AVALIAÇÃO DA IMDb
7,7/10
6,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDuring the Cold War, Germany was divided into two states - East and West. This epic story tells about their dramatic connections.During the Cold War, Germany was divided into two states - East and West. This epic story tells about their dramatic connections.During the Cold War, Germany was divided into two states - East and West. This epic story tells about their dramatic connections.
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- Roteirista
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- Prêmios
- 11 vitórias e 2 indicações no total
Avaliações em destaque
Great story of a fight to free people from a police state. Never lost my attention and had the production quality of a Hollywood film.
I wish it was more readily available in the US.
I had to pay $30 for the dvd on eBay.
I wish it was more readily available in the US.
I had to pay $30 for the dvd on eBay.
It is hard to believe that this movie lasted almost three hours. It was so compelling that you stayed glued to the screen the entire time and were surprised when it ended.
The acting by Heino Ferch (Downfall), Nicolette Krebitz (All the Queen's Men), Alexandra Maria Lara (Control, The Reader), Claudia Michelsen (The Reader), and Sebastian Koch (Black Book, The Lives of Others) was superlative. There were others that contributed to making Roland Suso Richter's film the superlative treat that it was.
To see the lengths that people will go through to save their loved ones is inspiring.
The acting by Heino Ferch (Downfall), Nicolette Krebitz (All the Queen's Men), Alexandra Maria Lara (Control, The Reader), Claudia Michelsen (The Reader), and Sebastian Koch (Black Book, The Lives of Others) was superlative. There were others that contributed to making Roland Suso Richter's film the superlative treat that it was.
To see the lengths that people will go through to save their loved ones is inspiring.
In The Tunnel the audience is dragged down to the depths with a group of Germans so desperate to get their loved ones from East Germany in 1961 that they are prepared to dig a tunnel under the infamous Berlin Wall. The tunnel takes a year to dig, is seven metres deep and 145 metres long.
The story of The Tunnel is really the story of Harry Melchior (Heino Ferch), an East German champion swimmer who escapes to the west disguised as a tourist. Before leaving the state which has imprisoned him for four years he promised his sister, Lotte Lohmann (Alexandra Maria Lara) that he would do his best to rescue her from the oppressive regime. Joining him in his noble mission is Matthis Hiller (Sebastian Koch), an engineer with the knowhow if only the rest of the gang will listen to him. He wants to rescue his wife and unborn child. Also on the team is Friederike 'Fritzi' Scholz (Nicolette Krebitz). Her intended is trapped on the other side of the wall, but does she really love him? There is a whole host of other characters who have their own motivations for helping out, but who can be trusted and who is a spy? All the actos put in superb performances, transporting the viewer back to those troubled times. What makes The Tunnel such compelling viewing is not it's high production values and suspenseful story, although it has both in oodles, but the very fact that it is a true story. Directed by Roland Suso Richter and written by Johannes W Betz, The Tunnel is filmed in the original German with English subtitles. But the subject is so enthralling that you soon forget you are having to read each line. While it is three hours long it doesn't even feel it. The Tunnel began its run during the Te Awamutu International Film Festival at The Regent cinema but is to continue showing.
The story of The Tunnel is really the story of Harry Melchior (Heino Ferch), an East German champion swimmer who escapes to the west disguised as a tourist. Before leaving the state which has imprisoned him for four years he promised his sister, Lotte Lohmann (Alexandra Maria Lara) that he would do his best to rescue her from the oppressive regime. Joining him in his noble mission is Matthis Hiller (Sebastian Koch), an engineer with the knowhow if only the rest of the gang will listen to him. He wants to rescue his wife and unborn child. Also on the team is Friederike 'Fritzi' Scholz (Nicolette Krebitz). Her intended is trapped on the other side of the wall, but does she really love him? There is a whole host of other characters who have their own motivations for helping out, but who can be trusted and who is a spy? All the actos put in superb performances, transporting the viewer back to those troubled times. What makes The Tunnel such compelling viewing is not it's high production values and suspenseful story, although it has both in oodles, but the very fact that it is a true story. Directed by Roland Suso Richter and written by Johannes W Betz, The Tunnel is filmed in the original German with English subtitles. But the subject is so enthralling that you soon forget you are having to read each line. While it is three hours long it doesn't even feel it. The Tunnel began its run during the Te Awamutu International Film Festival at The Regent cinema but is to continue showing.
This turned out to be a great movie, much better than I thought it would be. I am a fan of the spy movies of the 1960's, and this movie fits into that genre (but not quite). I am a fan of the cold war era, too, with Berlin and the wall and all that, so this movie was great to watch. There are a few things I didn't like, but they were minor, which is why I gave it an 8 out of 10.
I was watching this with a buddy, and we both got caught up in it and were on the edge of our seats wondering if they would get away with it, and was much more thrilling that I thought it would be.
There are several very touching scenes where people get shot, and people are looking over the wall, reaching down, trying to grab their hand and pull them up, while the shot man is gasping, whispering how he had to get over the wall before he lost his girlfriend...it was very freaking' sad and moving, especially the way the filmed it, very cool.
It gets slow a few times, dabbling in the romance between two characters, but I am used to that in movies now. The version I saw was in German with English subtitles, but luckily I speak German. I thought the main character was very like Bruce Willis.
I was watching this with a buddy, and we both got caught up in it and were on the edge of our seats wondering if they would get away with it, and was much more thrilling that I thought it would be.
There are several very touching scenes where people get shot, and people are looking over the wall, reaching down, trying to grab their hand and pull them up, while the shot man is gasping, whispering how he had to get over the wall before he lost his girlfriend...it was very freaking' sad and moving, especially the way the filmed it, very cool.
It gets slow a few times, dabbling in the romance between two characters, but I am used to that in movies now. The version I saw was in German with English subtitles, but luckily I speak German. I thought the main character was very like Bruce Willis.
10phranger
This is an exceptionally well-built film with a subject more than worth the effort, well delimited and well illuminated. Teaches a lot, by showing, not saying. Truly beyond praise.
Der Tunnel illustrates how it felt to live in East Germany in the years before the Wall was built, how it felt once it was built, and the terrible determination of some people who escaped in the first few days, to make their escape serve others in East Berlin by trying to bring them to the West, even if the attempt should cost them their own lives. The film's primary power lies there, in the testimony value of each of its frames.
I lived for a few months in Germany less than four years after the events shown, within a walk from the East German border. I visited East Berlin several times and traipsed (illegally) into East Germany once. Der Tunnel shows truths I would never have found the words to explain, and shows them in a way anyone can feel, if perhaps by watching the film more than once. Another film that is instructive on some of the same topics is Volker Schlondorf's semi-fictional Legends of Rita, well worth watching after Der Tunnel. (Legends of Rita takes place in the last years before the Wall fell, more than 20 years later.)
One note. In Der Tunnel, the more people are compromised by the East German regime, the more they invoke their conscience and their deep-felt personal opinions. (You might call this the Lutheran variant of Stalinism.) This occurs equally in Legends, except that in the latter the character who is totally "political consciousness"-driven is the West German Rote-Armee protagonist, who does nothing but meaningless murders until she escapes to the East and, there, is kept under control. So, in Legend, the various East German security people come off better with their "conscience" than does the truly-awful protagonist. In Der Tunnel, they don't come out as well. As for the diggers, they never talk about conscience or opinion at all. That they will do everything in their power to save their loved ones from the regime is simply obvious to all and never discussed.
A second note. The only non-East-German involved in the digging is an American undercover operative. Despite working, no doubt, under the same constraints as his opposite numbers, he shows as much determination as any of the other diggers, and perhaps even more courage.
Concerning Marcel's ending query -- The Colonel stops at the border sign because doing anything beyond the sign would lead to major diplomatic embarrassments, and naturally to demotion or worse for him. He certainly can't kill all the witnesses (and has no intention of doing so). This is the same mechanics that explain why the American operative, after being caught in the East by the Colonel's services, is only detained for a spate of days, with no torture nor bad treatment except cold and isolation, and then released. (He carefully avoided engaging in anything like espionage.) These rules were known to all at the time (self included).
Der Tunnel illustrates how it felt to live in East Germany in the years before the Wall was built, how it felt once it was built, and the terrible determination of some people who escaped in the first few days, to make their escape serve others in East Berlin by trying to bring them to the West, even if the attempt should cost them their own lives. The film's primary power lies there, in the testimony value of each of its frames.
I lived for a few months in Germany less than four years after the events shown, within a walk from the East German border. I visited East Berlin several times and traipsed (illegally) into East Germany once. Der Tunnel shows truths I would never have found the words to explain, and shows them in a way anyone can feel, if perhaps by watching the film more than once. Another film that is instructive on some of the same topics is Volker Schlondorf's semi-fictional Legends of Rita, well worth watching after Der Tunnel. (Legends of Rita takes place in the last years before the Wall fell, more than 20 years later.)
One note. In Der Tunnel, the more people are compromised by the East German regime, the more they invoke their conscience and their deep-felt personal opinions. (You might call this the Lutheran variant of Stalinism.) This occurs equally in Legends, except that in the latter the character who is totally "political consciousness"-driven is the West German Rote-Armee protagonist, who does nothing but meaningless murders until she escapes to the East and, there, is kept under control. So, in Legend, the various East German security people come off better with their "conscience" than does the truly-awful protagonist. In Der Tunnel, they don't come out as well. As for the diggers, they never talk about conscience or opinion at all. That they will do everything in their power to save their loved ones from the regime is simply obvious to all and never discussed.
A second note. The only non-East-German involved in the digging is an American undercover operative. Despite working, no doubt, under the same constraints as his opposite numbers, he shows as much determination as any of the other diggers, and perhaps even more courage.
Concerning Marcel's ending query -- The Colonel stops at the border sign because doing anything beyond the sign would lead to major diplomatic embarrassments, and naturally to demotion or worse for him. He certainly can't kill all the witnesses (and has no intention of doing so). This is the same mechanics that explain why the American operative, after being caught in the East by the Colonel's services, is only detained for a spate of days, with no torture nor bad treatment except cold and isolation, and then released. (He carefully avoided engaging in anything like espionage.) These rules were known to all at the time (self included).
Você sabia?
- Versões alternativasGerman DVD version runs for ca. 150 minutes, ca. 40 minutes shorter than the TV version.
- ConexõesReferences Os Desajustados (1961)
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- How long is The Tunnel?Fornecido pela Alexa
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Bilheteria
- Orçamento
- US$ 7.100.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 46.296
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.127
- 1 de mai. de 2005
- Faturamento bruto mundial
- US$ 115.112
- Tempo de duração2 horas 30 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
- 2.35 : 1
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