Um Casamento à Indiana

I really liked this film. As the movie progressed I quickly formed a bond with the characters and felt they were all my close friends and I was somehow involved in the story. I truly got caught up in the emotion and the evolution of the story and frequently laughed and cried. Although the wedding was the climax of the film, it was not what the film is about. The colors were exquisite, the music and dancing delightful and the people gorgeous. The acting was superb. If there was anything negative to say, I did have some trouble understanding some of the dialogue because of the accents and fast talking. But I intend to see it several times more. Thanks for a great film.

I just finished watching this beautiful film for the third time. The first time I saw it, I really liked it. The second time I got more out of it and I liked it even more. I just finished watching it with the director's commentary and I can honestly say I had no idea how good this film actually was! It was shot entirely on location, in just 30 days on a very low budget with a cast of 68 and only a handful of them were real actors! (A great deal of actors who were originally cast in this movie pulled out at the last minute or didn't even bother to show up) I guess that is the beauty of this movie though. Nair wanted to capture the essence of the Punjabi people in a true setting. She didn't want to go for the big elaborate sets where people spontaneously break out into a big song and dance number like you see in a lot of Bollywood movies. Nair wanted her characters to start singing because that is what they do. One of her comments compared Indians to the Irish as two cultures who love to use song. Throughout the whole movie, you get such a feeling of reality as if you are a voyeur who is really looking into these people's lives. They are lying naked and vulnerable before us. The character of Alice really stood out for me. Tilotama Shome's talent radiated from her and I found myself wondering what other films she had done. In Nair's commentary, the answer was revealed: ZERO. Shome was an English Literature student in Delhi University. The scene wear Alice is pretending to be a bride (like a child playing dress up) is so simple yet so powerful and beautiful. I have a few reviews stating that Tilotama was miscast as the maid. That she was to "elegant" and self aware to play such a character, however, that is exactly what Nair wanted in the character of Alice. Nair wanted to make a statement about people. Our beauty and presence comes from within our soul, not from our lot in life. Tilotama Shome can have a brilliant career ahead of her if she wants it. It is also worthwile to mention two more exceptionally powerful performances by Vijay Raaz (who was a struggling actor before this movie) as Dubey (Alice's love interest) and Shefali Shetty, as Ria (who has a dark secret that can ruin the binds of family) These three performances were outstanding, but the entire cast was incredible. This movie is definitely worth seeing, but I really have to recommend you watch it like I did - more than once. It really is worth it.

It's surprising how often the ratings belie the movie or vice versa. This movie is an entertaining collection of love stories which deftly cuts across so many barriers,whether they be cultural, social, class or religion. It is funny in a very real and potent way and the character development has been executed to great details in an effortless fashion. That probably is one of the hallmarks of a really gifted director.

The story revolves around the preparations of an Indian arranged marriage. The main characters are the bride,her father and a marriage arrangement contractor. All dealing with their own constraints and still trying to give their hopes wings. What is remarkable is that this movie has characters who show courage when they have a lot to lose and win higher rewards like love,trust and self-respect in the process.

Kudos to the Monsoon wedding team!

I was skeptical at first about seeing this movie. I'm not into Bollywood movies at all. I saw this film with a high school senior class in Newark, New Jersey and they were captivated by the film as well as myself. Mira Nair is becoming one of the world's best known film directors as I write this review with Namesake on it's way to release. The characters were fully fleshed out rather than just caricatures. Who didn't love the wedding planner who curses like a sailor and the servant who succumbed to his charm and spell? Who didn't love the actual couple based on arrangement between families? The bride has a secret that could have destroyed or stopped the marriage. My sister's friend is probably going to be married in New Delhi herself. I wonder how similar and different the wedding and reception will be. From what I know about Indian weddings, I can invite you which means you, your family, friends, and neighbors. They appear to have a really good time at weddings in India. There was a serious topic that could have dampened or ruined the movie but it was well-orchestrated by the director.

In Delhi, the wealthy father of the bride (Lalit, played by N. Shah) prepares an elaborate wedding. We meet his extended family, arriving from as far as America for the wedding, beginning with a formal engagement party 4 days before. Several subplots are followed: Additi, the bride, has chosen an arranged marriage instead of waiting for her married lover to leave his wife. Ria, her cousin, has never married and is being pestered by all concerned. We learn that Ria's father, Lalit's big brother, has passed away and so Lalit is her father-figure as well. Dubey, the wedding organizer, becomes smitten with Alice, Lalit's maid. As the days pass, family joys and family secrets are revealed.

I cannot praise this movie enough. First of all, kudos to N. Shah for a sensitive, complex portrayal that never, for a moment, feels like acting. Without hand-held camera pretensions, Monsoon Wedding nonetheless feels more like meeting a family at a big affair than watching a movie. It is real and intimate, yet magical. All the performances are good; Rajat Kapoor as an uncle with a secret is particularly powerful, and bears a striking resemblance to a younger Donald Sutherland.

We see Indian society as India sees it. My coworker, Sreeman, tells me that everyone attends neighborhood weddings; that an average wedding has 800–900 guests, and his had 1200. Traditionalism matters, but modernity matters as well. At one point, Lalit and Dubey argue over the wedding tent; should it be white, the modern (Western) way, or should it be colorful? Lalit demands color and Dubey orders "the old kind." The struggle between modern and traditional ways is one of the primary undercurrents of the film, embodied by Additi's choice, in fact, we meet her married lover as the host of a TV talk show discussing traditional versus modern ways.

Another undercurrent is finding love, impediments to love, and choices about love. Additi, Dubey, Ria, and another cousin, Rahul, all have barriers to overcome before they have a chance at happiness.

But the main theme is family, and this huge, chaotic family is a wonder to behold. You can't always tell who's related to whom, but you get the sense that they can't either, and coming from a large, extended family myself, I know that's how it is. Family is everything to Lalit, yet he communicates harshly with a son he doesn't understand, and calls nephew Rahul "idiot." Yet his love and devotion are clear, and he is the real hero of this film, coming through for everyone and stretching himself to the limit.