Adicionar um enredo no seu idiomaA Millennium update of the popular British soap opera 'Crossroads' which originally ran from 1964 to 1988. The motel is now a hotel and a brand new cast are in residence.A Millennium update of the popular British soap opera 'Crossroads' which originally ran from 1964 to 1988. The motel is now a hotel and a brand new cast are in residence.A Millennium update of the popular British soap opera 'Crossroads' which originally ran from 1964 to 1988. The motel is now a hotel and a brand new cast are in residence.
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As a soap-a-holic, I was pleased to hear that "Crossroads" was making a comeback, as I was only three years old when the show was cancelled, and therefore never saw it.
Alas, I was rather dissapointed with what I found. Crossroads Motel had been demolished and replaced with a Crossroads four star hotel. Some of the acting from the new actors is terrible, the script is dier at times, and what seems like the beginning of an ongoing storyline is over by the commerical break.
But perhaps the biggest mistake of all was killing of Jane Rossington as Jill Harvey. Jane was the best of the three original cast members that had returned to the show. The writers killed her off because the ratings weren't high enough.
If that were the case, then surely the most sensible thing to do would have been to pull the plug on the whole show, and not the best character.
I'm not too surprised. Even at the age of 15, I have noticed a severe landslide in the quality of British TV. The overall quality of British soaps has plummetted, making most of British TV cheesy, boring and unrealistic.
Take the conversations held by some of the teens in Crossroads - nobody talks like that!!!!
5 out of 10.
Alas, I was rather dissapointed with what I found. Crossroads Motel had been demolished and replaced with a Crossroads four star hotel. Some of the acting from the new actors is terrible, the script is dier at times, and what seems like the beginning of an ongoing storyline is over by the commerical break.
But perhaps the biggest mistake of all was killing of Jane Rossington as Jill Harvey. Jane was the best of the three original cast members that had returned to the show. The writers killed her off because the ratings weren't high enough.
If that were the case, then surely the most sensible thing to do would have been to pull the plug on the whole show, and not the best character.
I'm not too surprised. Even at the age of 15, I have noticed a severe landslide in the quality of British TV. The overall quality of British soaps has plummetted, making most of British TV cheesy, boring and unrealistic.
Take the conversations held by some of the teens in Crossroads - nobody talks like that!!!!
5 out of 10.
'Crossroads' disappeared from ITV1 in mid 2002, and we were assured that the show hadn't been axed..... sure enough on the 13th of January, 2003 it returned, sporting a mostly new cast and a new look.
Any attempt at realism has been thrown out the window, as the show's new Producer Yvon Grace has decided to go for glamour over realism. I have to say, it's so awful that it's actually unmissable - it's almost American in it's sheer awfulness. The new cast are uniformly hopeless, and it's only the old hands from the 2001 revival that seem to know what they're supposed to be doing. Jane Asher is simply terrible as Angel Samson, Emma Noble (the daughter in law of the former British PM John Major) is even worse. She had one line in the first episode of the new run, and couldn't even make 'Good morning' sound convincing.. Anne Charleson (Madge from 'Neighbours') has been thrown in for good measure, and she's actually quite good.
The story picks up a year after where we last left the show, so I assume that Phil Berry is in the slammer. Anyway, the hotel has changed hands yet again, and been given a horrendous new look more in keeping with Caesar's Palace in Las Vegas than any British hotel I've ever seen. The first episode had all the soap necessities - murder, an astonishing amount of adultery, some of which was mingled with the murder, a party and a twin shagging his twins wife in a train toilet (obviously he found out who she was at the end of the episode). All in all, I'd say that 'Crossroads' now has everything it needs to be a moderate teatime success for ITV1 - sex, glamour, pretty men, pretty women (and no Doris Luke!!!) and it's been moved from 5.30pm to 5.00pm and is no longer going to get hammered in the ratings by 'Neighbours' on BBC1.
I think I'll keep watching as it's simply so awful that it's completely unmissable.... it has the same 'train wreck' effect as American soaps like 'Sunset Beach', 'Days of Our Lives' and 'The Bold and The Beautiful', and is infinitely more interesting than the bland post millenial attempt that was foisted upon us in 2001.
*** out of *****
Any attempt at realism has been thrown out the window, as the show's new Producer Yvon Grace has decided to go for glamour over realism. I have to say, it's so awful that it's actually unmissable - it's almost American in it's sheer awfulness. The new cast are uniformly hopeless, and it's only the old hands from the 2001 revival that seem to know what they're supposed to be doing. Jane Asher is simply terrible as Angel Samson, Emma Noble (the daughter in law of the former British PM John Major) is even worse. She had one line in the first episode of the new run, and couldn't even make 'Good morning' sound convincing.. Anne Charleson (Madge from 'Neighbours') has been thrown in for good measure, and she's actually quite good.
The story picks up a year after where we last left the show, so I assume that Phil Berry is in the slammer. Anyway, the hotel has changed hands yet again, and been given a horrendous new look more in keeping with Caesar's Palace in Las Vegas than any British hotel I've ever seen. The first episode had all the soap necessities - murder, an astonishing amount of adultery, some of which was mingled with the murder, a party and a twin shagging his twins wife in a train toilet (obviously he found out who she was at the end of the episode). All in all, I'd say that 'Crossroads' now has everything it needs to be a moderate teatime success for ITV1 - sex, glamour, pretty men, pretty women (and no Doris Luke!!!) and it's been moved from 5.30pm to 5.00pm and is no longer going to get hammered in the ratings by 'Neighbours' on BBC1.
I think I'll keep watching as it's simply so awful that it's completely unmissable.... it has the same 'train wreck' effect as American soaps like 'Sunset Beach', 'Days of Our Lives' and 'The Bold and The Beautiful', and is infinitely more interesting than the bland post millenial attempt that was foisted upon us in 2001.
*** out of *****
A lot of the UK press are really criticising Crossroads at the moment but that's just because of the stigma it has from the old series. The new version really is a classy soap. Sure it's plots are totally unbelievable (like the current 2 Sarah-Jane's plot) but thats what makes it so good.
It's a world away from the likes of Eastenders and Coronation Street and all the better for it. Sure some of the younger actors leave a lot to be desired in terms of talent but characters like Billy, Kate Russell, Doris and Patrick Russell are brilliantly played.
All Crossroads needs is a few of the creases ironing out and it could easily go up against the likes of Brookside and Emmerdale.
Please Carlton, have some confidence. Don't axe Crossroads!!!
It's a world away from the likes of Eastenders and Coronation Street and all the better for it. Sure some of the younger actors leave a lot to be desired in terms of talent but characters like Billy, Kate Russell, Doris and Patrick Russell are brilliantly played.
All Crossroads needs is a few of the creases ironing out and it could easily go up against the likes of Brookside and Emmerdale.
Please Carlton, have some confidence. Don't axe Crossroads!!!
This had potential. A soap opera set in a hotel could've been good if the producers and writers and cast actually made the effort.
I was disappointed. But I liked the plot line in the 2001-2002 version involving Jake Booth emotionally abusing Tracey Booth, his wife, and Tracey turning into an alcoholic. I loved this plot line and I felt very sorry for Tracey Booth and the way she was being abused by Jake.
I hated having to watch Miss goody-two shoes Nicola Russel get her top GCSE grades though. The plot line was dull, stupid, boring, irrelevant, and ultimately insulting to those who got bad examination results like me. I felt that this plot line took the biscuit out of those students who may've done badly in the year 2001, I did badly and felt like this plot was rubbing my nose in my failures, if that makes sense.
Most of the plot lines were dull, the ending was just pure stupid. I liked Cindy Marshall-Day's performance and Colin Wells was great. But they were the only decent two cast members.
The Samson's were horrible. They should've had more violence, lies, deceit, and betrayals, then the soap could've been much better.
If they try it again, it needs big reforms if it is to have a fighting chance of succeeding.
I was disappointed. But I liked the plot line in the 2001-2002 version involving Jake Booth emotionally abusing Tracey Booth, his wife, and Tracey turning into an alcoholic. I loved this plot line and I felt very sorry for Tracey Booth and the way she was being abused by Jake.
I hated having to watch Miss goody-two shoes Nicola Russel get her top GCSE grades though. The plot line was dull, stupid, boring, irrelevant, and ultimately insulting to those who got bad examination results like me. I felt that this plot line took the biscuit out of those students who may've done badly in the year 2001, I did badly and felt like this plot was rubbing my nose in my failures, if that makes sense.
Most of the plot lines were dull, the ending was just pure stupid. I liked Cindy Marshall-Day's performance and Colin Wells was great. But they were the only decent two cast members.
The Samson's were horrible. They should've had more violence, lies, deceit, and betrayals, then the soap could've been much better.
If they try it again, it needs big reforms if it is to have a fighting chance of succeeding.
Crossroads dared to be different. Whereas the 2001/2002 series was pretty standard fare the 2003 series was fantastically daft and surreal. Where else would you get character names such as "Angel Samson" and "Valentine Startwood"?
Crossroads was a welcome break from the normality of British soaps. It had glamour, sex, singing and the wonderfully sinister Ethan Black all at tea time. No main character was killed off (the exceptions being three guest stars) and near the end the characters were really starting to become developed.
A soap cannot be judged on 8 weeks like Crossroads was. People say that the 2003 series was it's final chance but it was a totally different kettle of fish to the old Crossroads and shouldn't have been seen as the same.
The ending however was fantastic. There were so many digs at ITV and the cast sent themselves up wonderfully. Oona and Dave as the owners of "Stocks Superstore" is the funniest thing I've seen this year.
Crossroads shall be missed by all that wanted escapism from the monotony of normal soaps.
Crossroads was a welcome break from the normality of British soaps. It had glamour, sex, singing and the wonderfully sinister Ethan Black all at tea time. No main character was killed off (the exceptions being three guest stars) and near the end the characters were really starting to become developed.
A soap cannot be judged on 8 weeks like Crossroads was. People say that the 2003 series was it's final chance but it was a totally different kettle of fish to the old Crossroads and shouldn't have been seen as the same.
The ending however was fantastic. There were so many digs at ITV and the cast sent themselves up wonderfully. Oona and Dave as the owners of "Stocks Superstore" is the funniest thing I've seen this year.
Crossroads shall be missed by all that wanted escapism from the monotony of normal soaps.
Você sabia?
- CuriosidadesStephanie Beacham turned down the part of Angel Sansom.
- Erros de gravaçãoWhen Patrick Russell points out to wife Kate that "he [Adam Chance] did used to run this hotel", Kate angrily replies "No, not this hotel - a MOTEL on this site". However, Crossroads had been extensively redeveloped after a 1981 fire, and was ultimately rebranded as a hotel in 1987 whilst Adam was still management.
- ConexõesFollows Crossroads (1964)
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