim de semana de estreia nos EUA e Canadá
- US$ 22.200.000
- 12 de out. de 2003
- Faturamento bruto mundial
- US$ 180.908.413
- Tempo de duração1 hora 51 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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