Filler ve Çimen

The idea of showing the corruption in modern Turkey, where your enemy becomes my enemy and your interests becomes mine just because the other side doesn't serve my interests anymore, is basically a very good and promising idea. But in order to succeed you need 2 things. 1. A character that his or her involvement in the story will touch us so we can identify with him or her. 2. Surprises in the story. Those 2 things are missing from the film. The character from point 1 is to weak and not so much involved in the story for us to care about and the surprises become none when you understand in early stage that what you see will turn around 180 degree's at some point. And it happens too much and too often. There are elements in the story that seem to be there just because the writter and the director thought they will add to the story while they have no justification in the story itself and are not fully dealt with nor do they form any clear story line which contribute to the the whole story.

It is not as bad as it seems. Director Dervis Zuim show that he can handle the story well and it is a shame he didn't go for an attitude which says less is more. This is clear case of good intention goes wrong. The potential is there but the result is unsatisfactory.

From the very beginning to the end, this movie maintains a rhythm that never falls short. The story is familiar to those living in Turkey, and it's masterfully balanced with a character drama, though unable to elaborate on neither because of too many characters and story details. But it's a rare success for the Turkish cinema, whose films so far were usually made to "amuse the crowd" or to emphasize the overlooked poor peasant life in the East. Filler ve Cimen also has an insight on many social and political issues; but what makes it a success is the uneasy way it tells the story (contrary to the common failure in Turkish films). The symbols are meaningful and offer a whole new perspective, but they were too very obvious to make sure they're understood. But anyway, it's a good movie, one of the best of the Turkish movies ever..

Too long and mixed up ! look like a Deli Yurek series with out and headliner Kenan Imirzalioglu. i got very boring a specially second half and i wish to finish but did happen... Too long which makes us sleepy. So i was expect level around "Masimiyet" but not even close. i can say easy worse movie of Haluk Bilginer. I can watch Haluk Bilginer 24/7 but not in movie.

I can't say I fell in love with this movie, but it's different for sure. I saw Tabutta Rövaþata by the same director, and without knowing who directed this one, I could tell the same hands made both movies. That's kind of lame.. Derviþ Zaim, the director, reminds me a little bit of Tom Tykwer in not trying to make anything different. Tykwer, however, is very successful, and Zaim needs to criticize himself a little bit. He is trying to be extreme, outstanding, unique, and stuff like that.. That, he achieves. But his movies are not exactly as good as he'd like them to be. Filler Ve Çimen is certainly a billion times better than Tabutta Rövaþata, but still not excellent. A little less exaggeration could have made it a better movie.. Notwithstanding these facts, it's still worth watching. You might not love it, but you won't be bored either. Recommended..

The director made the politics, not art. It tells about illegal structures in the state. But he's very confused. There are too many characters. Excuse me, there are people, not characters. It looks like South American political films.