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IMDbPro

Batalha Real

Título original: Batoru rowaiaru
  • 2000
  • 18
  • 1 h 54 min
AVALIAÇÃO DA IMDb
7,5/10
203 mil
SUA AVALIAÇÃO
POPULARIDADE
3.216
175
Batalha Real (2000)
In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.
Reproduzir trailer0:31
4 vídeos
99+ fotos
Ação épicaDrama adolescentesobrevivênciaTragédiaAçãoDramaSuspense

No futuro, o governo japonês captura uma classe de alunos do nono ano e os força a matarem uns aos outros sob o revolucionário Ato da Batalha Real.No futuro, o governo japonês captura uma classe de alunos do nono ano e os força a matarem uns aos outros sob o revolucionário Ato da Batalha Real.No futuro, o governo japonês captura uma classe de alunos do nono ano e os força a matarem uns aos outros sob o revolucionário Ato da Batalha Real.

  • Direção
    • Kinji Fukasaku
  • Roteiristas
    • Koushun Takami
    • Kenta Fukasaku
  • Artistas
    • Tatsuya Fujiwara
    • Aki Maeda
    • Tarô Yamamoto
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    203 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.216
    175
    • Direção
      • Kinji Fukasaku
    • Roteiristas
      • Koushun Takami
      • Kenta Fukasaku
    • Artistas
      • Tatsuya Fujiwara
      • Aki Maeda
      • Tarô Yamamoto
    • 764Avaliações de usuários
    • 245Avaliações da crítica
    • 81Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 8 indicações no total

    Vídeos4

    Official Trailer
    Trailer 0:31
    Official Trailer
    Battle Royale: Mitsuko (Red Band)
    Clip 1:42
    Battle Royale: Mitsuko (Red Band)
    Battle Royale: Mitsuko (Red Band)
    Clip 1:42
    Battle Royale: Mitsuko (Red Band)
    Battle Royale: The Rules
    Clip 1:18
    Battle Royale: The Rules
    Battle Royale: Mitsuko (Featurette)
    Featurette 0:59
    Battle Royale: Mitsuko (Featurette)

    Fotos220

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    Elenco principal92

    Editar
    Tatsuya Fujiwara
    Tatsuya Fujiwara
    • Shuya Nanahara - Boy #15
    Aki Maeda
    Aki Maeda
    • Noriko Nakagawa - Girl #15
    Tarô Yamamoto
    Tarô Yamamoto
    • Shôgo Kawada - Boy #5
    Chiaki Kuriyama
    Chiaki Kuriyama
    • Takako Chigusa - Girl #13
    Takashi Tsukamoto
    Takashi Tsukamoto
    • Shinji Mimura - Boy #19
    Sôsuke Takaoka
    Sôsuke Takaoka
    • Hiroki Sugimura - Boy #11
    Yukihiro Kotani
    • Yôshitoki Kuninobu - Boy #7
    Eri Ishikawa
    • Yukie Utsumi - Girl #2
    Sayaka Kamiya
    • Satomi Noda - Girl #17
    Takayo Mimura
    • Kayoko Kotôhiki - Girl #8
    Yutaka Shimada
    • Yûtaka Seto - Boy #12
    Ren Matsuzawa
    • Keita Îjima - Boy #2
    Hirohito Honda
    • Kazushi Nîda - Boy #16
    Ryou Nitta
    • Kyôichi Motobuchi - Boy #20
    Sayaka Ikeda
    • Megumi Etô - Girl #3
    Anna Nagata
    • Hirono Shimizu - Girl #10
    Yukari Kanasawa
    • Yûkiko Kitano - Girl #6
    Misao Kato
    • Yumiko Kusaka - Girl #7
    • Direção
      • Kinji Fukasaku
    • Roteiristas
      • Koushun Takami
      • Kenta Fukasaku
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários764

    7,5202.5K
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    Avaliações em destaque

    9Stupid-7

    A film that the US, would never, could never make...

    This film is film that I believed had to be made, and it was only a matter of time before it was. Yet it was a film that the US mainstream could never have conceived making.

    Firstly to get it out of the way I will say that I loved this movie, although at no point did I feel comfortable while watching it. It had the power and emotional content, that while not necessarily apparent in the dialogue was visible on screen at all times.

    I am truly glad that this film has come out of mainstream Japanese cinema. It would have only been made in the US by independent film-makers who would have basked in the glory of its controversy and felt oh-so-smug that they had created it, while shoving a moral in your face. While I actually have no problem with US Indie film I do feel that a Western background would have comprised on visceral content, and upped the content of cheap moral points.

    For those who say the violence was "cartoon-style" and laughable must have been watching a different film. Whilst this film is heavy in black humour I can clearly say that the deaths are shocking in the extreme, and there is no relenting from the beginning to the end. Only occasionally does the camera pan away from the final deed. The only deaths that have a dark humour content to them, are those involving Kitano (Beat Takeshi) and the "lone" vigilante (those who have seen the film will know what I am talking about). Other sections, such as the "Training Video" are equally comedic, and absurd. Yet other deaths are shocking in the extreme, and show how the slightest suspicion can have disastrous consequences for groups that only have trust to keep them together, a truly shocking scene in the Lighthouse reinforces this.

    The fact that this film employs Children as the main protagonists of the story is the key to the whole impact of the film. We have all seen films like The Running Man where adults fight adults for survival and it seems that much less shocking, albeit that film was handled in a completely different manner. Children have the innocence that makes the brutality of this film that much more shocking, adults in the same situation would have had the reaction from audiences of cheering at the screen as the hero dispatches yet another victim. This could never and would never have been the case with this film.

    To another commentator who felt that this film sticks with you less than Scream, I simply fail to find this to be anywhere close to the truth. The deaths in Scream although bloody are nothing but pastiche of those films that Scream is mimicking, ultimately throwaway deaths that up in brutality in order to out-do the last one that have one or two psychotic perpetrators, who eventually get their comeuppance. In this film their are no victims and besides one exception there are no villains amongst the children. They simply HAVE to play the game or die.

    Well I encourage all those who feel they can stomach it to go and see this film or find it available somewhere (as I believe it has been banned in the US). It is not truly a film denouncing the evils of Reality TV or showing us the future of that trend of Broadcasting, that is merely a plot device to place the children in this situation. The nature of the film lies in its deconstruction of Friendships, Trust and our views on Innocence. Go and see it not as a spectator of this BR spectacle but as one of the participants and remember what was important to you when you were at school, and whether any of those rivalries, hatreds and friendships would have been enough for you to decide who deserves to die and who deserves to live.
    6Fbh91

    Not as good as the Book

    This movie was recommended to me some time ago by a friend. So I decided to check out what it was all about and found out it's based on a Book. I always like to read/see the source material first so I bought the book over amazon and I have to say I loved it. It was a good story, with great characters and great writing that gave a lot of psychological insight on the characters.

    Based on how popular and loved this movie is, I was expecting it to be a great adaptation but after watching it, I can't help but feel a bit disappointed with it all. They take the concept, some characters and some major events from the book but there are A LOT of changes and, IMO, most of them didn't do the story any favor. It all feels a bit underdeveloped and the acting wasn't very strong either. There are also several changes in the motivation of some characters and the whole concept of battle royale shifts from an oppressive government to some sort of "adult vs kids" thing which, despite the fact that I'm aware of the problems japan has with the youth, doesen't make a whole lot of sense-

    Anyway, not a bad movie. But I'd recommend you read the book which in my opinion is far superior
    tkuhns

    You'll get it if you know modern Japan

    Most of the reviewers here speak from their own viewpoints, i.e. non-Japanese westerners, and they praise/knock the movie based on its violence, plot, etc. That's fine. But through their ignorance of the culture this film springs from, they are missing its subtleties.

    I've been teaching in a Japanese high school for three years now. Once I saw this movie, I could instantly appreciate its skill and surprising frankness at commenting on some of the sad and strange realities of Japan's modern youth.

    Japan is a culture obsessed with youth. Almost everything here is tailored to the under-30 (and much younger, actually) crowd. For example, most westerners watching Japanese TV will be surprised at how childish it seems. The things that seem childish to your average American junior-high student are very appealing for a Japanese high-school student. Girls in their 30s desperately try to be "cute" to attract guys. Adults and children alike read comics by the droves, and sometimes pops up a strange, not-too-well-hidden undercurrent of pedophilia.

    This movie takes the heavily cliquish, often childish, and often incomprehensible (to me) social system of young Japanese boys and girls and gives them guns. This is the natural result. Take it from me, the characters and situations are very realistic.

    This gets mixed with the growing anxiety among the older generation at the rising rudeness and rebellion of the new generation in a culture that values politeness above all else. From a frustrated and humiliated teacher; to students killing each other over seemingly unimportant squabbles; to the overly-cutesy, peppy training video that perfectly mimics nearly any show on NHK these days -- this film subtly and brilliantly comments on half-a-dozen issues that weigh heavily on the minds of Japanese people today. That's why it was such a big hit in Japan.

    Maybe you just have to live here to get it. I give it 5 stars.
    9gunzar

    Quite brilliant

    There have been contrasting cries of "greatest film ever made" and "pointless gore fest" made about BR, and neither are accurate in my opinion. What it is, is a commentary about "perceived" (real or otherwise) problems among Japanese teens in the late 90's.

    In one review, someone basically likened it to a movie involving young Japanese girls running around in school uniforms acting violent....DUH, thats the whole point. A lot of peoples only knowledge of Japan is Manga and Hentai.

    If people bothered to watch the news once in awhile, they may know that the establishment in Japan were VERY worried about young people getting out of control, and BR portrays all this perfectly.

    Its NOT ultra violent, although the fact that they are supposed to be teens makes it disturbing. Battle Royale is no worse than Lord of the flies, but for some reason that has been deified as a work of art, and BR is classed as trash. I'd say its more about cultural snobbery than actual appreciation of a truly magnificent film.
    8Pmust-3

    Disturbing

    Battle Royale is based on the shockwave novel by Koushun Takami, which is a bestseller in Japan, and which has become very controversial in a very short time (and it is really easy to understand why). The plot is relatively simple (a class of junior high school students are forced to kill each other on a desert island, the last survivor wins and can go back home), but it is this simplicity that makes its strength. No need for a very long prologue before we enter the main act. Each of the 42 pupils involved in this "game" are not volunteers (no one would be..,), and of course they are forced to kill their best friends /girlfriends in order to survive this horror. The personalities and characteristics of each of the participants are of course very contrasted and even if there are some cliches, well, the worst has been avoided. There are even quite "realistic" (even if it is very difficult to judge what can be realistic with such a plot) moments. The transcription of the inner thoughts of the characters, which is one of the strengths of the book, is averagely well retranscripted. Takeshi Kitano plays a "teacher" (whose name is ...Kitano), leading the operation of surveilliance of this "game". It is very difficult to give an objective comment on this movie. Violent. Ultra-Violent. And bloody. This is for sure. The book has to be read for a more complete description of the hesitations and fears, but the movie restranscripts very well the book is the sense that it is all "absurd". There is no real meaning to this violence. The students know this, but it can not be avoided. It is quite sad that the movie dropped an essential background element of the book (the story in the book takes place in an imaginery Japan which would have not lost WWII, and the movie takes place in a slightly modified modern Japan), but I guess that making this happen in the "real-world" shows that there is no need to go to an imaginary world to see to what extreme behaviors humans are capable of.

    Highly disturbing. Rated R-15 (forbidden to under 15), very, very violent, but nonetheless interesting.

    Enredo

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    Você sabia?

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    • Curiosidades
      Many members of the Japanese Parliament tried to get the novel banned, but to no avail. When the film was released, they attempted to ban it also. Both efforts resulted in the novel and film becoming even more successful as people bought the book and went to the movie to see what the fuss was all about.
    • Erros de gravação
      When characters stab or shoot each other through clothing, there are bloodstains but no holes where the bullets or knives go through.
    • Citações

      [Shougo has just finished bandaging Noriko's leg]

      Shuya: You know a lot about medicine.

      Shougo Kawada: Well, my father was a doctor.

      [a few minutes later, Shougo serves Noriko and Shuya food]

      Noriko Nakagawa: Wow! This is pretty good!

      Shougo Kawada: It should be. My father was a chef.

      [later, After escaping the island]

      Shuya: You even know how to drive a boat?

      Shougo Kawada: Hey, my father was a fisherman.

    • Cenas durante ou pós-créditos
      As the credits roll, a class picture is displayed, showing all of the students that have been killed in the Battle Royale, including the two transfer students.
    • Versões alternativas
      The Special Version includes the following:
      • Redone opening titles
      • Redone sound effects
      • Added CGI blood to make the shootouts more graphic Also, many shots were added, deleted, reedited, and extended for pacing and clarity purposes, including the following:
      • A longer basketball sequence
      • Added reaction shots of the kids in the classroom to Kitano's "Do you know this law" question, and after Kuninobu's death.
      • A flashback shot of Mizuho and Inada and Kaori Minami to remind us of who they were when we see their bodies.
      • Closer shots of Takiguchi and Hatagami's corpses
      • An additional shot of Nanahara weeping at the top of the lighthouse
      • Additional shots of postcards from Mimura's uncle
      • Kitano shutting down power to the computers and ordering the soldiers to reboot after the Third Man attack
      • A scene with Mitsuko as a 9-year-old coming home to find a pedophile in her house.
      • An additional shot of Mimura triggering the explosives on the truck
      • Requiems that show the real flashbacks, and we hear the dialog during Noriko's dream.
    • Conexões
      Featured in Japanorama: Episode #1.2 (2002)
    • Trilhas sonoras
      Shizuka na hibi no kaidan wo
      (Stairway of Quiet Everyday Life)

      Performed by Dragon Ash

      Courtesy of Victor Entertainment, Inc.

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    Perguntas frequentes21

    • How long is Battle Royale?Fornecido pela Alexa
    • who is the the child that appears at the beginning of film is she connected to the story?
    • What is the relevance of the girl seen at the beginning of the film?
    • Is the Battle Royale supposed to symbolise anything or is it just a gore-fest?

    Detalhes

    Editar
    • Data de lançamento
      • 18 de maio de 2001 (Brasil)
    • País de origem
      • Japão
    • Idiomas
      • Japonês
      • Inglês
    • Também conhecido como
      • Juego Sangriento
    • Locações de filme
      • Hachijo Island, Tóquio, Japão
    • Empresas de produção
      • Toho
      • AM Associates
      • Fukasaku-gumi
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 4.500.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 1.347.166
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 54 min(114 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital

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