Adicionar um enredo no seu idiomaA goddess protects a girl from an evil magician and his family.A goddess protects a girl from an evil magician and his family.A goddess protects a girl from an evil magician and his family.
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8niz
AMMORU manages to combine all the usual Bollywood pre-occupations (marriage, familial bonds, hinduism) with an amazingly wild mythological fantasy storyline, some great CGI special effects, and quality production, to form one of the most interesting films to come out of India in a long time.
The prologue, as we watch a Shiva-style goddess become Ammoru, the protector of a village, sets the tone well, with the actress giving an engaging Brigitte Lin style performance. Unfortunately, she has little else to do for much of the film.
The central drama concerns a girl who witnesses an evil sadhu attempting to bury a virgin alive, in a bid to gain magical power and riches. The sadhu's mother, unhappy he has been jailed for life, vows to get her revenge on the girl, and proceeds to make her life a misery. This first half of the film works well, with great performances by the evil family, and the special mystical effects used sparingly but effectively.
It shifts tone for the second half, with Ammoru manifesting herself as a child to save the girl, and the sadhu himself being released early and seeking his own revenge. The film eventually begins to submit to standard Bollywood conventions, but redeems itself by upping the fright-factor and the crazy special effects, and bringing back the original adult incarnation of Ammoru to kick some ass!
AMMORU will be of interest to world viewers, as it gives a fascinating insight into the strange culture of southern India, a world where demons, goddesses walk among us as avatars, and it manages to do it without resorting to lowest-common-denominator movie-making as in 99.9% of the other movies coming from the sub-continent.
The prologue, as we watch a Shiva-style goddess become Ammoru, the protector of a village, sets the tone well, with the actress giving an engaging Brigitte Lin style performance. Unfortunately, she has little else to do for much of the film.
The central drama concerns a girl who witnesses an evil sadhu attempting to bury a virgin alive, in a bid to gain magical power and riches. The sadhu's mother, unhappy he has been jailed for life, vows to get her revenge on the girl, and proceeds to make her life a misery. This first half of the film works well, with great performances by the evil family, and the special mystical effects used sparingly but effectively.
It shifts tone for the second half, with Ammoru manifesting herself as a child to save the girl, and the sadhu himself being released early and seeking his own revenge. The film eventually begins to submit to standard Bollywood conventions, but redeems itself by upping the fright-factor and the crazy special effects, and bringing back the original adult incarnation of Ammoru to kick some ass!
AMMORU will be of interest to world viewers, as it gives a fascinating insight into the strange culture of southern India, a world where demons, goddesses walk among us as avatars, and it manages to do it without resorting to lowest-common-denominator movie-making as in 99.9% of the other movies coming from the sub-continent.
To be honest, I'd not heard of the goddess Amorru. This is a nice little story about good triumphing over evil. Bhavani is a simple village girl who gets her dream hubby (Doctor, US work permit) in the village of her birth. She faithfully worships the goddess Ammoru. Unbeknownst to her, she is the target of a vengeful village harridan and their oddball family, including a villain who has sold his soul to the Demon Channda in order to gain immortality, as one does in these films.
And so she is faced with all manner of trials and tribulations, including an attempted rape, etc. But Ammoru always saves the day and there is finally some top-notch ultra violence at the end where the Devi does some baddass actions to make sure the right ending happens. South Indian film often gets ignored or brushed over when people talk about Bollywood. It's a pity, because the stories are at least trying to be different from the usual mush of inept romantic family dramas produced by their northern counterparts
And so she is faced with all manner of trials and tribulations, including an attempted rape, etc. But Ammoru always saves the day and there is finally some top-notch ultra violence at the end where the Devi does some baddass actions to make sure the right ending happens. South Indian film often gets ignored or brushed over when people talk about Bollywood. It's a pity, because the stories are at least trying to be different from the usual mush of inept romantic family dramas produced by their northern counterparts
I hadn't heard about this movie before I actually watched it so I went in blind. And was more than a little surprised on how good it is, especially given the date it was made. Great acting, a very good Hindu mythology adaptation and definitely not low budget. Everybody on this review section have already given a synopsis and I agree with all of them on their ratings.
I just want to clarify for one of the reviewers who hadn't heard of Ammoru, you wouldn't have because there isn't one. Ammoru means "goddess" and who you saw were a few of the forms Parvati/Durga/Kali.
I just want to clarify for one of the reviewers who hadn't heard of Ammoru, you wouldn't have because there isn't one. Ammoru means "goddess" and who you saw were a few of the forms Parvati/Durga/Kali.
Okay, obviously this is a Bollywood movie, a genre which I have no experience or knowledge in, but as it was on TV I thought I'd give it a go. The plot centres around Bhavani, a young girl who is the carer to the shrine of Ammoru, the mother goddess. She falls in love with a man of high standing, whose family object and do all that they can to stop the union in some violent and bizarre ways. Bhavani must call on Ammoru to save her from her plight. That's a rough idea of the plot, which seems to be just a set up for the amazing special effects around which the film was touted. Unfortunately, compared to western special effects they are not that amazing at all.
Typically with Bollywood, there is much singing, and for me, they were the highlight. There's one very dramatic action filled scene at the end, all hell breaking loose, and suddenly it bursts into song. It sounds ludicrous, but I thought it was fantastic. You'll understand if you see it.
All in all an interesting little movie. I would recommend this to anyone who fancies something a little different. It's not for everyone, but as someone who had never seen a Bollywood film from start to finish, I rather enjoyed it. - 6/10
Typically with Bollywood, there is much singing, and for me, they were the highlight. There's one very dramatic action filled scene at the end, all hell breaking loose, and suddenly it bursts into song. It sounds ludicrous, but I thought it was fantastic. You'll understand if you see it.
All in all an interesting little movie. I would recommend this to anyone who fancies something a little different. It's not for everyone, but as someone who had never seen a Bollywood film from start to finish, I rather enjoyed it. - 6/10
Você sabia?
- CuriosidadesDespite not having a big star cast, the film was shot twice and took three years to get completed.
- ConexõesFeatured in Mondo Macabro: South Asian Cinema (2002)
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- ₹ 18.000.000 (estimativa)
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