Retratos de uma Obsessão

One Hour Photo is a film of supreme caliber. The film is powered by the haunting, chilling, silencing, and above all-genius performance by Robin Williams. But the rather extraordinary thing is that it is not Robin Williams on the screen, it's Sy Parish (the character's name). Robin Williams fades away from our senses and slips into the ever so sweet and innocent yet psychotic role of a supermarket's photo developer. The films script is only accented by Williams, at times, restrained performance. Williams ignites on the screen and burns till the last frame, and you are unable to take your eyes off him. As I mentioned the film is subliminily written as well as directed. Though being Romanek's first, I certainly don't think this is a bad start. Romanek's direction adds to the on-going tension throughout the film. More affecting is Williams' delightful calmness. Trying to hold himself in becomes more troublesome for both Williams and his character as the story develops. Yet through the calm eyes of an innocent blaze the fires of hatred and intensity, which could very well sum up Williams' performance. The film does have some disturbing images as well. Yet they are not really strong enough for you to get up from your seat and leave yet rather the opposite. Williams' contribution as well as guidance towards the actions and scenes of peril compell as well as amaze you towards both the performance and film itself. Williams' shocking contribution to the screen is enough to make you cry, scream, and yell in your seat. Because the origins of the character are bittersweet just like own known Williams, leads to a crazed and psychotic breakdown. It's as if watching our own funny and beloved Robin fail us. Though the truth could not be any further, Williams but succeeds in the art of acting, creating an achievement in the field. Creating a landmark. Writing his/its own chapter. I guarantee that this film will be required study material in acting classes for now on. In conclusion: definitely one of the best of 2002.

A realistic portrayal of loneliness and the effect it can have on a person. Robin Williams is outstanding here and carrys the film. An expertly crafted drama that will send shivers down your spine.

A photo-processing man Seymour "Sy" Parrish (Robin Williams), becomes obsessed with a seemingly perfect family--the Yorkins. He's developed their photos for years and thinks he knows all about them. When he notices something is wrong however, he goes out of his way to correct it.

This is an OK movie with a great performance. The story is interesting, but we know next to nothing about the Yorkins--they're given very little depth. So when things go crazy at the end, you feel nothing. Also Connie Nielsen and Michael Vartan come across with no personality--it's not their fault--the script is against them. Also the movie gets very unpleasant at the end.

But it, more or less, works because of Willaims--he's just great as Sy...charming and creepy at the same time...he's just fantastic. Also the young son of the Yorkins played by Dylan Smith is very good...he acts just like a 9 year old should.

So it's somewhat worth seeing but no great shakes--except for Williams.

well it was a pleasant surprise to see williams in this type of role and succeeding. although he played the very questionable (and dodgy) killer in insomnia, his role in one hour photo was very near perfect in this minor gem of a film. granted williams has been actively pursuing these alternative roles of late and yes it could be construed as being a cynical move on his behalf, however this does not detract from the fact that his role in photo was scarily on the mark.

the directors (romanek) flair for colour synchronicity and immaculate art direction does not stray far from his beginnings as a music video director, however it is this attention to detail and precision that accentuates williams when he chooses to lose the plot. a memorable scene in the film of william's characters eyes squirting blood is in stark contrast to the ordered white formica and polished chrome surfaces that intimate to the spectator a feeling of staring intently at snapshots of a desperate man's life.

if this film was to have any criticism is in the roles of the supporting actors. they are hardly fleshed out and as a spectator i felt that at times i was watching the robin william's rebirth show, however this is a minor point. if i were to mark this out of 10 i would give it a strong 8.

A seemingly innocuous man's descent into madness, and its effect on a family, gives One Hour Photo an advantage over most attempts at psychological thrillers. As with most movies, even critical darlings by the master himself, Mr. Hitchcock, there are questionable plot contrivences and scenes where reality has to be suspended, but these annoyances did not interfere with the total enjoyment of the movie. Williams was eerily brilliant as "Sy, The Photo Guy", and was able to travel between chillingly detached and forcefully angry with ease. The brilliant use of stark colors fleshed out the film, and those that garner enjoyment from the sets and cinematography, as well as the dialogue, will be pleased. This is a film for those that enjoy the total movie experience, and those that appreciate an intensity in their psychological thrillers will not be disappointed. After viewing this film, the question now becomes who gets the Oscar, Williams for One Hour Photo, or Pacino for Insomnia ?