Um agente do FBI persegue Frank Abagnale, que antes de seus 19 anos consegue ganhar milhões de dólares fingindo ser um piloto, um médico e um advogado.Um agente do FBI persegue Frank Abagnale, que antes de seus 19 anos consegue ganhar milhões de dólares fingindo ser um piloto, um médico e um advogado.Um agente do FBI persegue Frank Abagnale, que antes de seus 19 anos consegue ganhar milhões de dólares fingindo ser um piloto, um médico e um advogado.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 16 vitórias e 46 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'Catch Me If You Can' highlights Steven Spielberg's adept direction and storytelling, effectively blending suspense with humor. The cat-and-mouse chase between Frank Abagnale Jr. and FBI agent Carl Hanratty is well-executed, with dynamic cinematography and immersive period detail. However, some critics find the film's length and certain plot elements exaggerated, impacting believability. Despite this, it is generally regarded as an entertaining, well-crafted piece showcasing Spielberg's narrative skill.
Avaliações em destaque
One thing is for sure, Steven Spielberg has an amazing range.
He made this engaging movie in a five-year period that included "A.I. Artificial Intelligence", "Minority Report", "The Terminal", "War of the Worlds" and "Munich".
Set in the early 60's, the movie tells the story of Frank Abignale (Leo DiCaprio) and how he impersonated an airline pilot, a secret agent, a doctor and finally a county prosecutor before he was 21-years old. Unfortunately, he also made a lot of money passing bad cheques. This brought him to the attention of Carl Hanratty (Tom Hanks), an FBI bank fraud agent who pursues him relentlessly across the United States and finally to France.
The pursuit becomes a personal contest between them, and although a rapport develops, it is still a high stakes game. However, the film has a surprising outcome; the perfect close to a movie that is enjoyable on many levels.
It's a long movie but it doesn't outstay its welcome, Spielberg gives the movie a light touch, and demonstrates a genuine sense of comic timing comparable to a John Hughes, a Frank Oz or maybe even a Preston Sturges.
Although not necessarily a comedy, the film is studded with genuinely funny moments, much of it generated by Frank's sheer audacity. There are a number of scenes where Spielberg holds back the punchline, we can fill it in for ourselves such as Frank's knock knock joke or when Jennifer Garner as the high class call girl gives Frank $400 in change when he signs over his homemade pay cheque to her - we know something she doesn't.
Between them, DiCaprio, Hanks and Spielberg make every bit of business work without losing sight of the story, which promises inevitable tragedy for Frank.
There is a serious side to the story. It tells how Frank is at first dislocated by his parent's financial troubles and then shattered by their breakup. He is also affected by the behaviour of his father, Frank Abagnale, Snr, (Christopher Walken) who seems to believe that image is more important than reality. These forces conspire to push Frank into pretending he is something he isn't.
The film also reflects a more naive time as far as security at airports and banks is concerned, Frank capitalises on people's innate respect for professions and institutions, but his actions hurt people, not least himself.
Of course today, Frank would probably have to perpetuate his scams online, but the anonymity of the Internet doesn't require the amount of chutzpah that Frank shows as he stands at the counter in his pilot's uniform to cash his rubbery cheques, or "concurs" with his fellow physicians when posing as the head of emergency at a hospital. It's that element of daring that makes Frank's crimes entertaining rather than despicable.
I have seen this film quite a few times, and like the best movies, the reunion is always rewarding.
He made this engaging movie in a five-year period that included "A.I. Artificial Intelligence", "Minority Report", "The Terminal", "War of the Worlds" and "Munich".
Set in the early 60's, the movie tells the story of Frank Abignale (Leo DiCaprio) and how he impersonated an airline pilot, a secret agent, a doctor and finally a county prosecutor before he was 21-years old. Unfortunately, he also made a lot of money passing bad cheques. This brought him to the attention of Carl Hanratty (Tom Hanks), an FBI bank fraud agent who pursues him relentlessly across the United States and finally to France.
The pursuit becomes a personal contest between them, and although a rapport develops, it is still a high stakes game. However, the film has a surprising outcome; the perfect close to a movie that is enjoyable on many levels.
It's a long movie but it doesn't outstay its welcome, Spielberg gives the movie a light touch, and demonstrates a genuine sense of comic timing comparable to a John Hughes, a Frank Oz or maybe even a Preston Sturges.
Although not necessarily a comedy, the film is studded with genuinely funny moments, much of it generated by Frank's sheer audacity. There are a number of scenes where Spielberg holds back the punchline, we can fill it in for ourselves such as Frank's knock knock joke or when Jennifer Garner as the high class call girl gives Frank $400 in change when he signs over his homemade pay cheque to her - we know something she doesn't.
Between them, DiCaprio, Hanks and Spielberg make every bit of business work without losing sight of the story, which promises inevitable tragedy for Frank.
There is a serious side to the story. It tells how Frank is at first dislocated by his parent's financial troubles and then shattered by their breakup. He is also affected by the behaviour of his father, Frank Abagnale, Snr, (Christopher Walken) who seems to believe that image is more important than reality. These forces conspire to push Frank into pretending he is something he isn't.
The film also reflects a more naive time as far as security at airports and banks is concerned, Frank capitalises on people's innate respect for professions and institutions, but his actions hurt people, not least himself.
Of course today, Frank would probably have to perpetuate his scams online, but the anonymity of the Internet doesn't require the amount of chutzpah that Frank shows as he stands at the counter in his pilot's uniform to cash his rubbery cheques, or "concurs" with his fellow physicians when posing as the head of emergency at a hospital. It's that element of daring that makes Frank's crimes entertaining rather than despicable.
I have seen this film quite a few times, and like the best movies, the reunion is always rewarding.
What a terrific piece of film-making! From the charming animated title sequence (featuring John Williams's delightfully sneaky score) to the end, this is an enormously entertaining film from the gifted craftsman, Steven Spielberg, who is so damn good people take him for granted or resent his "manipulation," i.e. his seemingly effortless ability to create effective drama.
Leonardo DiCaprio (in his best performance that I've seen) stars as Frank Abagnale, Jr., a real-life teen-aged con man so spectacularly gifted that he was able to steal millions from various companies with forged checks, while successfully impersonating an airline pilot, a doctor and a lawyer, among other guises. He is chased by a rigidly rule-bound F.B.I. agent, Carl Hanratty (Tom Hanks), who is at first comically out-classed by the young improvising criminal genius; but the agent is steadfast and relentless and has the law on his side. The movie is filled with delightful supporting performances, starting with Hanks and continuing on with Nathalie Baye as the boy's selfish mother, Amy Adams as his immature fiancée and on down to the tiniest role. I'm especially grateful for the sympathetic part given to Christopher Walken, as the mischievous and spirited Abagnale Sr., whose life darkens as his fortunes fall. Walken is one of my favorite actors, but while I enjoy the occasional one-dimensional freak or villain he plays, I wish most of his parts were like this.
Spielberg's movie is rich with fascinating details and memorable incidents, while the script by Jeff Nathanson moves backward and forward in time to tell the story in the most engrossing way possible. This is top-notch entertainment.
Leonardo DiCaprio (in his best performance that I've seen) stars as Frank Abagnale, Jr., a real-life teen-aged con man so spectacularly gifted that he was able to steal millions from various companies with forged checks, while successfully impersonating an airline pilot, a doctor and a lawyer, among other guises. He is chased by a rigidly rule-bound F.B.I. agent, Carl Hanratty (Tom Hanks), who is at first comically out-classed by the young improvising criminal genius; but the agent is steadfast and relentless and has the law on his side. The movie is filled with delightful supporting performances, starting with Hanks and continuing on with Nathalie Baye as the boy's selfish mother, Amy Adams as his immature fiancée and on down to the tiniest role. I'm especially grateful for the sympathetic part given to Christopher Walken, as the mischievous and spirited Abagnale Sr., whose life darkens as his fortunes fall. Walken is one of my favorite actors, but while I enjoy the occasional one-dimensional freak or villain he plays, I wish most of his parts were like this.
Spielberg's movie is rich with fascinating details and memorable incidents, while the script by Jeff Nathanson moves backward and forward in time to tell the story in the most engrossing way possible. This is top-notch entertainment.
I Don't know how accurate these events are but as they are based on accounts written by Frank Abagale Jr. himself, then i assume that they are probably only dramatised for the viewing audience.
It's hard to believe that people were so naive, that they allowed Frank Abagnale to achieve what he did, but i have give the guy credit for pushing the system, and riding the high life for as long as he did.
Leonardo DiCaprio does a great job of capturing the character of Frank Abignale Jr. (strange i didn't picture him in the role of a jet setting Gigalo) and the rest of the cast although only little more than fringe characters, are all very well cast and give typically fine performances, as you would expect with the calibre of Hanks and Walken.
All in all this is a fine film, that most people will enjoy watching 8/10
It's hard to believe that people were so naive, that they allowed Frank Abagnale to achieve what he did, but i have give the guy credit for pushing the system, and riding the high life for as long as he did.
Leonardo DiCaprio does a great job of capturing the character of Frank Abignale Jr. (strange i didn't picture him in the role of a jet setting Gigalo) and the rest of the cast although only little more than fringe characters, are all very well cast and give typically fine performances, as you would expect with the calibre of Hanks and Walken.
All in all this is a fine film, that most people will enjoy watching 8/10
When his parents file for divorce and he has to chose between them for custody, Frank Abagnale Jnr runs away from home. He begins to con his way around - getting better and better at it with each ruse. Posing as a pilot, a lawyer and a doctor he earns his money from cashing forged cheques. As the numbers go up, FBI agent Carl Hanratty starts tracking him in a game of cat and mouse.
Based on a true story, although it doesn't rely on `and it really happened' to be a good film - although that this guy could even do half of this stuff is impressive, this film is a slick bit of entertainment even if it left me feeling a little bit like it was too much presentation. The plot starts at the end and jumps back to see the whys and the hows of the tale. It is told with a slick energy that keeps the story moving and never really lingers on any scene longer than it has to. It is for this reason that the two hours goes by relatively quickly.
The presentation is good. Williams' score is not as memorable as his usual work but it is what the film needs it to be - unobtrusive and slick. Just like the opening credits, this film is very much a chase movie with a nice sense of period. The only downside of this slickness is that it feels like eating a sweet - it is very nice while it lasts but it doesn't fill you up. I enjoyed the film but it did leave me wondering what else there was; even if I did still have a sugary taste in my mouth. But to be fair - this is a minor compliant as the film didn't set out to be some massive thought provoking film; it was a chase movie and it was a very stylish and enjoyable one at that.
The cast is good even if they aren't all used well. If anyone can tell me why Jennifer Garner even bothered to show up I'll be happy to listen. DiCaprio is very good. I'm not a massive fan of his but he was engaging here and looked about the right age to play the part - sort of between man and boy. Hanks does good work in support. Because his character is quite drab it is easy to forget him but I really enjoyed him and thought he brought more to the film than DiCaprio. Walken is good in support and Sheen adds another famous name to the end credits but it is very much a two hander with Hanks and DiCaprio more than able.
Overall this film is a slick, stylish chase movie which should be enjoyed as such and is slightly more enjoyable for being a true story. If anything it is a little too slick for it's own good, but that is a petty complaint to make against a film that kept me pleasingly entertained for the past two hours!
Based on a true story, although it doesn't rely on `and it really happened' to be a good film - although that this guy could even do half of this stuff is impressive, this film is a slick bit of entertainment even if it left me feeling a little bit like it was too much presentation. The plot starts at the end and jumps back to see the whys and the hows of the tale. It is told with a slick energy that keeps the story moving and never really lingers on any scene longer than it has to. It is for this reason that the two hours goes by relatively quickly.
The presentation is good. Williams' score is not as memorable as his usual work but it is what the film needs it to be - unobtrusive and slick. Just like the opening credits, this film is very much a chase movie with a nice sense of period. The only downside of this slickness is that it feels like eating a sweet - it is very nice while it lasts but it doesn't fill you up. I enjoyed the film but it did leave me wondering what else there was; even if I did still have a sugary taste in my mouth. But to be fair - this is a minor compliant as the film didn't set out to be some massive thought provoking film; it was a chase movie and it was a very stylish and enjoyable one at that.
The cast is good even if they aren't all used well. If anyone can tell me why Jennifer Garner even bothered to show up I'll be happy to listen. DiCaprio is very good. I'm not a massive fan of his but he was engaging here and looked about the right age to play the part - sort of between man and boy. Hanks does good work in support. Because his character is quite drab it is easy to forget him but I really enjoyed him and thought he brought more to the film than DiCaprio. Walken is good in support and Sheen adds another famous name to the end credits but it is very much a two hander with Hanks and DiCaprio more than able.
Overall this film is a slick, stylish chase movie which should be enjoyed as such and is slightly more enjoyable for being a true story. If anything it is a little too slick for it's own good, but that is a petty complaint to make against a film that kept me pleasingly entertained for the past two hours!
This was an entertaining and fun piece of film making from the ever-reliable Steven Spielberg. It is a bit of a depart from his usual full-blown and hugely epic pictures, yet this does not detract at all from the fascinating story of Frank Abagnale Jr. I was interested in this man before I'd seen the movie, and it only served to increase my interest. Although it is important to remember (as with any such film) that this is only 'inspired' by a true story and not told word for word from one, the plot is fascinating and keeps you laughing, crying and wondering until the end.
Frank Abagnale Jr. is an astounding and interesting character. The real life Abagnale originally said that he did not believe Dicaprio to be 'suave' enough to play the role, but he certainly does pull it off. Dicaprio's acting is superb, and totally believable as a man who could lie to, deceive, and con everyone he met without once losing any of his charisma or charm. Hanks is also excellent, he plays the role of the obsessed FBI agent well, and also with a likable quality. The interaction between these two characters was great, it was interesting to see a budding relationship slowly build between two characters who were actually positioned against one another.
I loved the look of the film. It was a refreshing blast to see the 60s portrayed in such a vivid and colorful way. The whole setting and atmosphere of the film gave it a wonderful and almost (I hesitate to use the word) 'magical' sense. This tone appealed to me much more than a darker tone might have.
However, the film is rife with moral ambiguity. As much fun as it is to watch Dicaprio jumping from one place (and identity) to the next, forging checks and spending inordinate amounts of money at a whim, the film never really focuses on the morally bankrupt side of the story. The portion of the film devoted to this at the end still seems to skim over the fact that this man has stolen millions of dollars. It ends on a high note for Frank Abagnale Jr., never fully spelling out the wrongs he committed. Still, this would probably bring the whole film down, and sometimes it's fun just to enjoy a bit of escapism without being told off for desiring such things. I mean, it's hard to be totally strict and upright - you have to love it when Dicaprio's character swindles Jennifer Garner's prostitute for $400!
Overall, this is a fun film and really enjoyable. Not as much of an epic masterpiece as some of Spielberg's other movies, but still a great film!
Frank Abagnale Jr. is an astounding and interesting character. The real life Abagnale originally said that he did not believe Dicaprio to be 'suave' enough to play the role, but he certainly does pull it off. Dicaprio's acting is superb, and totally believable as a man who could lie to, deceive, and con everyone he met without once losing any of his charisma or charm. Hanks is also excellent, he plays the role of the obsessed FBI agent well, and also with a likable quality. The interaction between these two characters was great, it was interesting to see a budding relationship slowly build between two characters who were actually positioned against one another.
I loved the look of the film. It was a refreshing blast to see the 60s portrayed in such a vivid and colorful way. The whole setting and atmosphere of the film gave it a wonderful and almost (I hesitate to use the word) 'magical' sense. This tone appealed to me much more than a darker tone might have.
However, the film is rife with moral ambiguity. As much fun as it is to watch Dicaprio jumping from one place (and identity) to the next, forging checks and spending inordinate amounts of money at a whim, the film never really focuses on the morally bankrupt side of the story. The portion of the film devoted to this at the end still seems to skim over the fact that this man has stolen millions of dollars. It ends on a high note for Frank Abagnale Jr., never fully spelling out the wrongs he committed. Still, this would probably bring the whole film down, and sometimes it's fun just to enjoy a bit of escapism without being told off for desiring such things. I mean, it's hard to be totally strict and upright - you have to love it when Dicaprio's character swindles Jennifer Garner's prostitute for $400!
Overall, this is a fun film and really enjoyable. Not as much of an epic masterpiece as some of Spielberg's other movies, but still a great film!
Você sabia?
- CuriosidadesSteven Spielberg was initially reluctant to approach Tom Hanks about taking the part of Carl Hanratty, assuming that he wouldn't be interested in playing a supporting part at this stage in his career. Hanks put him straight by saying that a good part was a good part no matter the size.
- Erros de gravaçãoWhile Frank and Carl are flying back to the US Frank looks out the window and tells Carl that they are over Fiorello LaGuardia Airport and runway Number 44. All runway ends are painted/labeled based on the compass direction or bearing it is facing or heading. A Due North is runway "36", meaning 360 degrees and the opposite end marked "18", for 180 degrees. Runway numbers include 1 to 36. No runway 44 exists.
- Citações
Frank Abagnale Sr.: Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.
- Cenas durante ou pós-créditosDuring the first thirty seconds of the credits we hear the FBI typewriters.
- Versões alternativasIn the French language version of the film, Frank teaches his high school Spanish class instead of French.
- ConexõesEdited from To Tell the Truth (1969)
- Trilhas sonorasTo Tell the Truth
Written by Paul Alter and Robert Israel
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Catch Me If You Can?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Atrápame si puedes
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 52.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 164.615.351
- Fim de semana de estreia nos EUA e Canadá
- US$ 30.053.627
- 29 de dez. de 2002
- Faturamento bruto mundial
- US$ 352.114.312
- Tempo de duração
- 2 h 21 min(141 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente