Filme mostra os bastidores da reunião do Terceiro Reich durante a Segunda Guerra Mundial, cujas deliberações mudaram o mundo para sempre.Filme mostra os bastidores da reunião do Terceiro Reich durante a Segunda Guerra Mundial, cujas deliberações mudaram o mundo para sempre.Filme mostra os bastidores da reunião do Terceiro Reich durante a Segunda Guerra Mundial, cujas deliberações mudaram o mundo para sempre.
- Ganhou 2 Primetime Emmys
- 7 vitórias e 21 indicações no total
- Maid
- (as Claire Bullus)
- Adjutant 1
- (as Ross O'Hennessey)
Avaliações em destaque
Although not as well-acted, the German language Wansee Conference is actually a bit better in imparting the agenda-driven business meeting quality of the event. Anyone who has ever been to a business planning meeting (in any business, but especially in government or regulated utility during budget planning time) cannot help but feel sick at the ordinary familiarity of it all. Replace killing people with making and marketing widgets, and you got it.
This is a chilling dramatisation of the meeting that sealed the fate of millions of Jews. The story is quite simple and could be easily put on the stage - it is merely a board meeting with the focus being on the characters of those involved. The film plays as a normal board meeting - no one in the room is portrayed as monsters - in fact Heydrich is almost comic. One of the most chilling elements is that no-one in the room believes the Jews were normal people, some are horrified by the thought of killing them all on production lines but even then their alternatives never approach humane options.
This very wordy production would never have succeeded without strong actors and here it is blessed by not only famous faces but unknowns giving great performances. It is difficult at first to accept English actors playing Nazis but you soon get past it. Tucci and Branagh are both excellent and Colin Firth is the best I've seen him as Dr Stuckart from the Interior Ministry. I could literally name the whole cast as the members of the meeting are all well played.
This is not presented as a terrible moment and the men are not portrayed as Indiana Jones style evil Nazis. The facts are allowed to speak for themselves and it's all the more chilling for it. Overall this is an excellent film that benefits from great acting, a great script and great direction.
The film documents a meeting held during WW2, when SS second-in-command, Reinhard Heydrich, assembles a group of Nazi bureaucrats and functionaries to 'discuss the final solution of the Jewish question'. In the sublime surroundings of a German country house, the assembled mingle for drinks, enjoy a first class buffet lunch and debate whether execution or sterilisation is the most efficient option of eliminating an entire race of people.
Subject matter aside, Conspiracy is all the more devastating, and precious, from its excellent script and incredible ensemble performances. There is no attempt or need to manipulate the viewer - the enormity of the truth is compelling, and appalling enough. The are no cartoon Nazis here, the depiction of Heydrich is fascinating and complex: the man is urbane, witty, impeccably mannered and utterly devoid of morality.
Credit must be given to Kenneth Branagh who propels the entire piece with one of the best portrayals on screen in memory. He is utterly convincing in the role of a man who epitomises the classic definition of evil: not just the doing of wrong, but the perversion of the human spirit so that it no longer has any perception of the good.
Where Heydrich is conviction, as the narrative develops, almost exclusively as table-talk, others are less sure. The range of attendees symbolises the various strains of Nazi culture, which developed over the course of the third reich. For the idealistic of these - the philosopher/technocrat Kritzinger; the legalistic Wilhelm Stuckart and the young soldier Major Lange, there is the dawning realisation of the human catastrophe in which they are complicit.
Technical objections are raised - Stuckhart expounds a ludicrous web of of objections on how the plan breaks the vile race laws he himself architected, and will be an 'administrative nightmare', but they soon realise this is a done deal - most of the mechanisms are already in place. The politically sharp Heydrich only needs to extract expressions of support in order to bind all the orders of Nazi society into equal guilt. During breaks in the proceedings he discreetly buttonholes the wobblers and silences their doubts: by naked threats, or in the case of Lange by invoking the fantasy that what they do is all part of a plan for a better tomorrow. Succumbing to Heydrich's magnetism and realising the dream is pretty much all that is left, Lange allows himself to be persuaded.
The eloquent script captures the delusional, the grotesque and the desparate qualities of the German position at that moment in the war: the calculation that defeat is inevitable, but unthinkable - despite the repeated whimsy of Heydrich that he will return here for a quiet country life once the war is over. He knows that he, and all others present, is headed only into the dark. And it's a one-way journey.
15 officials from various departments were in attendance, chaired by SS Chief of Security Reinhard Heydrich (Kenneth Branagh) and SS Major Adolf Eichmann (Stanley Tucci), and has in its members several lawmakers and doctors. They sit and debate (well, not much of a debate actually) the notion of evacuating (read: Eliminate) the Jews, and you'll probably witness how casual it all sounded to some of the members.
It was interesting to see how Heydrich cajoled everyone into agreeing to his plans, by hook or by crook. And it's very chilling to see how semantics were danced about, and how methods were discussed as if it was a process so trivial - the building of concentration camps, the techniques of gassing and how to perform it, the statistics of the kill that would have them reach their target numbers intended.
Based on a surviving record of that meeting, despite the fact that the minutes are to be read, memorized and destroyed, this HBOfilm is a good watch to peek into the decision making process, into that stain in human history, and the unthinkable evil that humans are capable of.
If you're a fan of Downfall, then perhaps this depiction of history will interest you.
This film is the best World War II era film i have ever seen, and one of the best movies i have seen, period. The cast is mostly unknown, but out-act any all-star cast Hollywood has ever produced. Kenneth Branaugh delivers an excellent performance as Heydrich, the head of the table at the meeting. He threatens people with a smile on his face, and barely bats an eye while speaking of killing thousands of people. Stanley Tucci is also great as the party-planner Eichmann, who set up the entire meeting, from the venue to the food to the topics. The way he counts the number of Jews that can be exterminated in a a given period of time is downright creepy. The cast also includes great turns by Colin Firth, a lawyer and professor who thinks the systematic slaughter of the Jews is bad for Germany's future, and Ian McNiece, who plays a hateful and witty official.
The dialogue is smart, funny, and chilling, and contains some jabs at all sides of the biggest war in Earth's history. This is a great movie to show in a history class, before watching a bunch of war movies, or if you just have an interest in the war. It teaches a lot more about the time than Saving Private Ryan (great movie too, but really one-sided), and features the best acting this side of the Godfather.---9/10
Você sabia?
- CuriosidadesSince detailed records of the Wannsee Conference did not survive World War II, minor details of the movie (such as the seating arrangement at the conference table, what was actually served for lunch, and who was wearing a uniform compared to who wasn't) were totally up to the guess of the producers, and not based on any historical evidence. The producers and writer did have access to more primary material than it might seem at first. During his trial in Israel, Adolf Eichmann provided many details about the subject of the movie, even down to specific conversations, the general tone of the meeting, and other details. In particular, it's worth noting that a good bit of the dialogue in the movie is lifted verbatim from relevant memos and speeches by Nazi officials that were preserved, are part of the historical record, and cited by numerous sources. Many specific locutions used by the men in the movie can be found as cited, for instance, in Gitta Sereny's book "Albert Speer: His Battle with Truth" as well as other sources. The single-page, neutered summary of the meeting that survived in the files of the German Foreign Office is far from the only primary source used by the filmmakers.
- Erros de gravaçãoAt the beginning of the film, place cards are being made using the traditional Germanic Gothic, or "Fraktur" font. Although the font was initially used by the Nazis, it was claimed in 1941 to be "Judenlettern" (Jewish letters) by Martin Bormann himself, who banned its use. The movie takes place in 1942.
- Citações
Müller: Perhaps the judge has a special love for them?
Klopfer: [mutters appreciatively] Yes, yes a special love for them... very good...
Dr. Wilhelm Stuckart: For whom? For Jews? Wonderful, you don't have my credentials. Forgive me, from your uniform I can infer that you're shallow, ignorant and naive about the Jews. Your line, what the party rants on about is how inferior they are, some-some-some sub-species, and I keep saying how wrong that is! They are sublimely clever. And they are intelligent as well. My indictments to that race are stronger and heavier because they are real, not uneducated ideology. They are arrogant and self-obsessed and calculating and reject the Christ and I will not have them pollute German blood!
General Reinhard Heydrich: [tries to calm Stuckart down] Please, Doctor...
Dr. Wilhelm Stuckart: He doesn't understand! And neither do his people. Deal with the reality of the Jew and the world will applaud us. Treat them as imaginary phantoms, evil in human fantasies, and the world would have justified contempt for us! To kill them casually without regard for the law martyrs them, which will be their victory! Sterilization recognizes them as a part of our species but prevents them from being a part of our race. They'll disappear soon enough. And we will have acted in defense of our race and of our species and by the law! This fellow mentioned the law for the protection of German blood, *I wrote that law*! When you have my credentials then we'll talk about who loves the Jews and who hates them. Pigs don't know how to hate. I know, too, that when it comes to the half-mixed, that to kill them abandons that half of their blood which is German.
Klopfer: I'll remember you.
Dr. Wilhelm Stuckart: You should. I'm very well known.
- ConexõesFeatured in The 53rd Annual Primetime Emmy Awards (2001)
- Trilhas sonorasString Quintet in C Major', D.956: Adagio
Written by Franz Schubert
Performed by Ensemble Villa Musica
courtesy of Naxos of America
by arrangement with Source Q
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Conspiracy
- Locações de filme
- Haus der Wannsee-Konferenz, Am Grossen Wannsee 56-58, Zehlendorf, Berlim, Alemanha(Conference Building)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1