Cuba Libre

Harvey Keital's best performance so far the new century. Very nicely photographed, a beautiful snap-shot of pre-Castro Cuba. The story revolves around the nephew of a local minor crime boss who develops a friendship with an American with Hollywood connections. It's really about the moment when a boy awakens to the fact that the small circle of people he knows actually live in a much larger, much more complex world that he doesn't yet understand.the script is strong and filled with humor, the direction is crisp. Over all, a really professional job that fits in well with the tradition of Latin American cinema. The one weakness is the decision to shoot in sync-sound English rather than Spanish - probably to improve sales in the US. Unfortunately, this just makes the film a little less convincing. But if you can see beyond this, you will find a heartfelt trip to another world. Recommended.

Cheers to Letvia and Juan for the care taken to depict Holguin,Cuba of 1958.

It is quite a thrill to see the incredible city of Holguin in a movie.

The city, perhaps 100,000 strong in 1958, has grown substantially since then.

Today, you can still fly direct to Holguin from Miami. Well , maybe not you but I can. :)

Armin and Tete, characters in this story, are my aunt and uncle and, yes, they were in Holguin in 1958 the year i was born (in Holguin). Armin and Tete are alive and well and living in Hialeah, Florida.

Marcos@Rodriguez.com. 11/21/2012 http://www.imdb.com/name/nm5020153/

I felt this is a very good and well made movie that focuses on and revolves around the life of a 12 year old Cuban boy who in the movie is known as "the boy". This movie reminds me a lot of Two Bits, starring Al Pacino and Jerry Barone as the grandfather and his grandson. This has that same type of poignant, nostalgic affection for the mysteries of childhood, all framed around a story of a boy coming of age in a Cuba right on the cusp of losing it's traditional old ways and becoming a revolutionary state. Politics are incidental, this is a story of a boy who is obsessed with movies and is discovering love (for an adult woman).

It's a sweet, artfully filmed and directed movie starring Andhy Méndez, who was actually born in Havana, Cuba but immigrated to Miami when he was 5 years old. He then began his career as an actor and a model when he co-starred in the Mexican made telenovela Morelia (which was shot in Miami). Andhy still acts today and has been in many TV series and movies.

Saw this at the Hawaii Film Festival where the director and his wife (who produced it) took a Q&A afterwards.

I found it hard to believe this is a first time director and all kudos to Harvey Keitel for once again taking a risk and going out on a limb for a script he liked.

Certainly reminiscent of Cinema Paradiso, it tells the story of the young director on the turning of the revolution in Cuba. However, don't expect this to be a movie about the revolution, it's political stance is wonderfully ambiguous. Many references to the directors obvious love of film history (a great "Bicycle Thief" homage") and some whimsical scenes which work with out being pretentious.

Enjoy!

This film is a lyrical and romantic memoir told through the eyes an eleven year old boy living in a rural Cuban town the year of the Castro revolution. It is an obviously genuine worthy labor of love.

The names CUBA LIBRE and CUBAN BLOOD are merely attempts to wrongly market this as an action film. DREAMING OF JULIA makes much more sense. It has more in common with European cinema than with RAMBO and the revolution is merely an inconvenience to people's daily lives and pursuits. That fact alone makes the film more honest than most works dealing with this time period in Cuban history.

The excessive use of the voice-over narrator does undermine the story but the film makes up for it with unqualified clips from Hollywood films that say so much more visually than the narrator could.

The comparisons to CINEMA PARADISO and are fair game as the film does wax melancholy about movies, but there is an underlying pain at the loss of a lifestyle that surpasses lost love.

The revolution, like the film JULIE, never seems to have an ending.