Monarch

If anyone knows how to make films about kings and queens, it the British. I wasn't wrote sure what to expect from this tale as I knew the story of Henry VIII and had read that this version had been lost for some time. It appears the camera negative was misplaced and now it has been found. This is all to the betterment of the film and the film maker, who in the DVD extras explains what happened.

The story of an abandoned manor house where an injured Henry comes to seek refuge was no doubt one that was convenient for a film maker looking for an economic way to tell his tale. Once the film is underway you feel a real sense of damp presence and foreboding haunting. The mix of performances (with TP McKenna coming out clearly on top) makes this an unusual experiences but one that I can recommend. A change from the usual costume fare, this is one to be watched with the drapes closed and the doors firmly locked!!

Monarch is an impressive debut for documentary director John Walsh. At first appearance this looks like a run of the mill costume drama, but the sparse location careful lighting and efficient use of money and sound effects brings an eerie quality to a film, which although shot on a low budget, does not fall into the trap many of Walsh's peers appear to have in recent years. Brit gangster flicks are almost a prerequisite for a British directorial debut these days. Opting for this historical retelling of one night in the life of Henry VIII shortly before his death John Walsh has managed to convey a grand story of a dying King in an intimate and poignant way, with a few chills along the way.

Much of the sparseness can be attributed to the low budget yet this simply adds to the tension and feeling of emptiness in a Monarch who as lived with excess. Lighting and music are both careful and complex. The camera is confident a brave in many sequences allowing the story to unfold rather than driving the camera and Walsh avoids the hand-held horror of most first time feature directors, opting for a more considered and Kubrick like composition of each shot.

Lighting by ex-Kubrick alumni Ray Andrew (camera operator on The Shinning) heightens the sense of a dark, damp historical past. You can almost smell the damp, yet the lighting and careful flesh tones and Walsh's composition is reminiscent of painter Caravaggio.

The support players are good here too, feeling as through they have been at the court of Henry for some years are themselves ready to give up the ghost. Female cheaters are sparse here but their impact is powerful. Jean March from "Willow" and "Upstairs, Downstairs" impresses as a ghostly amalgam of Henry's past wives. Walsh has brought new life to an up to now, well trodden piece of English history.

The plot is simple yet effective. A grand house closed for the season when one night the injured ruler is brought in and slumps by the grand fireplace. Henry is without the power and control of his palace and is vulnerable from those around him, and from his own sanity.

TP McKenna towers as Henry VIII with on screen chemistry of the Jean Marsh putting a chill down the spine of most viewers. It is somewhat of a shame that little gems like this are not given a wider viewing. I look forward to what John Walsh can next offer up.

This is masterful filmmaking by director John Walsh. It's beautifully shot, wonderfully acted and built around a moment of suspense Hitchcock would have been proud of. But Walsh's greatest masterstroke is his choice of subject matter. On the surface, King Henry VIII seems like a gossipy story that has been the most retold one of the 20th Century.

But as the drama ­develops, the enormity of the ­situation hits you. The monarch had long ceased to wield political power, there was something very shaky about the monarchy. In this stylish film, King Henry VIII (TP McKenna) is an arrogant and dangerous but also vulnerable and susceptible to the tricks played by his own mind. Thanks in part to the ghost Queens played by Jean Marsh.

This is on a very small intimate scale, but the claustrophobic sets, haunting music and refined direction make this one of the most tense costume dramas I have seen.

Henry VIII is arguably the most interesting monarch of all time, it's fair to say he had a colourful existence. Monarch mixes up real life events with fiction, and delivers a totally intriguing watch.

It's one of those films I didn't like initially, and I almost switched it off, I found some of the production a little cheap looking, and found the house way too modern for the period. However, those minor flaws quickly passed when TP McKenna began his performance as The aged King.

There isn't often a lot of focus during the end of the King's reign, by now he would have been incredibly sick, and in very poor health. I love how this characterisation battles his demons, having to answer to one Queen, a combination of all six wives. Jean Marsh was fabulous.

Lavish costumes, and sets, which although sparse seem to work. You can see there wasn't an enormous budget to hand, but I felt the director did an excellent job.

Thoroughly enjoyable. 7/10

I'm surprised none of the other reviews here so far have spotted that this film is a bit of a Doctor Who-fest. An average film might have 50 or so in it's cast and if there was an odd actor who appeared in from the 50 year old sci-fi series, it would not be too much of a surprise. What is startling here is we have a cast of about eight leading players and half of them have been in Doctor Who.

Peter Miles played the evil Nyder in Genesis of the Daleks and appeared in the Dinosaur Invasion of Earth, plus a few others. James Coombes was a Cyberman and Jean Marsh (who plays a ghostly Queen here) was in her evil witch persona for the Sylvester McCoy epic Battlefield. Plus she was also an early Who girl and married Jon Pertwee. Lastly the Monarch form this film's title, the great and sadly late, TP McKenna joined the seventh Doctor for The Greatest Show In The Galaxy.

Has this film been given a spit and polish form the vast film archives of the British Cinema vaults to coincide with the 50th Anniversary hoopla? Either way it's a welcome addition. And having seen John Walsh's furiously funny ToryBoy The Movie in cinemas, I am a fan pure and simple. He gets my vote every time :)