Voando Alto

Pleasant if unremarkable fluff has Gwyneth Paltrow pulling a Mira Sorvino, playing a hick-town cashier in Nevada who is inspired by a celebrity airline hostess and takes to the skies. Middling comedy-romance about flight attendants has Paltrow in unusually silly spirits; her role isn't realistic, of course, but it's a lot of fun watching her go through the ropes, gaining self-confidence and making friends. Her sweet relationship with Mark Ruffalo never gets in the way of the comedy and provides a nice capper at the end. Film begins skittishly, though it, too, gains confidence and composure despite 'scene-stealing' hams in the supporting cast and an abundance of what appears to be costume designs from the 1970s (yet the film takes place in the present day). Not a big success, but a minor enjoyment. ** from ****

Middle of the road comedy about the dreams and experiences of a small-town girl (Gwyneth Paltrow) who longs to be an international flight attendant.

Another forgettable comedy with (supposedly) high-powered talent that seems to be unused. Gwyneth does have a good comedic presence, and she looks good in the skimpy outfits, what with her lean, leggy body and all.

But it's all just light fluffy trek. The movie struggles to even fill its 87 minutes with substance. Basically just girl from small town, longing for high life and glamour, trials and tribulations achieving her goals, and final realization that love and home are really what cranks. My, my, original indeed.

Yes, Gwyneth is OK, not totally sleepwalking through this role. She obviously needs to be stretched artistically, though. The supporting cast don't provide much. Mike Myers' cross eyed instructor provides a few laughs, but seems mostly like an overplayed Saturday Night Live character.

Candice Bergen seems settled into these time-killer comedies, and that is her prerogative. As the grand damme of flight attendants, she does get a couple of humorous lines, and her lispy, stilted, staccato, deliberate vocal delivery is always funny to me.

5/10 because I did laugh a few times. When it's not funny though, it's not much.

Here's where being a film critic is tricky. This movie isn't really bad, it's actually worth seeing in some senses. It's less than 90 minutes long, which is a safe bet for a comedy. But it fails to deliver any laughs, it stumbles in its course and has some major flaws. As a film critic, my assignment is to tell the readers my humble opinion of whether a film is worth paying to see. In that regard, no, "View from the Top" is not recommended by me. I didn't even really enjoy it that much. It delivers nothing fresh. But I never checked my watch, I never felt like doing something else with my time. It is a harmless film, a good-natured, sappy one-laugh movie that isn't as clever as it thinks it is but still manages to be sublimely interesting in an odd fashion. It kept me interested, although there may be a difference between interested and entertained.

"View from the Top" has been in what filmmakers call "production hell" for quite some time. It finally was released only to bomb at the box office. I don't blame the public for ignoring it. It's sad to think that the funniest thing about "View from the Top" is that Mike Myers' co-star role as a weirdo airline employee is the highlight of the movie. Myers' cameo may be self-indulgent, but not nearly as much so as Adam Sandler's in "The Hot Chick." In fact, without Mike Myers, I would have given this movie an even lesser rating.

The movie is about airline stewardesses and their way to the top. This sounds like a dull subject because it is. This can hardly be stretched out into a long movie without becoming repetitive. But, in a sense, it isn't clichéd - there are no evil characters bent on the heroine's destruction, there aren't any sexually suggestive pilots hitting on the heroine. It's just a story about a woman trying to make it to the top. It will probably inspire and enthrall the younger crowds but leave older audiences unsure.

The film stars Gwyneth Paltrow as Donna Jensen, a small-town girl who dreams of leaving her country home and moving out into the real world. After reading an inspirational book about a flight stewardess who made her way to the top, Donna leaves home and joins a low-key airline service. Rob Lowe makes a cameo as the pilot but then disappears for the rest of the film. With the ads for the movie, you'd think he's a main character.

Donna meets up with Shelly (Kelly Preston) and another young stewardess played by Christina Applegate. They decide to join Royalty Airlines, but Donna's test results are switched and she ends up being turned down for a job at the airline by Frank Whitney (Mike Myers), who has a funny eye that turns inwards and in order to read he must go through crazy guestures.

This movie has sweet performances and sweet intentions, and comes off the way it wants to - sweet - but I can't bring myself to fully recommend you pay to see it. "View from the Top" isn't a particularly fine movie. It's watchable fluff, and the techniques the film use are not as clichéd as something like "Legally Blonde." But in the end, I realized I had barely laughed at anything. Perhaps clichés aren't always the things to avoid.

2.5/5 stars

It seems that too many people watch this movie with wrong expectations: first of all, it is supposed to be a mindless, silly comedy, and in that sense it does not fail. The very beginning of the film shows it clearly, so adjust your expectations accordingly, you Ms. Paltrow included :) I mean, there is Mike Myers in a role of an absolute idiotic instructor teaching flight attendants how to pronounce "assess" so it does not sound like "asses", and Gwyneth Paltrow in a role that takes full advantage of her good looks and portrays her as an unambitious (dumb?) blonde (in the first third of the film)... so if you are expecting some Kurosawa, or Bergman type depth, you are being delusional.

View from the top does have some shortcomings: first of all, it was being made just as 9/11 happened, and from what I gather, that influenced the story, editing and release quite a bit. Then, there is the strange cameo by Rob Lowe, which leaves an impression that it was meant to be more than just a cameo... but it ended up being a loose end. And there is a strangely inconsistent accent by Gwyneth Paltrow who usually gets it right ("Sliding Doors" comes to mind), so that leads me to believe that there was some serious amount of re-shooting which made for those inconsistencies...

Even with all that, the film comes loaded with good laughs, my favorite being scenes with Mike Myers who just nailed his role (but I understand that "haters gonna hate"), and even Gwyneth's reactions to his lunacy are priceless.

So, if you are expecting a terrific plot that would make Hitchcock jealous, move on, this is not that type of film. But if you are in for some guilty pleasure of silly laughs with some seriously good acting by the main actors (Gwyneth Paltrow, Mike Myers and Christina Applegate were all great), then you have come to the right place.

This film is really not as bad as people are making it to be. There is nothing wrong with using actresses good looks to make a funny film especially when the film has no pretenses at being another "Seventh Seal". If anything, we need more joy and fun in this world, and this film provides plenty of that.

p.s. Watch this film carefully, there are plenty of jokes that would be easy to miss if you are too busy eating popcorn.

p.p.s. BTW, Christina Applegate just proved again what a terrific actress she is! Wow!

i liked the premise - small-town girl makes it big as an airline stewardess. the costuming and set design suggested this could be a hip, trend-setting movie. i love seeing women and men who seem different and invite curiosity, i like watching Gwyneth Paltrow acting out the sincerity in her character. but it sure seemed this script wasn't rewritten enough times - even redirected. most of the other characters were introduced as a little quirky or sexy, but after that they became uninteresting, the tension or romance between them didn't seem real. why introduce characters that never recur or mean anything in the end? why go to Paris or New York, and see it from the inside of a room? it's as if the budget was being cut as each page of the script was discovered to be unworkable material! by the end of the film, i felt sorry for most of stars who appeared in this. i think it could have been one of the funniest, interesting movies of the year - i would love to remake it as a real insight into the world of the airline stewardess.